You Don’t Have to Wear All The Hats: The Indie Author’s Secret to Staying Sane

I’ve worked with publishers and I’ve published on my own. One of the biggest differences between the two is how much work the publisher does on your behalf: cover art, editing, sending your book out to review sites and so on. There’s also the advantage of the built-in audience your publisher already has, the value of a larger group newsletter, as well as networking opportunities with other authors in the same publishing house. Sure, when you go indie, you retain more control over every little detail of your work. You get to set your production schedule, retain complete control over cover art, have the last word on editing, and get a bigger share of the royalties. But there’s a reason publishers take the lion’s share of sales earned. 

You have to wear a lot of hats to be an indie author.

There are some people who love this. They relish having all the control. But there are others who are overwhelmed with spinning all the plates at once: finding a good cover artist and editor. Scouring the review sites to find ones that will accept your story. Lining up beta readers and ARC readers. Designing eye-catching graphics and running Facebook groups. Scheduling posts across the board to all your social media sites. Holding giveaways and writing guest blog posts. All the while working on the next release because we all know the next story is your best advertisement.

Where does anyone find the time to do all of this? Especially if you haven’t a freaking clue how to set up a newsletter or your attempts at  website design or graphics look as though a second grader created them.

The good news is you don’t have to wear all the hats. (Do you like my image above? It was from a Peggy Carter cosplay photo session I did last month 🙂 ) You are allowed to delegate.

The bad news is you might have to pay for that delegation.

Here’s my take on where you can and cannot skimp.

  1. Pay for an outstanding cover. No, seriously, you can’t let your BFF with Photoshop make your book cover unless he or she is a graphic artist and is looking to expand their portfolio. For one thing, you can get in a lot of trouble if your cover artist isn’t using royalty-free images (or images they purchased) that have been licensed for cover art. But even more importantly, if your cover art looks like it’s been done by an amateur, if it doesn’t match genre expectations, then readers will give your story a hard pass. People DO judge a book by its cover. And a crappy cover will sink even the most amazing story. You have a nano-second to catch a reader’s eye and make them take a second look with your story. Don’t blow it with a crappy cover.
  2. Pay for quality editing. Yes, good editing is expensive. There’s a reason for that. An editor doesn’t just correct your grammar and punctuation, though that is important. A good editor tells you when you use repetitive phrases or actions. When your story has continuity errors or plot holes you could drive a truck through. When you are writing outside genre expectations. A good editor meets deadlines and does more than give your story a cursory read. It may take time to find an editor that’s a good match for you, but when you find him or her, cling to them for all they are worth because they are worth their weight in gold. Readers will notice crappy editing and comment on it in their reviews.
  3. Formatting: if you can’t figure it out, pay someone to do it. There are lots of people out there who offer formatting for all the major outlets for reasonable fees. Nothing pisses a reader off more than weird formatting on their e-readers. Yes, there’s software out there like Calibre that will put your book in the different formats, but if you want elegant formatting–pretty chapter headers or reliable reading across the different file formats–pay someone. If you have to cut costs (and believe me, I’ve been there) teach yourself how to do it.
  4. Graphics: Social Media Posts and Teasers. This is a tough one for me because there are some great options out there for creating your own, like Canva. However, I simply don’t have the time right now to learn how to make sophisticated graphics. I can make a serviceable image, but an elegant one? Not so much. If I have to chose between spending 3 hours messing around with Canva to produce an image that looks cheesy or write 3 K on the WIP, I’m going to choose the WIP every time. Eventually, my skills will improve. But in the meantime, I’ll pay someone to give me this:It doesn’t have to be expensive. Talk to your friends. You probably have friends who would love to make something like this for you without charging you an arm and a leg. Or again, find that graphic artist looking to expand their portfolio.
  5. Marketing: You have to do it. You can’t simply launch your book like Noah releasing a dove from the deck of the Ark, hoping it will eventually return with evidence of dry land. I wasn’t able to nail down exact numbers but read that in 2014, Amazon reported at least 5 K new releases each day. You might think that’s insane, but what’s really crazy is expecting your book to get singled out among the pack for notice if you make no effort to call it to anyone’s attention. I highly recommend Bad Red Head Media’s 30 Day Book Marketing Challenge. Get it. Read it. Do it. If you want to pay someone to promote your book you can, but this is one area if you’re willing to do the legwork yourself, it will pay off.
  6. Create a Book Bub account for yourself. If someone follows you, boom. They get notified every time you have a new release. Post that link on your website so people can find and follow it. Easy. Free.
  7. If you don’t have a clue what you’re doing, consider hiring someone to teach you the ropes at first. Yeah, you hear me say ‘hire someone’ a lot, and believe me, I know what it’s like not to have the funds to do that. But you only have a couple of options: Teach yourself or pay someone to do it for you or pay someone to teach you to do it yourself. I’m a big believer in hiring the right help to teach you how to do it for yourself.
  8. Don’t have the discretionary funds to pay for the right help? I get that. Then join groups/lists/sites where you can learn what you need to know for free. Consider offering your services to another newbie needing to learn the ropes. I like the ‘watch one, do one, teach one’ philosophy because I think (aside from being a cool thing to do) sharing what you’ve learned helps you retain those lessons. Face it, if you only ever set up a newsletter once every few years, you’re going to forget how to do it.
  9. Decide what’s really important to you and what works best. Don’t waste your time on things that frustrate or annoy you. If participating in every Facebook group or wasting hours on Tumblr is not your thing, don’t do it. You only have so much time and most of it should be spent working on the next story. Because even though it isn’t sexy or cool to say it, THE NEXT STORY IS YOUR BEST ADVERTISEMENT. Sure, there are lots of people out there willing to take your money to teach you how to make your next book a bestseller but if you aren’t writing and releasing on a regular basis, it’s all for naught. Readers are like stray cats: feed them and they will come. Stop feeding them, and they will drift off in search of food elsewhere.
  10. Check out the time-saving options for scheduling posts across various sites. Crosspost whenever you can. This post will automatically appear on my Facebook, Twitter, Goodreads, and Tumblr pages. When I use Hootsuite to schedule a post, I can set it to post to Instagram, Twitter, and Facebook simultaneously. Simplify your life whenever you can. But pick a schedule and post regularly. Your audience, like stray cats, will expect you at certain times once you establish your schedule. Don’t disappoint them.

One other thing I would add: be authentic. I confess, I struggle sometimes to balance the author side of me with the part that is enraged about world events or just wants to post pictures of my pets. Don’t work so hard at presenting your brand that you show your readers someone who doesn’t actually exist. Yeah, there’s a risk in revealing your real self. You might lose readers. But truthfully, your real self is revealed in every word you write. So what do you really have to lose?

Bottom line: if you have the time, energy, and skills to teach yourself what you need to know to be a successful indie author, go for it. But in those areas where you have doubts, where your skills are subpar, hire the right help until you can master those skills. There are some things I believe should always be left to the experts–cover art and editing being the biggies–but be ruthlessly honest with yourself. If you’ve been skimping on services because you can’t afford them, consider saving up to give your story the best launch possible before releasing it into the world. After all, you want that dove to bring back an olive branch.

My Me Too Story

It wasn’t my intention to go into details about my experiences with sexual harassment and assault. I’d seen the #MeToo hashtags on social media and shared them, in part because I believe there is value in victims realizing they are far from alone. I understood that many people who have experienced such negative situations might not be in a place where they felt like they could share, and I was okay with that too.

I also felt that though I’d been harassed and assaulted too many times to count, my experiences didn’t count on some level because I’d managed to avoid the ultimate assault: rape. So perhaps it was best that I simply shared the hashtag and otherwise remained silent on the subject. What did I know anyway?

But here’s the thing. The Harvey Weinstein revelations opened some real dialog, and had the potential to provide healing across a large scale. In the course of some of the fallout from these discussions, Twitter has promised to invoke stricter rules with the intent of protecting people from online harassment. We’ll see if they follow through, but at least it’s a step.

People from all walks of life shared the hashtag. Sometimes that was all they could share, and they typed those words with shaking hands. Sometimes seeing those words on someone else’s timeline led people to share more deeply, and in doing so, bring a measure of comfort to those who have suffered in silence so many years.

But then Mayim Bialik posted her opinion piece in the NYT. I have to say, as one of those, ‘Gosh, if you just obey the rules, nothing bad will ever happen to you’ opinion pieces, this is one of the worst. Because the whole thing reads like one long ‘n’yah, n’yah, n’yah’ to every woman who intentionally or otherwise made Ms.Bialik feel bad about her appearance while working in an industry where the roles are largely assigned based on appearance. Whereas the post pretends to be a ‘guide’ on how to avoid sexual assault by dressing modestly, not saying anything that could be misconstrued as flirting, and by all means, go get a degree in neuroscience because everyone knows brains aren’t sexy, the piece is really a giant FUCK YOU to beautiful women everywhere and the popular girls in high school.

Let me say for the record, I belong to neither of those groups.

I take exception to Ms. Bialik’s post on many levels. For one thing, sexual assault is not about sex. It is about POWER. It is about someone saying they own you and they have the right to do things to you without your consent, and the assaulter gets his (or her) jollies out of degrading you to the point you feel helpless to report them. It is a power trip. Your personal attractiveness has nothing to do with it. I would hazard a guess that the greater the disparity between power bases, the more pleasure the perpetrator takes in his or her actions.

The other thing that pisses me off about pieces like this is the implication that if you just followed the Good Girl Rules, then nothing bad will happen to you. The flipside of this implication is if something bad HAS happened to you, it must somehow be your fault for not obeying the rules. And crap like this shuts down any possible healing that might be taking place with the Me Too hashtag, as it turns into a finger-pointing game.

Case in point: me.

I’m going to leave out all the times I was catcalled and harassed on the street. Ditto the times I’ve been flashed, or the times old men have said lewd things to me in passing. I’m not even going to recount the time I was followed on the interstate for over 150 miles (I didn’t notice at first, but once I did, I couldn’t shake the guy until I pulled a dangerous stunt to exit the interstate at high speed as he was passing me) or the time I was run off the road at night by someone who’d been tailgating me with the high beams on. Fortunately, I had no hesitation about putting the car in reverse and backing up the interstate at 70 mph…  I’m not even going to include the letter I received from the father of one of my high school friends six months after his wife died, professing his long-standing desire to date me.

The main reason for not telling all these stories is they are simply too numerous to count, and honestly, after a certain point, it starts to feel like the normal cost of being female. I’m not saying that’s right. I’m just stating a fact. I’d be hard pressed to name a woman who doesn’t have stories like these to tell.

But let’s look at the more serious infractions. I should point out that all of my high school year book pictures were so bad, I never bought any, nor did I buy any of the yearbooks themselves. In high school, I had mountains of frizzy hair, glasses with Coke-Bottle-thick lenses, and teeth only a gargoyle could love. I graduated early, and wound up in college at seventeen, wearing braces. Seriously, as unsexy as you could get, and by Ms. Bialik’s reasoning, should have been utterly safe.

Only I wasn’t.

My first experience with sexual assault came when I was flunking organic chemistry. I approached the TA for help; he recommended a tutor and gave me a name. At the very first session, my male tutor said the only place in his dorm with enough room for us both to look at the books at the same time was on his bed. I spent 40 minutes trying to get him to keep his hands to himself and refocus back on the material, but it was no use. I could have insisted on future meetings at the library or a study room, but I was too freaked out by the experience. I could have reported him, but I didn’t know to whom, and beside, who would believe me? They would take one look at me–gargoyle in glasses–and one look at him, your average clean-cut All-American rich boy–and said it was wishful thinking on my part. Or worse, an attempt to extort money or something. At the time, I bought into the myth that rape and assault were about sex. I must have done something wrong. So I did what most teenagers would do. I said nothing and dropped the class.

The next time I got assaulted, it was by a professor. I was in the lab working on my project by myself. It was 2 pm on a sunny afternoon in a building full of people. I was working at a point where the two counter tops came to a right angle, and standing with my back to the door when this professor entered the room, came up behind me, and pressed his erection into my backside. He pinned me in the corner without escape.

I stomped down on his instep while at the same time driving my elbow into his gut and shoving him backward. Then I turned in all innocence, blinking at him wide-eyed as he bent over double, and said, “Golly! You surprised me! You know, you really shouldn’t sneak up on people like that.”

He never came near me again. I found out later he had a reputation for hitting on college girls, but again, I said nothing. I’d taken care of the problem and because he wasn’t my professor, he wasn’t in a position to give me a failing grade. I know now I should have reported him. At the very least, that report would have given ammunition to the next girl who filed a complaint.

The third time was more serious. I was trying to get into grad school and studying hard, no time for a social life. But I met a guy, and he was cute and made me laugh, so when he asked me out, I said yes. On our first date, we somehow never made it to the movie we’d intended to see, and spend most of the evening talking. He wanted to go out again that weekend, and we made tentative plans, but when Saturday afternoon rolled around, I had to finish a project and suggested we meet with my friends for dinner that night instead of going out that afternoon.

When he came over that evening, he took me aside privately and castigated me for ‘canceling our plans’, letting me know he didn’t appreciate that. I honestly couldn’t see what the fuss was about, as we were having dinner that very evening, nor did I appreciate his attitude, but what was I to do? Kick him out? Tell him he was being a jerk and I wasn’t going to put up with that? These days, that’s exactly what I would do. But of course, at the time, I didn’t. I was 21 and raised to be polite.

After dinner my friends wanted to go out, and we went as a group to hear a band play at one of the local bars. I was uneasy about my date, but felt safe because I had company. Then, while the guys got drinks, my roommate informed me that earlier in the day, she’d caught my date going through my car. When she questioned him as to what he was doing, he said he was looking for my schedule. This creeped me out, but again, I thought I was safe because I was surrounded by friends. Only later when I went to the restroom, I came back to find my friends had left without me–and I was alone with my date.

In retrospect, I was very close to being a dating statistic that evening. Probably the only reason I’m not is because I instinctively knew not to let him in the apartment–and because I did some pretty fast talking when he dropped me off. Even so, I shouldn’t have gotten in the car with him, and I never should have told him I didn’t think dating was a good idea on my doorstep. At the time, I was certain he was going to hit me. I realize now I was in far more danger than that. But I made myself the bad guy–it was me, not him, I was trying to get into grad school, I couldn’t allow myself to be distracted, he needed a girl friend who could treat him with the respect he deserved. When he brought up the fact that people got married and went to grad school all the time, all the alarm bells went off, but I kept it cool. It had nothing to do with him being the Conductor on the Wackadoodle Train. It was all my fault.

He eventually left–and immediately sought out my friends, telling them he’d ‘lost’ me and begging to know what to do to get me back. My roommate, clueless as to what had happened (no cell phones in these days) suggested he write me a letter telling me how he felt. So he did. A letter so full of misspellings and poor grammar that I knew everything he’d told me about himself and his career was a lie.

And then the stalking began. I ended up cutting off all my hair and relinquishing my contacts for glasses again. I took an unlisted number. I got a big dog. I moved. Eventually, he no longer knew how to find me, and the harassment ended. Several years later, I ran into him in public and I swear, I saw murder in his eyes. I know that sounds like an exaggeration but you had to be there. He would have killed me if he could. I pretended not to recognize him, all the while my heart pounded hard enough to burst through my chest any second. Only when I saw the doubt cross his face as to who I was did I make my excuses and leave the party.

So when I say I Mayim Bialiked myself big time, it’s true. For years I went about in defensive coloration mode, and I’m telling you, it’s no protection. Years later, I was working at my new job in a new town, and stopped for groceries after work on the way home. I was in hurry, so I dashed across the parking lot into the store, grabbed a few things, and ran back out again. As I exited the store, a truck at the far end of the parking lot turned its headlights on. I thought nothing of it. It was on the other side of the parking lot. Probably someone headed home, just like me.

But by the time I’d opened my car door and tossed the groceries inside, the truck had pulled up in the parking space next to mine. As I closed my door and pressed the automatic locks, a man appeared at my driver’s side window. And the look on his face was that of a predator that had missed its kill. I’ve never been so unnerved in my entire life.

Again, before cell phones. And I wasn’t sticking around to confront the guy. I peeled out of the parking lot as though pursued by the hounds of hell. No, I didn’t report it. What would I have said? Some middle-aged white man with dark hair pulled up beside me in the parking lot. Big whoop. Or if I’d been taken seriously, the police may have watched the lot for a few days, but that’s all.

With ALL of these incidents listed here, my dress was the same, my standard uniform: jeans, T-shirt, and hiking boots. It’s how I dress 97% of the time. Tell me how that is being provocative or flirtatious.

So yeah, when I read Mayim Bialik’s opinion piece, it pissed me off. I said as much on the Twitter feed of someone with a LOT more followers than me, and someone else jumped in to MANSPLAIN my reaction, saying I shouldn’t twist Ms. Bialilk’s words. Um, go read the post yourself. No twisting necessary.

This mansplainer did have some good points in the cascade of Tweets he sent in response to me. He (and I assume male because his Twitter account was in a male name) stated (and I paraphrase here) that seat belts don’t guarantee you will survive a car crash, but to ignore the advice to wear seat belts is foolish and dangerous. That though the drunk driver is still the cause of the accident, don’t negate the importance of seat belts in improving survivability. That because seat belts don’t convey 100% safety, I shouldn’t act as though being ‘safer’ isn’t a valid reason to use them.

Now this is the point at which I stopped responding to the guy. A) He had his own axe to grind and I wasn’t going to let it be at my expense. B) He wasn’t listening to me when I said I that every decision I made was with my personal safety in mind and that I only took exception to people who implied the lack of ‘seat belts’ must have factored into someone’s victimization.

As neat as this little seat belt analogy is, it still points the finger of blame in the wrong direction. We shouldn’t be asking, “Was she wearing a seat belt?”

We should be asking, “Why was he driving drunk?”

Discouraged as a Writer: You’re Not Alone

Yesterday, someone posted in one of my Facebook groups a comment I’m seeing more and more lately: a statement of how discouraged they are as a writer.

Truth be told, I understand that all too well. Recently, I decided to leave my previous genre and pen name to start over again. I knew it would be tough, starting over from scratch, but I seriously underestimated how hard to would be to gain traction in today’s market, despite all the lessons I’ve learned about marketing, networking, and how to use social media effectively.

So this post could be a long wail about how tough the industry is, and how hard it is to get noticed when 4500 new books are published on Amazon every day.

But it’s not.

Instead, I’m reminded of the horse-mad girl I used to be, and how I would do anything to ride horses–bike five miles a day to the barn to muck stalls, just to be allowed to ride the school ponies. Volunteer to get on the ‘crazy’ horses, to find out how bad they were before letting students on them. Save my pennies for riding lessons when friends were taking ballet or learning to play the piano.

Once, I’d bargained hard for a riding lesson with a new instructor, only to fall ill on the day of the lesson. I begged to be allowed to reschedule, but the instructor said no. Instead, I attempted to follow her coaching while sick as a dog, barely able to sit upright in the saddle. At the end of the lesson, she told me I had no business being on a horse and I should never bother getting on a horse again.

At the time, I was crushed. Mortified, it was a year before I got up the nerve to approach someone about riding lessons again.

But I did it because I loved horses so much, I couldn’t imagine not riding.

The same holds true for writing.

Several years ago, I was warming up my horse for a dressage clinic when one of the women in the class asked, “Does he always just go on the bit like that?” Her tone was clearly one of admiring envy.

I had to laugh. ‘Going on the bit’ requires the horse to round his back and be compliant to the rider’s hands, the impulsion of movement coming from the hind end. It is a measure of the communication between horse and rider, and in certain disciplines, it is highly prized. It is impossible to do if the horse has his head flung up high and his back hollowed out.

I’d bought my horse as a three-year-old from a slaughterhouse, at meat prices. He was the last horse anyone would expect to become a dressage champion. When I first began appearing at the local shows, people shook their heads and wondered what I was doing there. Over a period of nearly a decade (and many hours of diligent training), we went from being the horse and rider that made people snicker to the team that came home with the ribbons.

The woman at the riding clinic was stunned when I told her of my horse’s background and how much work it had taken to make coming on the bit look natural for him. In the world of competitive riding, most people buy the right horse for the job. The right horse, the right saddle, the right boots, the best equipment money can buy: these can make a huge difference in where you place in the show ring. It doesn’t eliminate the need for disciplined training, but your starting point on the podium is higher simply by virtue of having an athletic horse, and a saddle that prevents you from making a wrong move. That being said, I’ve seen sheer hard work and determination overcome genetics and natural ability. I competed with my meat-market nag because he was the only horse I had, and the hours I put in riding him were a labor of love. Winning ribbons wasn’t the goal. The horse shows just gave me a structure for the time we spent together.

So I have to laugh when people ask me if I’ve always been a writer, in that same sort of wondering, envious tone. As though having a natural gift for something is more valuable than working your butt off to achieve the same results. The truth is, I wrote passionately as a child, only to give it up entirely as a teenager because I didn’t think I was good enough to be a ‘real’ writer. I thought it was time to put away childish dreams and get on with the business of making a career for myself. I wasn’t a natural.

It wasn’t until I discovered online fanfiction archives as an adult that I rediscovered my love for writing. My creative self, having been ruthlessly starved and repressed for several decades, woke with a vengeance. I read everything I could lay my hands on regarding my favorite show, and then tentatively, I began writing my own stories. Not because I thought I was any good. Not because I ever thought I’d be any good. Because I loved the characters so much I wanted to spend more time with them. Because I felt compelled to tell stories about them and share them with like-minded souls. While I was active in fandom, I wrote over a million words of fanfic. The enthusiastic support of friends gave me the courage to try my hand at original fiction, and eventually go on to submit my stories for publication. Making the transition to original fiction was tougher than I’d imagined, but in the end it was no different from moving up a level in dressage: everything that was once seemed effortless becomes hard work as you increase the challenge and have to master a whole new skill set.

Being a natural is over-rated. It tends to teach poor work habits because everything is easy for you at first, and then when it gets harder, as it always does, you get discouraged and frustrated because you’ve never learned how to put in the hours to reach a specific goal. If you want to get better at anything, you have to put your hours in: under saddle, swimming laps, on the dance floor, at the keyboard. You ‘train’ when you don’t feel like it, when it’s raining, when you’ve had a bad day.

One of my favorite quotes is from Calvin Coolidge:

“Nothing in this world can take the place of persistence. Talent will not: nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not: the world is full of educated derelicts. Persistence and determination alone are omnipotent.”

They are words to live by—but especially if you’re a writer. You don’t wait until the muse strikes you. You don’t let reviews sink your confidence. You don’t compare yourself to others. You write, pure and simple. Every day, without fail. You hone your skills by practicing. Your creativity is a muscle you exercise. The more you write, the stronger you get. The better your sentences become. Sure, you can sigh and wish you had more talent, but in the end, it is the person who puts the words to paper who is the winner. It is the person who persists who achieves their dream. That person can be you.

Had I been older and more confident, I would have told that instructor if she’d been any kind of decent trainer, she could teach even someone like me. That’s what you need to do when someone tells you that you can never achieve “X”. Decide then and there who you intend to listen to, and keep plugging away. Am I an Olympic level horsewoman? Of course not. But there will ALWAYS be someone who is a better writer than you are at this stage of the game–and someone who is worse.

Keep at your craft. Practice. Take classes. Work with critique groups. If multiple people say the exact same thing is a weakness in your story, they’re probably right. Listen to them. In the end, however, it’s your story, your voice, your vision. No one else can tell your story the same way you can.

Are other people going to be more successful than you are? Hell, yes. But if you are comparing yourself to some Big Name Author who’s been writing for the last 15 years, you’ve done the equivalent of putting your nag in an upper level dressage test when you haven’t done the training for it. 

And once the level at which you’re competing becomes too easy, you’ll find yourself raising the bar. Just remember, every time you do, it will feel as though you’re starting over again. You’re not. You are at a specific point in the path. Everyone else is either ahead of you or behind you–but it’s still the same path.

So take heart. It just means you’re a writer, that’s all.

Dear Nietzsche: I’m Strong Enough Now, Thanks

I’d originally intended to title this post: Nietzsche Can Bite Me. It would have been catchy and clever, no? It also would have clearly stated how I feel at the moment. Nietzsche, of course, is known for the statement “That which does not kill us makes us stronger.”

I thought that title, paired with this image, would perfectly highlight what I was about to say.

So I Googled Nietzsche to get the exact wording of the quote, only to discover he began suffering from health issues that forced his early retirement, and at the age of 44, suffered an acute collapse that destroyed his mental abilities. He lived in the care of relatives the rest of his life.

Oh dear.

I think Karma was being a serious bitch there.

So I re-titled my post, though my basic feelings haven’t changed. I’d very much like it if the universe could lay off me for a while. But that’s not how it works, is it?

2017 has been an incredibly difficult year for me. I’m not going to bore you with the tally of losses, but suffice to say if I put them all in one story, no one would believe it. It’s the equivalent of living inside a country music song, the kind where the singer prefers the ‘bottle in front of me than a frontal lobotomy’. Imagine if you will, a heroine who, while trying to outrun a tornado on her way home from her daddy’s funeral, flipped the car, killing a child/spouse/pet. And then she staggered home, bloodied and grief-stricken, only to discover a foreclosure notice on the front door and a wildfire raging toward the house from the back forty. While she is trying to put the fire out, she gets a text message that she’s been laid off and her health insurance has been canceled. And then the doctor’s office calls to tell her she has cancer.

Okay, things aren’t that dire for me here, but it has been bang-bang-bang, one loss after another with more on the way and scarcely any time to recover my breath. And certainly no time to grieve. ‘Take all the time you need’ in reality means ‘you can take Friday afternoon off before the funeral if you must.’ The demands of work are such that even if you do take time off, you end up paying for it before and after your return in terms of additional work.

I tend to be a ‘put it on the back burner’ kind of person. I’m the sort of person of whom people say, ‘She’s really managing quite well, all things considering.’ I don’t cry at funerals or family gatherings. I’m the one who organizes and sees that the appropriate things get done. I’m good at my job and I work hard at it. I walk out of a funeral and right back into the office.

But the stress fractures are starting to show. I’ve become a real weenie when it comes to my entertainment, avoiding anything that might be too sad or violent. Recently, the unexpected turn of events in La-La-Land left me unsuccessfully trying to smother sobs on the couch so no one else would notice–something that wouldn’t have affected me six months ago. I’m losing my temper over things that normally wouldn’t bother me–or at least, not openly. Health issues that had been dormant are becoming active again.

The thing is, even for those of us who set aside grief to be dealt with at some future date, that date always arrives. My problem is I haven’t allowed myself to deal with the first loss before the others began piling up. Now I’m walking on a thin crust of barely cooled lava, hoping it will support my weight as I go about my day, trusting that no one will notice the ominous glow shining through the cracks, the sulfurous odor, or the smoke coming off my shoes.

We’re not a very forgiving society when it comes to grief. Hell, we’re not a forgiving society when it comes to anything at the moment, if the current state of affairs in the US is any indication. Stiff upper lip, and all that. It was the way I was raised and I know no other way of behaving, to be honest. But I strongly suspect this time, this year, it’s not going to be enough.

I’ve been collecting–but not reading–links to articles on grief. I intend to read them. You know, when I get the time. Today, I did click on one–an article about a letter of consolation Seneca wrote to his mother.

One passage in particular struck me: It is better to conquer our grief than to deceive it. For if it has withdrawn, being merely beguiled by pleasures and preoccupations, it starts up again and from its very respite gains force to savage us. But the grief that has been conquered by reason is calmed for ever. I am not therefore going to prescribe for you those remedies which I know many people have used, that you divert or cheer yourself by a long or pleasant journey abroad, or spend a lot of time carefully going through your accounts and administering your estate, or constantly be involved in some new activity. All those things help only for a short time; they do not cure grief but hinder it. But I would rather end it than distract it.

It occurs to me that I’m not going to get the kind of time I need to process all my grief right now. Not in one block of time. I certainly won’t be able to package all grieving into a specific time frame, after which I will declare myself done and move on. But if I don’t do something, it will lie beneath the surface like a festering wound, unable to heal and with the potential of becoming truly toxic with time.

The only solutions I can see at the moment are to take little mini-breaks. To say no to things I don’t want to do. Stop filling up every free minute with commitments and promises. Turn off social media. Play more music. Walk outside barefoot. Appreciate what I have, let go of what I’ve lost, and fight for what I want in the future. Honor grief by being quiet enough to listen to it.

But Nietzsche can still bite me.

 

June Recommended Links on Writing

Hah. I need to find a better image for these ‘links’ posts! This is the first of what I hope to be monthly posts where I share useful links to posts on writing, marketing, and any aspect of the business I found useful.

Starting right off the bat, the first article I wanted to share dealt with impostor syndrome. It was written from the viewpoint of a photographer, but everything the author said applied to writing as well. Unfortunately, the link I’d saved no longer works, but I found another one: 5 Tips for When You Feel Inadequate.

If you’re not already following Chuck Wendig’s blog, terribleminds.com, you should be. He has one of the best blogs out there on writing. This post is a gem: Wrestling with Writer’s Block by Maurice Broaddus.

Thinking about creating an audiobook? This post by Isobel Starling walks you through the process on ACX: Indie Authors: Using ACX to Find a Narrator.

One of the terrific things about indie publishing is the ability to make your own rules. Kristen Ashley shares her success story here: The Secret to This Romance Author’s Success? Breaking All the Rules.

Jane Friedman is another author who posts excellent advice on writing. This one here about How to Spot Toxic Feedback is something we all should read and understand.

The Write Practice also had some words to say on How to Give and Take Better Writing Feedback.

I have a confession to make here: despite the fact I’m a romance writer, I sometimes struggle to write kissing scenes! Face it, when you write a lot of such scenes, you have to find new ways of keeping it fresh! Ride the Pen has a nice little post here about How to Write a Kissing Scene.

Molly Wetta posts about the difference between urban fantasy and paranormal romance, which is a handy reference guide, as I write both! Urban Fantasy for Paranormal Romance Readers.

Kristen Lamb is another writer with a fantastic blog on writing, marketing, and social media. I’ve said before, I don’t always agree with everything she says, and this post is an example. Her post: Shame, Shame, We Know Your Name. Or Do We? Shame and Fiction had some interesting things to say about shame as a driving force in all great stories. I quibbled a bit with the argument that all great literature had shame as a central impetus for character behavior, but I was hard-pressed to think of stories that did not… 

And last but not least, Lit Hub posted an essay constructed out of quotes from Jamaica Kincaid on How to Love and How to Write. I wasn’t familiar with the author when I read the post, but I found the quotes to be pithy, amusing, and thought-provoking.

I wish I had time to read all the posts I bookmark for future reference! Ah, some day. In the meantime, I’ll share the ones that resonated with me. And I’ll keep searching for a better link image!!