Prince of Granola by L.A. Sartor, Excerpt and Author Interview

Prince of Granola–don’t you just love that title? And this cover! Please welcome L.A. Sartor as she shares with us about this exciting new release!

Blurb:

Only One Will Win

Cacao – long a symbol of wealth, love, and power – now the center of a powerful rivalry.

The fabled Costa Rican Plantation of White Treasure, source of the rarest form of the cacao bean, is up for sale. Though two fierce competitors have been invited to bid on it, only one can win.

For Drew Hopkins, purchasing the plantation is the perfect solution to escape a life she never wanted.

For Robert Prince, it’s the perfect route to revenge.

Drew, the founder’s daughter and now CEO of HH Chocolate, heads a company whose sales are waning.  Robert, CEO of Prince Organics, a man driven by excellence, despises everything and everyone labeled Hopkins.

But it wasn’t always that way.

Will their forced proximity at the lush and exotic plantation rekindle old flames or will it fan the fires of antagonism?

 

 

Dear Reader Blurb

 

Dear Reader:

Cacao has always been a symbol of wealth, love, and power. From the ancient Maya and Anasazi peoples who drank the pleasantly bitter brew to the European noblemen and religious hierarchy who began to dine on it at their gilded baroque tables, to current times where you can indulge in gold-leafed truffles in boutique chocolate shops or bar-shaped candy off a grocery shelf, chocolate has been cherished, fought over and delighted in.

If you’re interested in an in-depth history of chocolate, The True History of Chocolate by Sophie D. Coe and Michael D. Coe is a must read.

Be sure to check out the exciting excerpt below!

Author Interview: 

Hello! I’m delighted to have you here with us, sharing about your writing process. First, please tell us a little about yourself and the kinds of stories you like to write. Would you say there is an underlying theme behind your stories?

Hi, McKenna, thank you for having me as a guest on your blog.  I prefer stories with a happy ending, be it a romance, adventure, suspense, or mystery.  And guess what? I currently write all four genres, though my cozy mystery won’t be out until 2019. 

You asked if there was an underlying theme.  YES, there is. Even though the characters all have differing motivations and conflicts, I think my theme is always about trust. Trusting another person with your life, your love, your heart, your child.

What part of the world do you call home? Can you tell us a little about where you grew up and where you live now?

I was adopted as an infant by an American couple in Germany, spent several years there before moving to Pacific Palisades, California.  Loved it there. Adventure, beaches, palm trees, sunshine.  Then we moved to Colorado when I about 10. I was heartbroken to leave CA.  Now a gazillion years later, I can’t imagine not living in Boulder with a view of the icon Flatirons. The ocean still calls to me and I get my fix 3-4 times a year.  I’d be happy with a beach home to visit anytime I desired, and my forever home in Boulder.

How long have you been writing? Did you write as a child or is it something you developed a passion for later in life?

Funny you asked if I wrote as a child.  Ha, I thought I was unique, but I’ve learned that many writers start very young.  I was about 4, and no I couldn’t write, but I told my stories to mom, who wrote them down and I “illustrated them”. I gave up my passion after a junior high school teacher told me and my parents that I’d never be a writer because I didn’t want to learn grammar, I just wanted to tell stories.  Much later I regained the need to write. And it is a need. Today I have seven books published. I’ve made #1 Amazon Bestseller and won awards.  I’m truly happy to be where I am.

 

“Writers should write what they know.” What does this statement mean to you as an author?

I think it’s very limiting in, or at least it seemed that way to me when I started, and as I’ve met other authors, they’ve shared the same restriction they feel creates in that phrase.

We know sorrow, suffering, love, happiness, fear–the emotional list is nearly endless. We might not know how an attorney works or the law, or a bakery, or how an AUV (Autonomous Underwater Vehicle) works, but that is all information we can find on the internet or library, as well as query people in the field.  I didn’t know anything about cacao when I started Prince Of Granola, my new release. Or how go from bean to bar, or much about Costa Rica.  I found experts who either emailed me answers or invited me to their business to watch the process.  But I did know about the pain of separation, rivalry, betrayal. 

So, don’t be limited by thinking you can only write about nursing if you’re a nurse (heck, you’re an angel) you can write about anything by tapping into the emotions you’ve experienced and then doing your diligence with research. And if your story is about a nurse, then you’re simply that much further along.

Are you a panster or a plotter?  Do you outline extensively or write your story as you go along?

I used to proudly wear the panster badge.  It’s a bit tarnished now.  While I always knew my beginning and my ending, it would take me months to create a middle.  Then I dealt with huge rewrites and editorial revisions.  Now I’m developing my own plotting worksheet from various classes that have resonated with me.  That worksheet is work in progress. 

And lil’ miss panster, aka, me, is becoming the queen of spreadsheets for various reasons, like, ugh, expenses, but also I need book bibles for my series.  I just did a blog on them here if you’d like to see what I’ve done. 

What’s your idea of a perfect vacation?

Since I live in Colorful Colorado, and I mentioned above that I have to have my beach fix, my favorite spot is by a warm ocean.

Part of our day (our, meaning my amazingly patient husband should be with me for a perfect vacay) would be in the water and on the sand, with yes, sunscreen, and no, not with a mai tai in hand, that’s for after I’m done with the sun. Then go sightseeing. I always find things to add to stories this way and I make a record of them either with a camera set on video so I can record the image and my thoughts or my iPhone doing the same thing.

Later in the evening we’re either dining out extravagantly or eating local. I get recommendations from Triple D, friends and yes, internet research.  Drink in hand, we watch the sunset. After dinner we stroll the beach, darting either into or away from the tide. And a last cup of coffee before we share a kiss and dreamland claims us.  Sound sappy? Probably, but that’s perfection for me.

Do you see your writing as a hobby or is it your goal to be a full-time writer at some point in the future?

I was able to retire from my part-time “day” job at a somewhat early age. And instead of just enjoying writing, I turned it into full-time job.  I was obsessed with writing, it took over. While my husband was patient, it became obvious to both of us that I needed to find balance in my life.  My childhood phrase was “Lessie Do It.” I’m still pretty driven, even today.

So, it’s been more of a challenge than I thought to find the balance, and six years later, I’m not sure I’ve yet achieved that goal. I know I’m better at putting aside my laptop when I reach my word count goal for the day. I don’t get angry at me and the world if I miss a day (but I do try and make it up) and I almost never write while on vacation. I may jot notes, or record them and transcribe them in Dragon Naturally Speaking. And the recorder is never in a place I can’t put my hand on it immediately. Because you know, I do my best thinking in the shower and often, wrapped in a towel, I’m running for the recorder. My husband and writing retreat buddies are used to this.

Research: love it or hate it?

Absolutely love it.  As I mentioned above, information and people with information can be found by being diligent about looking.  And people, wow, they are generally so willing to help.  For instance, in my second adventure book, Viking Gold, I made connection with a Colonel (ret.) in the Danish Air Force who’d been studying Nazi sub and airbases.  The information he gave me, completely turned my story around and made it so much better than my original concept.  The submarine base in Trondheim Norway gave me chills. Today it’s pretty benign, but its history!  And so I used it, changed it a bit, but not enough to ruin the reality. I could go on and on with stories that SES told me about WWII but I’ll spare you.  😊

*How much do you think that a good blurb and good cover art figure into the success of a story?

It’s huge. I’m redoing a few of my covers and blurbs because I am able fix them now and make them better. I didn’t have the skills before, and I often didn’t know what I wanted to change in a cover or a blurb so how could I tell my cover artist?

I think it’s important to keep both fresh and updated.  To reflect the times with the blurb and be as professional as possible with the cover.  I like to try to tell a bit about the story in the cover.  In Dare To Believe, my first book and a romantic suspense, I’m creating its third cover. While the first two were done by a wonderful graphic artist, I felt the cover needed some minor tweaks.

Hey, here’s a thought, check out the cover on my website and tell me if you think the blurb at the top says enough or should I say what I’m trying to convey on the cover, Color Won’t Return To Cate’s World Until Haley Is Found?

I’d love to hear your opinion.  After all you all are readers, exactly the people I want to reach. (And if you’re a writer, hey, same goes. We read after all.)

Do you miss your characters when you come to the end of their story? Do you find ways to write sequels for them or do you become entranced with a new set?

I do write series, because I’ve found that readers love to find a character from a prior book in the new one. They and I (yes writers should be readers) feel like we’re in remembered territory even as new characters with their own conflicts, motivations and goals come into play.  It’s like a treat. 

In fact, my WIP Dream Of Me This Christmas Eve is being written because readers asked me to write about a particular minor character. We didn’t even meet in her Forever Yours This New Year’s Night, but apparently people liked who she was.  Caroline Young will now have her own story around October of 2018. The 4th book in the Colorado set Star Light ~ Star Bright series. I’m pretty thrilled that 1) people responded to me and asked about her and 2) that I finally found the right story for her.

Excerpt from the Prince of Granola:

Robert watched as Drew, garbed in that ridiculous jumpsuit, followed Isabelle up the steps to the hacienda. Just before disappearing into the house, his nemesis hesitated, turned, and gave him a brief, provoking smile.

The furrows on his brow deepened. If this continued for four days, he’d have a permanent set of ridges.

How was it that the one person he avoided whenever possible was here now, after the same plantation?

It was ridiculous that Señor Camerillo would think of selling his rare cacao beans to HH Chocolate. They weren’t in the same league as Prince Organics. Or for that matter, any other gourmet chocolate company.

HH made mass-market chocolate bars, holiday-themed shapes, and bite-sized foil-wrapped squares, all with barely enough cacao in them to call them chocolate. And Robert knew that HH was finally in the financial straits his father had predicted when he’d walked out of HH’s headquarters the last time.

Henri Hopkins had been old-school through and through, refusing to move with the times. Robert knew that Drew had started working there right after grad school, but by the time Henri had relinquished the reins of the company to her, she had a dying business on her hands.

His thoughts returned to Drew’s brief taunting smile. How dare she?

What, taunt, provoke? Why not? We’re adversaries after the same goal. And I should have done it first, showing her that she didn’t have a chance. Let her be stewing. “Jeez, get a grip. You’re not stewing.”

“Pardon? I did not quite catch that.”

Robert glanced over at the señor, realizing he’d spoken aloud.

“It was nothing,” he assured the puzzled man.

But it wasn’t.

The last time he’d seen her was over a year ago, during a corporate panel discussion hosted by the number one business show on television. She’d been charming, articulate, and had the moderator in the palm of her hand. After the show was over, Drew answered a few questions from various business reporters, then fled the room as if she couldn’t stand to breathe the same air as him.

Yet just now he’d allowed her, however momentarily, to seize the upper hand as he focused on that taunting smile instead of simply ignoring it.

Doubled with that punch to your gut and groin when she pulled off that helmet and all that glorious chestnut hair tumbled around her shoulders.

About the Author:

I started writing as a child, really. A few things happened on the way to becoming a published author … a junior high school teacher who told me I couldn’t write because I didn’t want to study … urk … grammar. I went to college, moved a few times, came home and found the love of my life (that is another novel worthy story, but for later), and got married.

I have always been a voracious reader and one night after throwing a particularly bad book at the wall (even putting a small ding in said wall), I realized that I could do better.  I told my husband, and he said go for it. I called Mom and she revealed the junior high teacher story and she told I’d been writing all the time up to that point.

That blew me away. I didn’t remember any of it.  But I started writing again, nearly the next day, pen and paper, learning, making mistakes, winning contests, then moving away from novel writing to screenwriting, getting a contract for a script and doing really well in screenwriting contests. But I wasn’t really making a career from any of this.

My husband told me repeatedly that independent publishing was becoming a valid way to publish a novel and people were making big dollars.  I didn’t believe him even after he showed me several Wall Street Journal articles. I thought indie meant vanity press. 

I couldn’t have been more wrong.

I started pursuing this direction seriously, hit the keyboard, learned a litany of new things and published my first novel. My second book became a bestseller, and while I’m not rolling in dough, I’m absolutely on the right course in my life. Prince Of Granola is my 7th book.

Please come visit me at www.lasartor.com, see my books, find my social media links, some screenplays and sign up for my mailing list. I have a gift I’ve specifically created for my new email subscribers. And remember, you can email me at Leslie@LeslieSartor.com 

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Ten Things Writers Need to Stop Telling Themselves

More than any other group of people, writers should get the power of words.

Words move people to stand behind a leader. To willingly go into battle, knowing death is likely. To fight to protect the weak and innocent.

Words make us laugh, bring us to tears, and the best, the most powerful words, are engraved on our hearts. We quote them when we need strength, or to show love, or evoke sympathy.

So why do we as writers so often neglect the power of words when it comes to our own work, our own self–esteem?

It’s not just writers. I’d hazard to say it’s a widespread problem–perhaps a little more so among women than men. It’s not that men don’t internally belittle themselves, but I believe many more women are raised to verbally–and publicly–abuse themselves than not. Call it what you like. An appealing ‘humility’ or whatever. The truth of the matter is many of us constantly run ourselves down and we are scarcely aware that we’re doing it.

Lately, I’ve been running into all kinds of conversations, blog posts, and Twitter threads about the power of words and why in particular, we as writers shouldn’t denigrate our work and abilities, lest the repetition of our negative words becomes the truth. I understand this concept, but like knowing I should eat vegetables and choosing pizza instead, positive affirmations are difficult for me.

I grew up in a religious household. Many religions drum into you your lack of worthiness as part of your need to be redeemed. Most religions are patriarchal in nature, which adds an additional layer of unworthiness if you happen to be female. My family was also full of over-achievers. Doctors, nurses, psychologists, pastors… if you weren’t giving back to society in some way, you weren’t worthy. Standards were often impossibly out of reach. If I brought home less than straight A’s from school, I was under-performing to the family standard. If I got straight A’s, well, anyone could get straight A’s at a public school.

So reading books like Norman Vincent Peale’s The Power of Positive Thinking was encouraged. But even as I read it, a burning resentment smoldered inside. Thinking positively wouldn’t get you out of a bad situation. It wasn’t going to cure chronic illness, or make you smarter, prettier, more talented. I read the book and rejected the message.

Same with the body positivity movement. No, I’m not saying the movement is wrong. I think it’s high time we rejected the fashion industry’s standard of beauty (artfully enhanced by Photoshop, which means not even their own standard-bearers live up to the hype). We should all embrace the notion that women come in all shapes, sizes, colors, ages, and physical ability–and not erase the less-than-impossibly perfect because they somehow don’t measure up.

But that concept of equality that I will grant to everyone else comes harder to me. Why? Because I don’t believe it. Not as it applies to me.

I’ve been hearing negative commentary about my looks, my intelligence, and my abilities my entire life. It’s still ongoing today: from my family, my co-workers, the man on the street, society as a whole. I have a book of ‘positive affirmations’ that is practically empty because I can’t think of anything to put in it that won’t make me roll my eyes and snort.

I get up in the morning and note the dark circles under my eyes and how my hair is thinning. I curl a lip at the roll of fat around my waist. I point out how unattractive I am, and how I should do something about it when I’m not so flat-out exhausted. I frequently say things like “I’m too old for this crap”, meaning “I’m at a point in my life where I should be treated better than this” but all my brain hears is I’m too old.

So I join a body positivity group, but drop out because I can’t complete the exercises. I routinely say things to myself I’d never say to a friend–not even a stranger, for that matter. I know better. But like Steve Martin’s character in Roxanne, I’ve perfected the art of running myself down so well, I take the wind out of anyone else’s ability to do so.

When Katie Masters (are you following Katie? If not, you should) posted on Twitter about not belittling your own work because doing so would make it true, I tried very hard to internalize her advice. I’m really struggling with that right now–on top of the never-ending loop of negativity that tells me I’m too old, too fat, unattractive, not sexy enough, not smart enough–I also bemoan the fact my writing is Not Good Enough. It’s not terrible. But it’s no where near where I’d like it to be. When I read stories by people who are hitting it out of the park, even as I clutch them to my chest because of the magic they evoke, I’m crushed because I’m not in the same league. Hell, I’m not even in the same country.

See, I’m doing it again.

And likewise, Neil Gaiman has said some wonderful things about writing, impostor syndrome, and comparing yourself to others. But when I went looking for a specific quote to share here, I fell down a rabbit hole of impossibly excellent quotes, which might just turn out to be a blog post all of its own. But suffice to say, enough people out there that I like and respect have been telling me to stop undermining my work. There’s a difference between self-deprecation and self-denigration and I think too many of us choose the latter thinking it’s the former.

Ironically, what finally made me see what I was doing was harmful was the far right. Um, yes. You heard me correctly.

See, they get the power of words. Make them illegal aliens, not people seeking asylum through legitimate channels. Call them rapists, drug dealers, terrorists, animals. Make them less than human, something you don’t want in your neighborhood, and you will turn a blind eye when they are rounded up and placed in concentration camps. 

It works because on some level, the people who believe these things want to believe them. It fits their internal narrative.

But one thing I’ve learned as a writer is we have the power to change our own stories.

So here are some things I’m going to stop telling myself. I hope you’ll stop saying them to yourself as well.

  1. I’m Not Good Enough. Here’s the thing, everyone has someone they look up to as better than them. Better parents, better writer, better friend, lover, person. There are people who are prettier, smarter, and more talented. All you can do is be the best you there is. That’s all that’s required of you. And it is a heckuva lot easier to do that if you stop beating yourself up at the same time. You may not be as good as “them”, but everyone is at a different point on the same path and no one else walked it the same way you’ve done. Cut yourself some slack–and keep walking.
  2. I’m not productive enough. What the hell does that even mean? Productive enough for what? To build a following? To make a killing on KU? Are you a writer? Do you put words down in the format of your choice? Then you’re productive enough.
  3. I’m not successful enough. Frankly, this is garbage thinking. If you go into writing because you want to be rich and famous, honey, there are easier ways of doing that. What are your criteria for success? A bestseller ribbon? Winning awards? Being featured in Oprah’s book club? Making a gazillion dollars? Your definition of success should be dependent on the stage where you are right now. Sometimes that means simply putting words–any words–to paper. Sometimes that means self-publishing a story that got rejected. Sometimes it means putting the rejected story in a drawer and coming back to it in a year or so to see what it needs to fix it. Sure, you’re going to keep moving the bar higher. Just don’t place it at unrealistic heights that discourage you from even trying.
  4. My writing sucks. Does it really? No, seriously, is it the worst thing you’ve ever read or are you just being hard on yourself? Have you eaten today? Taken a shower? Walked the dog? STEP AWAY FROM THE KEYBOARD. Take a break and do something else. Because you know this isn’t really true. You may not be as good as you’d like to be, but there are people out there who like your work, who (oddly enough) think you’re a good writer and they wish they could write like you do. I know, there’s no accounting for taste, but if you truly sucked, no one would like your stories. So just don’t even go there.
  5. I’ll never _____________. It doesn’t matter what you put here. Top the bestseller list? Win a prestigious award? Make enough money writing to quit the Evil Day Job? It’s both easy and true to say, “Not with that attitude you won’t” but the question you should be asking yourself is “Does it matter if I don’t?” If you have none of those things now, how will your life materially change if you never achieve those goals? Spoiler alert: it won’t. So are you going to let that stop you from writing?
  6. That one bad review is somehow more accurate than the fifty glowing ones I received. Ouch. Bad reviews hurt. But if the comments in a snarky review are outliers, then let it go. If you’re hearing the same things over and over again from beta readers, critique groups, editors (all of which should have assessed your work before you publish it), and readers, then that should be a heads up that you’ve done something wrong and you need to change it. But when you get that nasty gif-laden review that seems to come out of nowhere, keep this in mind: there are only two reasons why someone leaves that kind of review. Either they have a following because they are the Simon Cowell of reviewers–and therefore their fans hang on every gif with glee to see someone else be destroyed–or they want to make you feel so bad you quit writing. Are you going to let some soul-sucking vampire make you give up on your dream of telling stories? No? Then ignore this kind of review. Don’t read it. Don’t acknowledge it. Don’t let it have any power over you.
  7. My stories will never change the world. Oh cupcake, you don’t know that. Sure, on the whole, I would hazard to say most stories don’t change the world–at least, not in ways that we can see. Maybe there will never be theme-parks where kids of all ages dress up as characters from your stories and buy story-themed items, but I wouldn’t let that get you down. The vast majority of stories written won’t be read thirty, forty, fifty years or more down the line either. But your story can change the life of the one person reading it today. Maybe you gave them hope or laughter on a day they needed it most. Maybe you snuck in a little enlightenment and made them see things in a different manner than they had before. Maybe you represented ‘self’ to the reader who’d never before recognized themselves in a story. Don’t discount that. Most world changing events–for good or bad–happen in incremental steps over time.
  8. Everyone on social media seems to be doing so much better than me. Ugh. If you’re going to sit around comparing yourself to others on SM, just turn it off for a while. Keep in mind, SM is where people either tend to post about the best, the worst, or the most mundane in their lives. I don’t know about you, but I seldom feel envy at seeing pictures of what someone had for dinner–so let’s cross those out. That leaves the I won the lottery-went to the Bahamas-became a bestseller-lost thirty pounds without trying crowd vs the my life is SO bad you’ll never be able to top it crowd. Remember, those people going through stuff both good and bad are merely at different points on the path as you. You’re seeing a snapshot into their lives that doesn’t reflect anything else that might be going on. And the person with the new cover art/new release/award-winning story might be YOU next week, month, or year. Celebrate wins with your friends. Comfort if there are losses. But if you can’t stop comparing yourself, then walk away from SM for a while–put that time into writing the next story.
  9. My stories don’t matter. This is another version of ‘won’t change the world’ but on a smaller level. So I ask you, is it necessary for them to matter? There is nothing wrong with telling a story for the sheer entertainment value of telling a story. Don’t sell that short. It’s worth more than you think it is. 
  10. I’ll never be as good as so-and-so. This may well be true. On the other hand, I bet that author has someone they feel the same way about as well. Recently someone listed one of my couples among their top favorite pairing–along with my ALL TIME FAVORITE pairing in the same genre. No joke. I’d never been as flattered in my entire life. Never in a million years would I have put my characters on the same page–but someone else did. So maybe we aren’t the best judge of our work.

What it boils down to is this: words matter. The words we tell ourselves on a regular basis matter a lot. If we’ve spent a lifetime running ourselves down, we’re not going to change that soundtrack easily–the grooves have worn deep. But in order to change we MUST stop playing the old soundtrack. We must challenge lies whenever we hear them–be it from ourselves, our families, or people in positions of power over us. We must stop accepting negative feedback as being the only right message simply because it’s the message we believe.

I really struggle even saying things like, “that’s not so bad.” Believe me, I know how hard it is to reprogram your thinking. But I’m going to give myself a month of NOT running myself down. Of stopping the negative feedback loop whenever I hear it playing and countering the conditioning by telling myself positive things about myself that I believe every day. I think if I start with things that won’t make me snort coffee out of my nose, then I can progress to things I want to believe.

I challenge everyone reading this to do the same–and come back here in a month and let me know what changes you are seeing in your life. Let’s do this together.

 

Destiny of a Gargoyle: New Release and Interview with Chris Redding

Hello! I’m delighted to have you here with us, Chris, sharing about your writing process. I have to say right off the bat, there aren’t enough books with gargoyles as the protagonists, so I’m delighted to see your story features a gargoyle as the hero! Please tell us a little about yourself and the kinds of stories you like to write. Would you say there is an underlying theme behind your stories?

Hi, I prefer paranormal romance, but I also write some sweet romance. If there is an underlying theme then it would be fish out of water. I’ve found very few places where I truly fit in so the theme is close to my heart.

What part of the world do you call home? Can you tell us a little about where you grew up and where you live now?

I live in New Jersey and have for close to thirty years. I grew up in the suburbs of Philadelphia on the Pennsylvania side and attended Penn State. I still root for Philly teams. Where I live is actually more rural than where I grew up and I wouldn’t trade country for city.

How long have you been writing? Did you write as a child or is it something you developed a passion for later in life?

I’ve been writing since I was ten, but for publication for twenty years. I’ve always had a passion for writing. When I was ten I was allowed to read a story in front of my class. I was the nerd. Awkward, glasses, big front teeth. When I finished reading the whole class was paying attention to me. I thought that was the coolest thing ever.

What is the draw for you in your chosen genre? Why THIS kind of story?

I didn’t always write paranormal romance, but I think for me it is returning to my roots. Being who I really am. I grew up on a steady diet of Night Gallery, Twilight Zone, and Outer Limits. I’ve always liked the freaky stuff. I think I am at a point in my life where I am comfortable enough to admit that. I think there is so much freedom in writing paranormal. Anything can happen.

I agree with you 100%. I’m a big sci-fi fan from way back, and I feel that paranormal romance allows me to have fun with world-building and kooky events happening without in a story. 🙂

City Boy/Girl or Country Mouse—and why?

Country Mouse for sure. I like green. Trees, grass. Wide open spaces. I cannot imagine living with people that close to me. Don’t get me wrong. I’m a super extrovert, but I don’t need to hear people all of the time. I love that animals routinely traipse through my yard.

Are you a panster or a plotter?  Do you outline extensively or write your story as you go along?

I used to be a pantser. I can no longer hold the story in my head. I plot. I do the character arcs then a chapter by chapter outline. I don’t stray from it though I might add to it as I write.

Do you see your writing as a hobby or is it your goal to be a full time writer at some point in the future?

I see it as a job. I ghostwrite so I always have deadlines and it has helped me with my discipline. I also am a writing coach so if I could do some combination of my own writing and coaching I’d be pretty happy. Of course I’d have to make money at it.

Research: love it or hate it?

I love it, but I don’t do as much as I used to. When I wrote romantic suspense I had to learn more. Now I can make things up as I go along. It’s more fun. What I do research is the market. That’s a little harder and thankfully my sister helps me. She has a much more analytical mind than I do. She can distill it down so I can understand things.

Editing: love it or hate it?

Love it. I love to make my story better. I have a new editor and I’ve known her a long time so I know how good she is at story. She is one of those rare editors that can to big picture and small picture editing. She can see the types and the plot holes.

Do you listen to music while you write? If yes, do you find what you listen to influences the story at all?

I’ve started listening to video game soundtracks. They are designed to help you focus. Having a gamer son, he recommended a few to me and most of them have worked. I sometimes type faster if the music gets faster.  I also listen to meditation music.

How interesting! I might have to give that a try!

Destiny of a Gargoyle

Blurb:

He was born in a time when magic ruled the Earth.

Gargoyles protected fairies from goblins. His family was a group of elite gargoyles who were assigned to protect a specific fairy. His father’s dereliction of that duty cursed his sons to become stone and wait.

Now reawakened in the twenty first century where no one believes in magic how is he going to convince his fairy that she is one and that she is in danger from a goblin?

He must do that without falling in love with her.

Bio:

Chris Redding is a paranormal romance author who has written 9 novels and novellas that will transport you to other worlds. She lives in New Jersey with her family. When she isn’t writing, she walks and does yoga.

Buy link: http://a.co/3mwSfUl

Where to find me:

Chris Redding Author LLC

Email: chrisreddingauthor@gmail.com

Website: www.chrisreddingauthor.com

Facebook: www.facebook.com/chrisreddingauthor

Twitter: www.twitter.com/chrisredding

Google Plus: https://plus.google.com/101743269602364199911/posts

Skype: Chris.Redding.Author

Pinterest: http://www.pinterest.com/chrisredding/

 

Managing Time–and Guilt–as a Writer

I’ve definitely been struggling lately. Work stuff, home stuff, world stuff–it feels like it’s all piling on at once. Time management is definitely an issue. So is feeling guilty when I can’t do everything on my list. The guilt worsens when I see myself making the same mistakes over and over again. When I waste a day in terms of productivity because I’m so burned out I can’t muster the strength do anything–not even something I enjoy. Everything is a choice between things that must or should get done. If I take the dogs for a long hike, then I can’t go horseback riding. If I try to do both, I can kissing writing goodbye for the day. But the dogs need a daily walk and the horse must be ridden regularly or it’s not safe. Decisions, decisions.

Likewise, I’m feeling guilty right now because I won a terrific marketing package while participating in NaNoProMo this past May–a $300 value–as I won an all-access pass to a marketing group. But I’m already working with another service that I’m struggling to find the time to participate in. I know that videos are all the rage now, but I don’t have 45 minutes to absorb information I could process faster in a post. It’s a fantastic opportunity to gain valuable marketing tips that I’m freaking out over because I don’t have the time to participate.

So I can watch a marketing video or blow off steam watching a little TV. Giving up TV isn’t that big a deal–I rarely watch more than 3-4 hours a week as it is now. But watching a marketing video every day versus writing? It’s a no-brainer. The writing takes precedence. It is, after all, the reason why marketing is even necessary. I’m learning I need to have a bigger back list before I sink much more into marketing and advertising.

Marketing versus social media? Aren’t they the same? Not really. Social media is where you make connections, not the place where you constantly toot your own horn. When you have the connections, people naturally want to share your news about a book release or a sale. But too often social media becomes my way to ‘unwind’ after a stressful day at work. I can spend hours circling from one platform to another reading and commenting. Is it a waste of time? Yes and no. I’m probably making some connections. But when the husband and I are both sitting in a restaurant checking out social media instead of talking to each other–there’s a problem with this picture.

So I’ve narrowed it down: writing should be the priority when I have available time. Marketing is important, but I’m not going to allow myself to feel guilty about prioritizing writing the next story over doing coursework. It will still be waiting for me when I get to it. Maybe my route to success will be slower as a result, but I can’t make myself crazy over this. I refuse to feel guilty for not making the most of this opportunity.

But the real crux of the issue is when I choose writing over being with my family. Over walking the dogs. Over riding the horse. Because as important as the writing is, these other things are not only time-sensitive (in that time is passing at a rapid rate whether I like it or not) but they are what makes life worth living.

These past few years I’ve struggled with depression, but also a growing sense of disconnectedness with the things that are most important to me. I think in part this was a natural reaction to having had so much personal loss–I’m the kind of person who will emotionally cocoon in situations like that. But I was doing it before all that loss too. Again and again, I was choosing time at the keyboard over time with the living, breathing things in my life. And I don’t want to keep making those mistakes.

So what’s a writer with a serious time crunch to do? It might not work for you, but I give myself two hours. If I can’t write something productive in that time frame, I stop and do something different. I walk the dogs, or read a book, or watch a movie with the family. I don’t keep staring at the keyboard–only to take a ‘quick peek’ at what’s going on at Facebook or Twitter that turns into a two-hour time sink.

I’m de-listing. I’m dropping newsletters I never open, and all those diet/exercise/informational updates I never implement. I’m bowing out of groups and cutting back on all my online activity except those platforms I actually enjoy.

I spend less time on social media in general. I exercise. I meditate. I do what it takes to get my brain focused on the here and now and not worrying about what might happen at work, or with the family, or with my country, or the world. Finding that inner peace unlocks the writing mojo for me–suddenly gnarly plot problems unravel and I can see where the story should go next. I’ve developed an idea for a new series with a new set of characters and I’m more excited about this than anything since my fandom days. Yes. That excited!

The hard part it is carving out time to write when you have so many other demands on your time. And not feeling guilty about it when you do. But as Yoda would say, “Do it you must.” Carve out that two hours or ten minutes or whatever works best for you. Give that moment utterly and completely to writing 100%. But if you’re not making progress–quit. Today I read a great quote by Steven Hawking and it’s applicable to writers too: “It’s no good getting furious if you get stuck. What I do is keep thinking about the problem but work on something else.”

Yes. This.

I’m going to continue learning what it takes to bring my stories to the notice of the reading public. But not at the expense of the writing itself. And yes, I’m going to continue writing. But not to the exclusion of living. Because I’m already looking at the last ten years with regret as to how I spent my time. I don’t want to compound that problem further.

Because we only have so much time to spend with those we love. Take joy where you can find it. That’s what fills our wells of creativity.

 

 

June WIP Wednesday

Old black dusty vintage typewriter on the table.

It’s the first Wednesday in June, so you know what that means, right? It’s WIP Wednesday!

The rules are simple: please keep your snippet to under 500 words (I know sometimes that’s not a good stopping point–a little fudging is allowed) and no graphic sex–let’s keep the tone PG-13 for the general reading population.

I’m offering a snippet from my upcoming release, Ghost of a Chance, another in the Redclaw Security series. In this story, Sarah Atwell has been given a second chance at a life she left behind when her grandmother leaves her the family horse farm–only it comes with strings attached. She must fulfill the terms of the will or the farm go to horse trainer Casey Barnes instead. What they don’t know is that outside forces aim to tip the balance–and in doing so, create a dangerous situation for them both.

Fortunately, Casey is a former Redclaw Security agent–and the bad guys won’t know what hit them…

A quick recon of the tracks indicated the stray horse had turned back onto the path the others had taken, so Casey wheeled Indy back to rejoin Sarah.

How had the horses escaped the dry lot? Why were there so many canines involved in chasing them? Wild packs of dogs existed, and coyotes were becoming bolder, but nothing about the steady drive of tracks toward the road made sense. Initially, Casey’s distrust of the semi-feral Shepherd had led him to believe the dog was behind the escape, but the sheer number of paw prints dispelled that notion. The dog might have been present, but she wasn’t alone. If the animals chasing the horses meant to hurt them, they would have caught up with them by now. None of this was consistent with wild animals making a nuisance of themselves. If the horses in the dry lot had been attacked and had fled in desperation, there would be fences down. The gate wouldn’t have been standing open.

That required human hands.

The forced movement of the missing horses toward the main road smacked of deliberate manipulation. But why? What did anyone have to gain by doing something like this? If it hadn’t been for the fact one of the missing horses was Athena, it would be easy to dismiss his concerns as fanciful. But the entire inheritance hinged on keeping Athena safe through her high-risk pregnancy. Which beggared the question: who would benefit if something happened to Athena?

As far as he could tell, the only person was him. And since he knew he wasn’t behind the series of “accidents” that left him without answers.

Now it’s your turn! Share a little snippet with us!

I Should Be Better at This By Now

A few weeks ago, I wrote about how the key to success was persistence, likening improving as a writer to my experiences as a competitive rider–and how moving up through the ranks resulted in plummeting to the bottom of the heap until you mastered the new skill set at your current level.

I believe in persistence. I do. My favorite quote on the subject is by Calvin Coolidge:

But that having been said, sometimes it’s hard to battle through discouragement.

These past few years have been fraught with discouragement and loss. One of the many things I’ve had to accept is that my old competition horse had to be retired because she was no longer sound enough to ride. As such, I’ve been riding a friend’s mare so I can keep my hand in the game and she has a quiet horse to ride on the rare occasions she has the time to spend an afternoon at the barn. It’s a mutually beneficial arrangement, except that we ride in different disciplines, with completely different training styles, and at twenty years of age, Robin isn’t going to learn how to accept my commands. I’m going to have to learn how to communicate with her instead.

Riding a horse is riding a horse, right? Um, no. There are as many different ways to ride a horse as there are to drive a car, and just because you’re competent on the highway in a four-door sedan doesn’t mean you can go off-road in a four-wheel drive pickup, or drive through the streets of Milan in a Formula One racer, or take an eighteen-wheeler out on the interstate.

I used to compete in eventing. The mare I’m riding now is a hunter. While eventing includes show jumping, the training styles for the two sports is very different. I’m used to riding with contact–my hands in close communication with the bit at all times. Robin, the mare I’m riding now, is used to being given her head and only loosely guided around a course of fences. So when I ride her the way I’ve ridden every other horse for the last twenty years–with close contact with the bit–she gets pissy and hot. The more I try to rein her in, the more annoyed she becomes. She picks up speed, shakes her head, and threatens to buck. My instinctive reactions only make things worse. It’s like trying to drive as though I have an automatic when I should be manually shifting gears. The end results are ugly.

And frustrating. There are times when I feel like tossing my hands up in the air and calling it quits. This particular day, Robin had been gradually ramping up during the course of our ride. It felt like I was riding a powder keg and the fuse was lit and growing closer. The things I would normally do to balance and check a horse careening around the ring out of control were the wrong move for Robin, succeeding in winding her up even more. Letting go of her mouth and allowing her to run full tilt at obstacles was just counter-intuitive. 

I confess, I was completely discouraged. That’s when that deadly phrase entered my mind:  I should be better at this by now.

How many years have I been riding horses? Too long to share without revealing my advanced age. The very fact I’ve been riding since I was eleven years old weighed heavily in my self-disappointment. I should know how to correct this horse. I should instinctively know how to work with my current issues, understanding that I’m not going to teach an old horse new tricks. My failure was a double-whammy in the face of my experience.

At the same time, I was reminded of a scene from Young Sherlock Holmes–a 1985 Steven Spielberg movie that asked “What if Holmes and Watson had met as schoolboys?”

There’s a terrific scene in which Holmes and Watson are meeting for the first time, as Holmes is massacring a violin. As Watson enters, Holmes lifts the violin up to smash it on a chair. Watson stops him, and Holmes snarls, “I should be better at this by now.”

Watson asks, “How long have you been playing?”

“Three days!” Holmes snaps.

I think many of us are Holmes in this situation. Through the promise of instant gratification (“Lose 20 pounds in 14 days!”) we’ve been taught that if we can’t master something in 48 hours, we’re a failure. Likewise, success should come to us in a similar time frame.

We know that’s not the case, but we get suckered into believing it might be different for us just the same.

In my situation, having been riding horses for over 25 years, the notion I should be better at it seems valid. And yet I discount the fact the horse I’m riding has been trained to do things almost diametrically opposite from the way I’d normally ride.

I was nearly in tears that day I was trying to canter Robin safely around the arena. I was ready to give up. Not just riding Robin, but riding in general. For a horsewoman, that’s a bid deal. But I took a deep breath and decided to give riding counter-intuitively a go. I dropped the reins as I asked her to canter, freeing her head when that was the last thing I felt like I should do, and she went around the ring far more quietly than she’d done before.

When it comes to writing, we have to be willing to do the same thing. Give up our expectations. Take chances. Do something that goes against everything we’ve been taught or believe about the process. Every story is different. Every set of characters is different. We might think we should be better at this by now but complacency is the death of creativity. Instead of railing against the knowledge that what you’re doing isn’t working and becoming frustrated because you should ‘know better’, take this for what it is: a sharpening instinct that what you’re doing is wrong and needs to be fixed. And then fix it.

You’ll be glad you did.

 

 

Emotional Writer’s Block: Get Real or Go Home

I’ve been struggling with a WIP for over a year now, while at the same time dealing with a great deal of personal loss. For some time, I thought my inability to punch my way through the barriers in the story had to do with the initial set up: I took two strangers and isolated them on a farm in a snowstorm. For much of the story, it’s just the two of them, with no other characters for interaction.

Now, I confess, that kind of scenario is one of my favorites. Show me a story with ‘snowed in’ as a premise, and I’m one-clicking that baby. It was only a matter of time before I wrote one myself. And I’ve written novels before in which the two main characters were the only speakers onstage for much of the story. So I couldn’t understand why this story felt so wooden and dull, why the protagonists seemed to have little chemistry or sparkage.

I knew my creative energy was down because my emotional well was depleted. But I’ve written in those circumstances before, so I just didn’t get it. Why was this story being so difficult?

It finally dawned on me that the problem was I had two characters that were walled-off emotionally and unwilling to communicate. Well, let me tell you having one such character is pretty standard in romances. It’s usually the hero with the stiff upper lip,  who doesn’t share anything with the heroine until she breaks down his emotional barriers. It’s my favorite kind of hero, to be honest. But you can’t have both main characters walking around with a stick up their ass, saying “I’m fine” whenever someone asks how they are doing. Two taciturn and uncommunicative characters isn’t just difficult to write, but they’re boring to read as well.

My critique group tried to point this out early on, but I wasn’t having any of it. I was defensive of my characters and their inability to vent their emotions. I had my reasons for why they behaved in a certain way–and yet I felt the lack of connection and complained about the dullness of their interactions. Now, I don’t confuse bantering with bickering. The first is a witty, sometimes playful back and forth between the two main characters. Think Nick and Nora from The Thin Man movies or the early days of Castle. Banter isn’t mean. It doesn’t snipe at one another, taking nasty potshots along the way. I don’t want my hero to be a jerk–especially if he and the heroine are trapped together in the same house for a while. But there has to be that spark between them. And with both of my characters being tight-lipped and suffering-in-silence, that wasn’t happening.

I frequently joke that when I don’t know what to do with the plot, I blow something up or burn it down. It’s a great way of getting unstuck from a plot point, or when your characters are wasting time getting coffee or putting on makeup instead of moving on with the story. I was pounding my head on the desk trying to figure out how to get my characters to engage without turning one of them into someone I didn’t want to be around, when it suddenly hit me.

I needed an emotional fire. I needed for them to get real or go home.

There’s a lovely scene in Have His Carcase by Dorothy Sayers, in which Lord Peter and Harriet Vane are discussing this very same problem with one of her stories–and Lord Peter’s suggestion is to get real with the murderer–give him a true reason for committing the crime as opposed to being a vehicle for posing a pretty mystery puzzle. Give depth to the story beyond what the genre called for. Harriet, having just been acquitted of murder recently (thanks to Lord Peter), is reluctant to do this because it may hurt too much. Lord Peter essentially says, “What difference does that make if it makes for a better story?”

(Lord Peter really gets Harriet on a fundamental level. My goal is to one day create a romantic couple with that kind of dynamic in their relationship.)

In many ways, I believe writer’s block can be boiled down to this: an inability or unwillingness to get real with the characters. For the writer to strip themselves naked and stand on display in the form of their fictional creations. Not that characters are necessarily stand-ins for authors, but when you read that one sentence that utterly rings true for you, when someone details an experience, and you nod knowingly because you’ve had that experience yourself–that’s getting real.

And that was what was wrong with my WIP. To fix it, I went back and re-wrote all the dialog and interactions, taking out the silent, simmering refusal to emote and putting back in the emotions I’d been afraid to experience myself. 

So far, early word from my beta readers is promising. They love the WIP and think it’s better than my previous book, which is a relief, let me tell you.

So much so, it’s going to be my new motto: Get Real or Go Home.

 

Dear KU: Why I’m breaking up with you

Dear KU:

This is going to be hard for me to say, but I think we should stop seeing each other.

I know that the time-honored tradition is to say it’s not you, it’s me, but I can’t. The truth is, it is you.

See, I think you’re an abuser.

You come in with great promises. I confess, they sounded fantastic. And others sang your praises. It seemed like such a loving relationship between a distributor and an author. Writers were making money, enough to quit their day jobs and concentrate on writing full-time, and in this profession that’s the Holy Grail of promises. Who wouldn’t leap at that?

Sure, the clause about exclusivity niggled a bit. Since we’re being frank here, it bugged me a lot. But my fellow authors told me that if a book wasn’t in KU, it had little hope of reaching bestseller status within a genre, and a quick glance at sales rankings seemed to support this. I worried I was giving you too much power in this relationship, but there weren’t a lot of good options out there. Besides, the risk that you’d abuse that power was all theoretical, all down the road. Some day. Not today.

But the thing I didn’t count on was the need to feed you more and more stories in order to make your magic work for me. That’s my fault, not yours. I’m incapable of cranking out a story every couple of weeks, and the idea of collaborating on a large scale with other authors under one pen name just wasn’t a good fit for me for that reason as well. So I shouldn’t have been disappointed that my stories haven’t done well in KU. There’s a lot of competition. I’ve waffled back and forth on whether I should stay in or not. I’ve put books in and taken them out. Either way, it seemed to make little difference. The reported success stories of other authors and their exclusive relationship with you would seem to suggest that it’s more me than you.

Or that could be you, gaslighting me.

Either way, I’m done waffling. I’m saying goodbye. 

The scammers are collecting the lion’s share of your pot, and it’s obvious the system is frequently manipulated. I fully believe #cockygate wouldn’t have existed without the favorable environment created by your system. The author in question is a KU All Star. I think protecting that status is what drove the author to TM the word “cocky” and prevent any books with “cocky” in the title from being sold. Not because Amazon doesn’t have a generous return policy for those people who accidentally get a book by mistake, but because people reading other books with ‘cocky’ in the title aren’t reading hers.

Because it’s all about that page count.

You know, the page count that’s been affected by glitches that you refuse to fix. The one where you can’t tell us exactly how you determine page counts, but that’s the criteria for which we get paid–fractions of a penny for every page read, by the way. Slivers.You know, the system that  benefits us until you release your bots in an attempt to get ahead of the scammers, and then lops off heads at will with little room for recourse.

Now, I’m hearing fellow authors saying they’ve been shut out of their accounts because you have accused them of manipulating the system when they only thing they’ve done is run a promotion through your own service. Not just one or two, but widespread. I know, I know, you’re trying to get the scammers, but you keep netting the innocent instead. (Any author who would like to appeal can reach out to content-review@amazon.com if they have additional questions. The Indie Author Support Network is also seeking documentation. A quote from them: 
We are continuing to compile information and ask that anyone who has had their account suspended and/or books removed from sale on the Kindle platform, to please provide any documentation you have to indie@indieauthorsupportnetwork.com. We are looking for cases of ACTUAL suspension and content removal at this time. We understand the loss of page reads is also a major concern, but the account suspension matter has our top priority.)

Here’s the thing. It’s not worth it to me. Even without KU, 80% of my sales are through Amazon. The reason is clear–the Kindle is amazing and the website is superior. I get most of my own books (and nearly everything else) through Amazon. One of the factors in Barnes and Noble’s failure to compete is that their website is horrible. I can’t tell you how many times I’ve tried to redeem a coupon or credit and have been unable to do so. Or I follow the link to B&N to check out a special deal, only I have to log in at least three times before I can get to the page I want. I give up. Every time. I shop Amazon because it’s so easy.

So why not give Amazon the whole 100%?

Because we as authors can’t afford to have you shut down our accounts over some KU nonsense. Boom, the decree comes down and we are out of business. It’s hard enough to be an indie author without risking the ire of an impersonal god whose army of bot minions do all the dirty work. Like hiding works from buyers because they fell into an algorithm black hole. Or deciding to decrease the visibility of erotica and then mislabeling many romances as erotica. Your decisions are arbitrary enough without the exclusivity clause. I can’t afford to give you that much power over me.

We should all be thinking about what will happen to the publishing industry once Amazon owns it all. We’re already at a state where books have been devalued to the point of slivers of a penny.

Which is why I circled back to my original impression of you, KU. You’re bad for me. You’ve created a mindset where readers demand stories faster than I can produce them for ‘free’, a price I can’t afford. And while I’m not the world’s best writer–not hardly–I love stories too much to burn them as fodder for your KU fire.

When my run ends on my current promotion, we’re done, KU. We’re done.

 

 

 

Oh, What a C*ck-up!

For those of you who haven’t yet caught up with the events associated with #cockygate, this is a great post on it here, and a Twitter thread here. 

Both sum up matters nicely, as well as bring up the implications and legal questions such an action raises.

Disclaimer: I am not a copyright lawyer and do not pretend to understand the ins and outs of the case. I am only presenting the information as I understand it.

The short version is this: Kindle All Star Faleena Hopkins (who also has written under the name Sabrina Lacey) filed trademark claims for the word ‘cocky’ as used in her series of stories surrounding a never-ending family known as the Cocker Brothers, as well as the specific font used in the titles of her books. The trademark now gives her the right to send cease and desist orders to every author with a book containing ‘cocky’ in the title. They are given the choice of changing titles or facing a potential lawsuit.

Author Jamila Jasper received a C&D email from Hopkins, which she then shared with social media.

 

Ms. Hopkins does not deny sending this email, and in fact responds to the sharing of it in various places on social media. It begs the question as to why Ms. Hopkins sent this email herself and not through her lawyer. The answer may lie in the fact many authors might choose to comply with the implied threat rather than face a lawsuit they cannot afford to defend. And it costs Ms. Hopkins zilch in lawyer’s fees to do so. This cover change is being held up as an example of one compliant author. And the recent title change of another book makes readers question if the author was forced to do so or chose to do so rather than be embroiled in the current debacle.

Ms. Hopkins states in a Facebook post that she is not out to take author’s livelihoods but to prevent her brand from being diluted and that changing a tile is no big deal to authors and costs them nothing. She also has claimed it is necessary to protect her readers from sadly buying the wrong books by mistake. (Um, you’ve noticed that Amazon has a very generous return policy on books, right?)

In her view, changing a title is no big deal. Unless it comes just before the romance convention season, when banners, swag, and advertising have already been ordered. Not if you count the cost of redoing entire pages if you’re a graphic artist, or paying for new covers. Re-recording audio files. Not to mention, losing readers who are looking for a title that no longer exists–but oh look, happen to head to the CockyTM author’s works.

Indie publishing is NOT cheap, by the way. It can cost somewhere between $1-2 K per story and there’s no guarantee you’ll see your ROI back.

Though not directly related, except as it goes to show the mindset behind the brand, Ms. Hopkins alleges her readers were also upset at seeing the cover models she’s used (stock industry images) appear on other covers. And that as a result, she was one of the first indie authors to photograph her own covers. (Spoiler: she’s not)

Then there is also this:

Ironically, the font she trademarked is copyrighted by the creator, so trademarking it may be in violation of copyright here, according to the creator’s Terms of Use.

Irony number two: Same author apologized to the romance community for titling a book “Cocky Solider” when the MC, a Marine, would never refer to himself as a solider. Marines are Marines, thank you very much. Even after being informed of this by an actual Marine, Ms. Hopkins apparently stuck by her original title, stating in her apology letter that it was not possible to change the title as books had already been pre-ordered and it would cost too much to make the switch at the last minute.

Irony number three: Same author allegedly has a MC whom she depicts as a member of the Atlanta Falcons football team. Which is trademarked. And the NFL has a history of strongly defending their trademarks.

Let’s set aside whether or not the TM commission should have granted the TM. It’s being contested. You can sign the petition here

Trademarking ‘cocky’ would be the equivalent of J.K. Rowling not trademarking “Harry Potter”, but just “Harry” and forbidding anyone to use the word Harry in the title of a story ever again. Harry Potter is a distinct entity created by Rowling. Harry in the generic, is not. This would be like E.L. James trademarking “Shades”.  Fifty Shades of Grey is trademarked. It’s a franchise. The word “Shades” is not. There is no special brand associated with that. Not even Ray Bans. The word has existed and been used long before FOSG made it a household name. To make the example truly ridiculous, it would be as if I attempted to TM ‘shifter’ and banned the use of the word in every paranormal romance title featuring the same.

Speaking of E.L. James, that author appears to have thrown some shade at Ms. Hopkins by suggesting her bank holiday read would be a popular book with “Cocky” in the title that pre-dates Ms. Hopkin’s series.

The implications of this maneuver are huge. Not just in the romance genre but across the board in the entertainment industry. Romance Twitter is being utterly inventive and vicious with their #byefaleena and #cockygate hashtags, with authors are retaliating by posting remade covers of their stories ALL renamed with “Cocky” in the title, and changing their Twitter handles to include “Cocky” in their name. There’s currently a request for stories for an anthology: The Cocky Cockers. They are soliciting romance stories from all genres, that must feature a cocker spaniel, around 5 K words and submitted by 5/31/18. I’m tempted. Sorely tempted.

But the underlying concern is real. The petition to cancel the trademark was started. The Romance Writer’s Association has asked any members (and now non-members too) who have been contacted by Ms. Hopkins to get in touch with them, and they are currently talking with an IP lawyer.

Imagine if someone decided to TM “Duke”. The impact on Regency historicals would be unreal. Or what about “Love”? Can you imagine having the gall to email Elizabeth Gilbert and tell her she has to rename Eat, Pray, Love?

Sadly, for the hundreds of people I see outraged, I am also seeing people nod and say what a great idea this is–and you can see them considering being the first to ‘snag’ a popular word to claim for their very own. I’m also hearing readers say they no longer search Amazon for romance titles because the system is so gamed. Some authors have been known to place their books with all-white characters in ‘diverse’ categories because it is easier to get a ‘bestseller’ label in a smaller niche. This practices goes along with page-stuffing in KU–something I didn’t understand until I read this description on one of the KU boards:

Page stuffing is the practice of putting additional, full-length novels in the back of another novel to inflate page count (for the purposes of increasing KU payout) – usually paired with some kind of inducement for readers to click to the end, past the content they likely own already (as it’s novels already on sale in the Kindle Store). This inducement often takes the form of an exclusive short story, or special offer.

Of course, this only works if the book is enrolled in KU. And it is definitely against Amazon and KDP’s TOS, so if you come across something like that, it’s not allowed. From my understanding, authors may tuck as many as three to four other books in the same series in a KU book in this manner. Supposedly, Amazon has fixed the ‘skipped pages’ thing that was making this profitable, but I’m hearing that’s not necessary true.

What IS allowed is a sneak-peek excerpt, or a first chapter of another work as a teaser. Most authors do this. It’s considered normal.

Why do I bring this up? Someone on Twitter explained that a successful KU author–even if the name was unknown to the general population–could be looking at grossing 20-50 K a month writing romances. A month. (Quite possibly spending 1-15 K in advertising to hit Kindle All Star status, but still…) Obviously, I’m going about this writing romance business all wrong.

It explains why someone might choose to go this route, even though they have earned the enmity of Romancelandia–and possibly destroyed their own writing career. To go “Full Faleena” has already become a catch-phrase on how to shoot a successful career in the foot.

Author Jenni M Rose on Twitter related what happened when she realized she had  named a book after a popular series and reached out to the author, Mari Carr. This resulted in #BeAMari becoming a hashtag. This is the classy way to deal with perceived competition.

 

I confess, I had to laugh when I saw this post. Someone has already taken a Chuck Tingle approach in response.

Right-o, then. The object lesson here? Be a Mari.

If you have issues with the ramifications of being allowed to TM a word to prevent it from being used in romance titles, I suggest you sign the petition to cancel the trademark as listed above. Don’t berate the author on social media. Don’t one-star her books. The author has every right to TM her series, especially, as it seems, she has hopes of making movies based on them. My problem stems from trademarking a word that has been used in titles long before Ms. Hopkins laid claim to it. The Cocker Brothers might be her brand, but I dispute that she should have the sole right to use ‘cocky’ in a book title.

Hopefully, the TM commission will see this as well, cancel the TM, and we can all move  on.

UPDATE: Author and retired lawyer, Kevin Kneupper, has filed a challenge to the ‘cocky’ trademark.

Civil Hearts by Claire Gem: Love, Loss, and Ghosts? Tell Me More!

Please welcome Claire Gem as she shares with us her exciting new story: Civil Hearts!

Thank you, McKenna, for hosting me on your blog today! I’m excited to announce my new release, CIVIL HEARTS, is now available for both Kindle and in paperback. There’s an interesting story behind the story . . . but first, here’s the blurb:

 

He’s a sexy Southern gentleman—with epilepsy. She’s a widow scarred from her husband’s brain cancer. Her new home is haunted by a Confederate soldier—and she’s a Yankee.

 

A widow with no family, web designer Liv Larson yearns for big change. After all, she can work from anywhere, right? Why not throw a dart at the map? She heads out of the big city for the rural South and falls in love as soon as she arrives—with the Belle Bride, an abandoned antebellum mansion.

 

Heath Barrow loves his country life, managing his antiques store in sleepy Camellia. But he’s lonely, and his condition—epilepsy—makes life uncertain. It’s already cost him a marriage. A new medication and the new girl in town have his heart hopeful again.

 

Sparks fly between Heath and Liv. But his first seizure sends Liv into a tailspin. Its mimics those her husband suffered before he died . . .

 

To make matters worse, Liv discovers she’s not living alone. Her challenge? Dealing with a Confederate soldier, one who clearly resents his Yankee roommate—even though he’s been dead for over a hundred and fifty years.

 

~~~

 

The idea for Civil Hearts came to me in a dream. Believe it or not, this is how a LOT of my story ideas come to me, but there is a shred of true history here. Years ago, when my kids were still little, my husband and I fancied moving to central Alabama, where some friends of ours had relocated. We took a trip there, loved the countryside and the low cost of living.

 

A realtor took us around to look at a few homes—and one of them was a dead ringer for the Belle Bride. The memories of walking through that abandoned antebellum home have been buried in my subconscious for years. I got a funny, tingly sensation as we toured the lovely but poorly cared for old home, as if someone were watching us. And there was an old barn out back where I caught sight of something, some movement, I never did identify.

 

We didn’t move to Alabama, and I forgot about that chapter in my life. Until I dreamed about it. Only this time, there was a Confederate soldier pounding on the front door. A ghostly one.

 

In Civil Hearts, my hero is epileptic. I tend to address some of life’s more serious issues in my novels: the hero in Spirits of the Heart is an alcoholic; the heroine in The Phoenix Syndrome goes deaf. I think it’s important for authors to portray life as it really is, even in the romantic fairy tales we create. It’s one of the reasons I endeavor to evoke more emotion in my readers.

 

You can buy your copy of CIVIL HEARTS here.

The book trailer (which I had a blast putting together, by the way!) is here.

 

I hope you enjoy Liv and Heath’s journey, and I’d love if you’d sign up for my Author-Reader group so you’re the first to know when the next Haunted Voices, SIRENS OF SALT, will be released later this summer.

 

Thank you again, McKenna, for hosting me today.

My pleasure, Claire! I’m really intrigued by your story! 

 

Claire Gem’s Bio: Strong Women, Starting Over

   ~Redefining Romance~

Claire is a multi-published, award winning author of six titles in the genres of contemporary romance, supernatural suspense, and women’s fiction. She also writes Author Resource guide books and presents seminars on writing craft and marketing.

 

Her supernatural suspense, Hearts Unloched, won the 2016 New York Book Festival, and was a finalist in the 2017 RONE Awards. Also in 2017, her women’s fiction, The Phoenix Syndrome, was a finalist in the National Reader’s Choice Awards, and her contemporary romance, A Taming Season, was a Literary Award of Merit finalist in the HOLT Medallion Awards. Her latest release, Spirits of the Heart, was a finalist in the 2017 “I Heart Indie Awards.”

 

Creating cross-genre fiction she calls “supernatural suspense,” Claire loves exploring the paranormal and the unexplained, and holds a certificate in Parapsychology from the Rhine Research Center of Duke University.

 

A New York native, Claire has lived in five of the United States and held a variety of jobs, from waitress to bridal designer to research technician—but loves being an author best. She and her happily-ever-after hero, her husband of 39 years, now live in central Massachusetts.

 

Media Links

 

Website:                      http://www.clairegem.com

Blogs:                          http://www.clairegem.wordpress.com

                                    http://www.hauntedpathways.wordpress.com

Facebook:                    http://www.facebook.com/clairegem.author

Twitter:                       http://www.twitter.com/gemwriter

Goodreads:                  https://www.goodreads.com/author/show/8284235.Claire_Gem

Amazon Author Page: http://amzn.to/2nabvbm

Youtube Channel:        https://www.youtube.com/channel/UCO-vB7WDZhEQ8U4YpC937ng