Nick and Nora Charles from The Thin Man movies. Remington Steele and Laura Holt. Jonathan and Jennifer Hart (does anyone remember Hart to Hart but me??) The Scarecrow and Mrs.King. Maddie Hayes and David Addison. Rick Castle and Kate Beckett.
What do they all have in common? Couples that banter their way into a relationship while solving crimes.
I love this trope. It’s my personal catnip.
While I love romance stories, I love action and adventure, too. I love mysteries, science fiction, and paranormal stories. I WANT IT ALL.
And I can get it with stories that combine these elements. Even better, when I fall hard for a particular couple, I want to spend more time with them. I want to go on a series of adventures with them. I love watching them meet, seeing the sparks fly, longing for them to get together—but I also believe the story needn’t end when they fall in love or say “I do.”
Granted, I think a TV show that’s built entirely on UST takes a big risk of imploding once the characters finally get together. (I’m looking at you, Moonlighting.) I want to see progression of the relationship, but I also believe it’s possible for the relationship to continue to be interesting and relevant after the couples are an established pair.
It’s like when I first began reading fanfic. I concentrated heavily on first-time stories until I found my OTP, and then all of the sudden, I couldn’t get enough of that pairing. I wanted MOAR, and I didn’t care if they were just meeting for the first time or celebrating their 50th anniversary together. I wanted to spend time with that couple in their universe.The more stories, the better.
From a storytelling perspective, I think writing established relationships is tougher than first times. In part because we romance readers are geared toward Happily Ever After being the end of the story—and I’m not saying romances shouldn’t have HEAs or Happily for Now endings! Far from it! What I’m saying is it’s harder to depict a happy couple as having the kinds of conflicts that make their continued stories interesting.
But it’s what I crave.
I wish I knew how to categorize these stories. Are they considered romances? Genre-based stories with romantic elements? I don’t know. To me, they are romances, even if the genre storyline is a somewhat bigger player than the love story. I know people will argue with me on that point, and I get it. The general rule of thumb which says “if you can remove the romantic elements from the story and it doesn’t fall apart means it’s not a romance” holds true for the most part.
Except when you get hooked on a pairing.
For me, all bets are off if I fall for a couple. I’m going to eat up their series with a spoon because in addition to fighting mages/shifters/criminals/ and solving the crime/murder at the village fete/mystery surrounding buried treasure, I’m there for watching my couple trade witty comebacks and do their mating dance. And I don’t care if it takes a couple of books to get there, as long as I can see that it will.
Take Kate Daniels series by Ilona Andrews. I only recently started this series, but even I can see where things are headed between Kate and the Beast Lord. I’m enjoying watching these two powerful beings battle it out as they move closer together, loving the little hints (and clues left in plain sight) as they dance their way toward a committed relationship. I got my husband hooked on the series as well, and one of the things he likes about it is that the characters are working their way toward love.
Finding the love people have for this series has lead me to start the Psy-Changeling series by Nalini Singh. And every time I find a new-to-me series that features a long, slow dance between the lead couple, I fist bump the air and go, “Now that’s what I’m talking about!” Mind you, I want to know my “pair” will get together. Extra points if the first story ends with them in each other’s arms. I’m just saying if I can see the pairing coming, I’m willing to give it some time, too.
Recently, I had a conversation with fellow paranormal romance and urban fantasy author Jenna Barwin about her own Hill Vampire series, which includes her 2019 Rone Award Nominee, Dark Wine at Sunrise. I asked her what drew her to write a couples series?
She said, “I write a paranormal romance couple series because I love that genre! As a reader, when I fall in love with a couple, I don’t want their story to end at getting engaged or married, I want to see how their “happily ever after” plays out over the long term, long after they say “I do.”
The Hill Vampire series features an exclusive community of winemaking vampires and their mortal mates. They live on vineyard estates in the Sierra Escondida foothills.
My Hill Vampire series follows the romantic relationship of Cerissa and Henry, who, along with other members of their community, are trying to stop the vampire dominance movement (VDI), a vampire conspiracy that is determined to kill the leaders of Sierra Escondida and take over. The VDM plans a political coup, and once the path is cleared, will turn mortals into blood slaves. So it’s equal parts steamy romance and paranormal mystery/suspense. The mystery/suspense plot is strong enough to satisfy urban fantasy readers, and the romance between Cerissa and Henry is hot enough to satisfy romance readers.
The series begins with Dark Wine at Midnight, in which research scientist Cerissa Patel must find a way to save humanity from a vampire conspiracy without revealing what’s hidden beneath her skin. But her cover story isn’t enough to fool vampire Henry Bautista—he’s dark, dangerous, and will do anything to protect his town, including stopping her.”
So you can see, I have another series to add to my TBR list!!
As for me, I’m trying my hand at writing my own couples series: Redclaw Origins. If you’ve read my books, you know the Redclaw Security series features a new pair in each book, with cameos from previous books and introductions of future characters as well. Redclaw is an elite paranormal agency tasked with investigating matters in the shifter realm as well as securing dangerous artifacts that became active at the same time shifters began making a widespread appearance.
In Redclaw Origins, I introduce Bishop and Knight: two humans hired by the recently formed Redclaw Security to be its newest secret agents. Bishop Takes Knight opens in 1955, and the advent of nuclear technology has triggered the activation of latent shifter genes in an unsuspecting population, while at the same time activated powerful alien tech. Rhett Bishop and Peter Knight proved to be such a delightful pair, I knew I wanted more of their adventures together.
I also have another planned couples series in the Redclaw Universe: The Better Off Red series, which will concentrate on a single team within Redclaw, the Major Shifter Crimes Division, and its lead investigator Morgan Delaney. When Morgan butts heads with her boss’s half-brother, Rian Stirling, over a series of shifter murders, she must resist the pull of fated mates and the appearance of a conflict of interest while she hunts down the real killers.
Of course, this means I need to get cracking on the next book, right? Right. But I’m smiling as I envision all the trials and tribulations I’m going to put my couples through before they get their HEA.