Stress Busting Book Festival and Giveaway!

Stress got the best of you in these uncertain times? Escape inside these books and
watch your stress disappear at N. N. Lightโ€™s Book Heaven Stress Busting Book
Festival. 43 books featured plus a chance to win one of the following:

Enter to win a $50 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $50 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $25 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $15 Amazon (US) or Barnes and Noble Gift Card
Enter to win a $10 Amazon (US) or Barnes and Noble Gift Card

Iโ€™m thrilled to be a part of this event. My book, Ghost of a Chance, will be
featured on May 20th! Wait until you read my cure for winter doldrums. Fated mates snowed in together with danger all around? You wonโ€™t want to miss it!

Bookmark this festival and tell your friends!

a Rafflecopter giveaway

 

My Comfort Reads During COVID-19

I don’t know about you, but I’m having a hard time focusing on anything right now. I’ve mentioned in other posts the difficulty I’ve had writing, and how I can’t watch anything new, relying instead on old tried-and-true formulas.

This lack of focus has been especially true for me when it comes to reading. I normally read anywhere from 2-3 books a week. Now, it’s a challenge to finish anything. At first I blamed the books I attempted to read–but after I DNF the seventh book in a row, I realized the stories themselves were not to blame. I needed to apply the same criteria to my reading that I did to my television watching: something familiar enough not to hurt me but still powerful enough to engage. In short, my comfort reads.

When compiling this list, it occurred to me that many of my favorite comfort reads are set in the past. I’m not sure why that is. I enjoy period pieces as a rule (hence my love for Agent Carter and The Miss Fisher Mysteries), but I don’t think that’s the entire story when it comes to comfort reads. I suspect it’s because the setting is different enough that it takes me out of my current existence, and that’s one of the important criteria for a comfort read for me. I like crime dramas because I like the mystery and the satisfaction of solving the puzzle. But also because it bears no resemblance to my daily life. I can’t watch House because as compelling as the drama and the actors were, I found myself competing with the residents to solve the medical mystery before the end of the episode. Too much like the day job, thank you very much.

I think it’s also because one of the beauties of many period pieces is that the stakes are often much lower. There’s something soothing about having the biggest trauma in your life being cut dead at a social gathering or having your sister run off to Gretna Green. After struggling to read anything from my enormous TBR stack, I went back to my old favorites. And I noticed two things when I did this. By sliding back into the well-worn groove of reading, I hit that quiet zone that not only allowed me to enjoy newer material as well as old favorites, but I found myself writing again, too.

If you’re having a hard time being creative right now, I suggest turning off social media, the news, and the television. Pick up a book and read. Reading is a form of meditation, and I believe it primes the brain for writing.

And although comfort reads are intensely personal, (and what one person finds comforting is not necessarily the same for another) I thought I’d share mine. No doubt you’ve heard of or read most of them yourself, but I hope I can introduce you to some new reads.

Pride and Prejudice by Jane Austen. I know. I know. I can see some of you backpedaling away right now while others are nodding and smiling. But hear me out. The works of Jane Austen are probably the cornerstone of the Regency Romance Genre. I recommend going to the source to find out why the tropes are so compelling. While I enjoy all of Austen’s books, Elizabeth Bennett is my favorite of her heroines, and Darcy is the Original Grumpy Hero who is captivated by a Sunshine Heroine. Not to mention, but P&P has been adapted into movies and mini-series again and again, so not only do you get the pleasure of reading this book, but you can watch the story in all its many forms. I highly recommend the 1995 BBC mini-series with Jennifer Ehle and Colin Firth. I think due to the length of the series, this is one of the most faithful adaptations of the book. There is, of course, the famous scene where Firth as Darcy walks up in a wet linen shirt from having taken a dip in a pond to find Elizabeth unexpectedly a guest in his home. For many, this is the quintessential adaptation. And I love Ehle’s portrayal of Elizabeth–it’s probably my favorite. Ehle is also reading P&P from quarantine on her Instagram account right now. So worth watching! 

Then there is the 2005 movie version with Keira Knightly and Matthew MacFadyen. I think they did a bang up job of condensing the book into movie form. The cinematography is breathtaking. But it is the chemistry between the leads that is truly compelling to watch. So in addition to being able to read Austen’s delicious words, you can immerse yourself in these lovely adaptations.

 

For a complete 180 on subject matter, the next comfort read I’m recommending is the In Death Series by J.D. Robb. I can hear you now: What are you smoking, McKenna? How can a series with the word “death” in the title be a comfort read? Trust me, they can. In part because the good guys win. I don’t know about you, but these days, I need to know the good guys are going to win. Unlike most of the books on my list here, the In Death books are futuristic gritty crime stories featuring Lt. Eve Dallas and her enigmatic billionaire husband, Roarke. Robb (aka Nora Roberts) has produced something like fifty books in this series (while also writing under the Roberts name–her productivity is amazing), so you have a LOT of books to read.

When I was going through the worst of my personal losses, I read one of these books every 24 hours. The crime pulls you in from the first page, but it’s the characters that bring me back again and again. My favorite television shows feature teams and I love team dynamics and found families. When I finished the series, I turned around and started it all over again. It’s not without some trauma at times but overall, you know the key players will be okay. (The series is ongoing, so it may shock me at some point…)

My hope is one day to create a series as compelling. I know, reach for the stars, right? I want the same kinds of things: the team dynamics, the found family aspects, the push-me pull-you between the leads. I love case-based stories too, and by setting them in the Redclaw Universe, I can follow a team of Redclaw agents as they solve crimes, as opposed to couple-based stories in the current Redclaw Security series (each of which can be read as a standalone). I doubt most people would consider the In Death series a comfort read, but there is great comfort in knowing what to expect when you pick up a book. I’d watch the hell out of a Dallas and Roarke series too.

But in general, I reach for period pieces when I need a comfort read.

The Amelia Peabody books by Elizabeth Peters. I love these books. I tend to re-read them a lot, especially the first three in the series. These are truly delightful stories. Amelia Peabody is bluntly outspoken and forthright at a time when women were supposed to be decorative, delicate creatures. Her inability to see the humor in her own statements or actions adds to the hilarity, and in the irascible Radcliffe Emerson, we find the only man that is her match. Peabody dashes in where angels fear to tread, usually brandishing a pistol and packing a first aid kit that would allow her to perform minor surgery, if called upon. I have a deep love for archaeology, and the details of Emerson’s work fascinate me, though very little progress is made on the digs due to the frequent nature of criminal activities that must be investigated each season.

A word of  warning: on a recent re-read, I became aware of a degree of fat-shaming I hadn’t picked up on before. It doesn’t come up often (and I suspect it’s generational; my mother was the same) but it’s disappointing and I can see where it may be enough to put some off the series. It’s dimmed my love of these books somewhat, and yet I still reach for these books when I need to be comforted. For the life of me, I don’t know why they haven’t been made into movies. We NEED Amelia Peabody on our screens!

Make Way for Lucia by E.F. Benson. Another period series, this is quite different from the recommended reads in that the stories center around Mrs. Emmaline Lucas (“Lucia” to her friends) who is a well-to-do middle-aged woman in England in the 1920s and 30s. Lucia is a force of nature: vain, opinionated, and pretentious. She pretends a fluency in Italian with her platonic friend “Georgie” Pillson that she doesn’t possess, claims a scholarly interest in Greek and Latin, practices Mozart on the sly so she can pretend she’s never seen the piece before when asked to play, and in general is the Queen of Riseholme, the village in which she resides at the beginning of her story. Halfway through the series, having vanquished all her foes in one small English town, she moves to Tilling, where she finds a more formidable adversary in Miss Elizabeth Mapp. Like any true Tillingnite, we wait with baited breath to see who will win the current round in this clash of the Titans. Will Mapp expose Lucia’s Italian deficiencies? Will Lucia retaliate when Mapp orchestrates the rejection of her painting to the Tilling Art Society? Newcomer Lucia is pushy and irritating, and some long to be out from under her yoke. At the same time, life would be terribly dull without her. As reviewer Phoebe-Lou Adams for the Atlantic once said, “Nothing Lucia and her enemy, Miss Mapp, did was ever of the slightest importance, but they did it with Napoleonic strategy, Attilian ferocity, and Satanic motive. It is a sad fact that Benson borrowers usually become non-returners.”

You don’t have to read the whole series–you can jump right in with Mapp and Lucia to get at the heart of the conflict–for it is not until these two meet that Lucia finally faces a worthy opponent. But to appreciate the series in delightful detail, I’d strongly recommend reading it from the very beginning.

Another series I adore (but also has some problematic issues, particularly with stereotypical portrayals of Jewish characters) is the Lord Peter Wimsey series by Dorothy L. Sayers. Written in the 1920s and 30s, we follow the adventures of the younger son of the Duke of Denver, who finds his brains and his talent for playing the fool in public advantageous in solving murders. We also see the character growth of Lord Peter over the series, from a dilettante solving murders for his own amusement to the man who falls violently in love with mystery novelist Harriet Vane while she is on trial for murder–and he must act to find the real killer to save her from the death penalty. The Harriet Vane books are among the best in the series, and you can start with Strong Poison if you like. The only non-Harriet Vane book that I re-read for the sheer pleasure of it is Murder Must Advertise, which in addition to a murder mystery, is a searing insight into the workings of the old-style advertising firms of the 1930s.

Gaudy Night remains one of my all-time favorite books. It contains one of the most powerful scenes of sexual awareness I’ve ever read, and I point to it as the book that taught me what healthy adult relationships should look like. I wanted what Harriet Vane had with Lord Peter, and I refused to settle for less. When I recognized the same qualities in my husband, I knew I had a keeper. ๐Ÿ™‚

The 1987 BBC series starring Edward Petherbridge and Harriet Walter is a treat, if you can find it anywhere online. 

But I can hear some of you hoping for something a little more contemporary. Well, I adore the London Celebrities series by Lucy Parker. I love all these books, but Pretty Face may be my favorite. As a former actress (on a very small scale) I love stories about the theater, so I was drawn to the series by the first book, Act Like It. Parker does Grumpy Hero and Sunshine Heroines extremely well, which is another plus for me. It’s not always easy to make a hero justifiably grumpy without also making him an asshole, but Parker handles this conundrum with ease.

I also appreciate the fact her characters face real challenges to being together–not the sort of misunderstandings that make me want to clack heads together and tell the leads to get over themselves. There’s character growth over the course of each book, another factor that places these stories in the re-read stack. And I’m all about the slow-burn romances! It’s also happy-making to have characters from one story turn up in another because they all inhabit the same universe. But it’s the satisfying resolution to each installment in the series that places these books on the comfort read list for me.

I could go on. I could list the horse and dog books of my youth, or the Dick Francis mysteries, always a good way to spend an afternoon. There are series that I love (like the Hidden Legacy books by Ilona Andrews, or the Psy-Changeling books by Nalini Singh) that I’ll re-read given the chance, but they don’t quite make the comfort read list. I’ve read some really outstanding books this year, and it feels odd not to mention them here, but you can love a book without it being a comfort read, if you know what I mean. Comfort reads are so personal, so individualized, and I find it interesting that my needs during COVID-19 are somewhat different than my usual levels of stress. What made my list might not make yours. But I hope you enjoy these suggestions, particularly if some of these stories are new to you.

What are YOUR comfort reads? I’d love to know what you choose and why! Make your case. Perhaps you’ll convince me to try out your comfort read. ๐Ÿ™‚

 

Dragon Myst by Kerry Adrienne Book Tour

In this fantasy romance, the hero is the heroine!
Dragon Myst by Kerry Adrienne is coming April 17th!

RESERVE IT NOW:
US โ†’ https://amzn.to/2wQRmhf
UK โ†’ https://amzn.to/2Q6o7xW
CA โ†’ https://amzn.to/38IqtcO
AU โ†’ https://amzn.to/2Q5EquY

BLURB:

In every good quest, the hero succeeds. In every great quest, that hero is the heroineโ€ฆ

And for this heroine, finding The Last Druid and recovering the Orb of Oriste will be personal.

Myst Goodwind, trainer of horses and daughter of the Queen, isnโ€™t content to watch the dragons steal the magic that once belonged to her world. As the beasts continue to drain life from the land, Myst sets out on a dangerous journey to reclaim what belongs to Oriste.

Together with a gambling fairy, a cranky centaur, and the annoying guard sent by the Queen, Myst will search for the Last Druid and the shards of the Orb of Oriste, which once held the essence of all the magic in the world. Along the way sheโ€™ll encounter creatures she never dreamed of, creatures sheโ€™s feared since she was a child, and the very same dragons that harness the magic she seeks to restore.

And though the dangers are ever-present, it will be the truths that Myst comes face-to-face with along the way that shake the foundation of everything she holds dear.

About Kerry

USA Today bestselling author Kerry Adrienne loves history, science, music and art. Sheโ€™s a mom to more cats than children and she loves live music, traveling, and staying up all night. Becauseโ€ฆvampires.

She writes romance (paranormal, m/m, historical, time travel, and more), science fiction, and fantasy.

In addition to writing books, sheโ€™s also a college instructor, artist, costumer, editor, and bad guitar player.

FIND KERRY ONLINE!
Amazon โ†’ https://amzn.to/2Q6pcEw
BookBub โ†’ http://bit.ly/2vWFFSK
Facebook โ†’ http://bit.ly/2YsifAT
Goodreads โ†’ http://bit.ly/2vXa1EA
Instagram โ†’ http://bit.ly/2Q29men
Pinterest โ†’ http://bit.ly/2w9njOB
Twitter โ†’ http://bit.ly/2VKegms
Website โ†’ https://www.kerryadrienne.com

Love is in the Air in February, and Bishop Takes Knight is on Sale! #MFRWHooks

Have you been waiting for the right time to delve into the Redclaw Universe? Well, now may be your best shot!

Bishop Takes Knight (Redclaw Origins Book 1) is now available for just 99 cents across all platforms! Meet former socialite Henrietta (“Rhett”) Bishop as she accepts a job in desperation with the mysterious Redclaw Security firm and gets more than she bargained for! When she’s assigned to locate the elusive Dr. Peter Knight, all her skills as an independent woman in 1955 New York City are put to the test as they evade a shifter gang, deal with past lovers, and engage with the enigmatic and dangerous Rian Stirling–who happens to be searching for the same artifacts as Bishop and Knight. It’s Nick and Nora (The Thin Man) meets Warehouse-13 in this book declared Top Pick by The Romance Reviews and given a Crowned Heart of Excellence by InD’Tale Magazine, as well as a strong review by Kirkus.

Bishop Takes Knight is available for just 99 cents for a limited time from:

Amazon    Barnes and Noble     Apple     Kobo

 

Looking for more great reads this month? Check out the other stories in the BookHooks Hop! 

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#MFRWHooks: Bishop Takes Knight is only 99 cents!

I’m participating in some great events coming up in February, and as such, I’ve lowered the price on Bishop Takes Knight! For the first time ever, this story is only 99 cents for a limited time. Bishop Takes Knight is the origin story for my Redclaw universe, and was named a Top Pick by The Romance Reviews, and given the Crowned Heart of Excellence by InD’Tale Magazine. Even Kirkus reviews liked it!

Now you can grab the first book in the Redclaw Origins series for only 99 cents! If you like light paranormal romance and lots of banter, this book is for you. Think Nick and Nora meets WH-13. 

Blurb: New York, 1955. Former socialite Henrietta (โ€œRhettโ€) Bishop, destitute after her father gambles away the family fortune, takes a job at Redclaw Security. But Redclaw is no ordinary operation. Part detective firm and part enforcement agency, Redclaw regulates matters involving the growing population of shifters who have emerged since the onset of the nuclear age.

Peter Knight is a nuclear scientist shattered by the death of his wife. Blacklisted by the government and scientific organizations, he drowns his sorrows while searching for the people behind his wifeโ€™s murder.

When Rhett is assigned to recruit Knight, their meeting is more than either bargained forโ€”a rival organization will do anything to secure Knight for themselves. Following a lead to locate a missing cache of alien technology stolen from Redclaw, Rhett is thrown back into her previous glittering life with Knight as her pretend boyfriend. But when someone from the past turns up to start a bidding war on the artifacts, Bishop and Knight wind up in a fight for their very lives.

Pick up your copy at your favorite retailer for only 99 cents!

Amazon ~ Barnes and Noble ~ Kobo ~ Apple ~

For other blogs in the MFRWHooks hop, check out this list!

The 2019 Paranormal Romance Guild’s Reviewer’s Choice Awards is open for Voting!

I’m so excited! Bishop Takes Knight has been nominated for the Best Romance/Paranormal/Fantasy/Vampires & Shifters category in the PRG’s Reviewer’s Choice Awards! I’m my story is among such great books for consideration!

 

Voting opens today, Jan 10th, and runs through next Friday, Jan 24th. I hope you’ll consider voting for Bishop Takes Knight! It’s a long list of books to scroll through, with a large number of categories, but I appreciate your vote!

Here’s the link–which is a great shopping list for future buys, I might add! 

2019 Paranormal Romance Guild’s Reviewer’s Choice Awards Ballot

Eeeep! I had the wrong link, but it’s been corrected now, thanks to an eagle-eyed reader! 

The Bodies in the Backyard: Can RWA Be Saved?

Earlier this year, I attended the RWA National Conference for the first time. I’m a relatively new member to the Romance Writer’s Association, but I had a book that was a finalist in one of the awards being announced there, and made the decision to attend at the last minute. I learned a lot during the different panels, met some new and interesting people, and had so much fun that I made plans to attend the 2020 convention this coming summer in San Francisco. 

I tend not to go to the website very often, getting my information through digests instead. I avoid participating in the forums: the one time I initiated a question about how best to market something, I inadvertently ignited a controversy, with the discussion devolving into what constituted a romance–and try as I might, I was unable to get the conversation back on track. The moderator ended up shutting the discussion thread, which was mortifying for me. 

Not an experience I wanted to repeat. I tended to skim the discussions if I read them at all–when you have 800+ emails in your box every day, you have to prioritize.

But I still felt as though there was much to be learned about the business and craft of writing, so I renewed my membership when it came due. 

On Friday, I had a health emergency that screwed with my weekend. On Monday, December 23rd, I was happy just to have survived the weekend and looked forward to having a few days off from work. On Monday, December 23, however, Alyssa Day released on Twitter the bombshell news that Courtney Milan had been censured and banned from the RWA stemming from an ethics complaint against her because she, as a Chinese-American, described a book featuring a half-Chinese woman as a “fucking racist mess” on her own Twitter account, and essentially RWA decided to throw the book at her.

Romancelandia went up in arms at the news, and the backlash against RWA was so great, the organization reversed its position pending further proceedings.

And then things really got ugly.

I’m not going to list the particulars of the case: the charges made by Suzan Tisdale and Karen Lynn Davis (in roles as a publisher and an editor, which should not have been allowed as they were raised as one RWA member against another, or that the bylaws make non-RWA space such as Twitter exempt from such actions). I’m not going to go into detail about the private committee formed to come to this ruling that the general Ethics Committee knew nothing about, or that not all information was presented to the board for voting by the President-elect, Damon Suede. I’m not going to give you a timeline of events showing how, when discrepancies in procedure came to light, a large number of board members resigned in protest of the way in which things were handled, and the other egregious events now being reported: ethics complaints never making it to committee, a chapter refusing to pay AOC the going rate for speaking engagements, RWA members reporting gross failures of other members to abide by the stated rules and never getting called out or censured for it, or RWA’s lack of advocacy on behalf of the authors and contractors of Dreamspinner Press for not paying royalties and narration fees, among others.

I do need to point out, however, that in the wake of Carolyn Jewel’s resignation, Damon Suede is now acting RWA president–and supposedly (by his own admission on social media) is on very good terms with the executive officers of DSP, and is one of their bestselling authors. And that he has a book (at the time of the writing of this post) from Dreamspinner Press listed for sale on Amazon as coming out in January, 2020. If nothing else, this represents a conflict of interest. RWA has been very soft on the issues stemming from Dreamspinner’s actions, only going so far as to prohibit DSP from attending any RWA activities.

If you want all these details, including screenshots, statements from RWA and Damon Suede, and links to the rest, I’d advise you to read this excellent post: The Implosion of the RWA. Everything you need to know is there, and it appears it is being updated as events unfold. If you’re looking for the Cliff Notes version of the situation, this Twitter thread by Cate Eland is pretty spot on as well.

I’ve likened the stench coming off this collective mess to that of gases being released from the surface of a pond where bodies have been dumped for years. There’s no telling how much more will come out, or how many bodies are in there.

And the pond is in our own backyard.

I’ve been reading the posts in the RWA forums in response to this appalling situation. Predictably, the members are taking sides falling among two lines: those that support diversity and inclusion, and those who don’t.

Let me tell you, many of the people who have resigned no longer feel the need to keep silent about the workings of RWA, including the backdoor channels that have allowed certain women, women referred to as Nice White Ladies, to make their complaints, charges, and attacks without repercussion. Among the women who have taken a stand for diversity and inclusion, many have pointed out it is Courtney Milan, a woman on color, who took the blow for being a vocal proponent of change, even as white women making similar statements were not challenged.

There is a lot of anger in the forums. People are livid with the ruling, the machinations behind the scenes to bring it about, and have lost faith and trust in the RWA as a whole. The board members who resigned are all AOC, and suddenly Damon Suede is in a position to appoint a new board without having to go through the election process. People who have poured their heart and soul into making RWA a better organization for all its members are disgusted and discouraged and see no point in staying on for empty promises once again. Many people can point to Courtney Milan as the driving force behind those changes and this feels very much like a public smackdown for her doing so.

The remainder of the members speaking up on these forums have complained about the “drama” (my quotations, not theirs) and express a desire for things to go back to the way they used to be in the Good Ol’ Days when we talked about men’s chests and how to write stories with beautiful blonde-haired blue-eyed heroines. “Can’t we all be nice” is one refrain, along with tone-policing anyone who dares to call out racist, ableist, or anti-GLBT language or attitudes on these threads.

Many have indicated their intent to let their memberships lapse when time for renewal, either because they are tired of the drama or because of the lying, manipulation, and double standards being revealed in this case against Courtney Milan. Many have resigned from their role as judges in the upcoming RITA awards, while others have declared their intention to withdraw their entries from the awards themselves. Still others have made eloquent cases for staying in the organization and forcing it to make things right: petitioning for the resignation of Damon Suede and Executive Director Carol Ritter, and calling for an audit and complete transparency of the proceedings and everything leading up to this moment. Some AOC have advocated staying because leaving is exactly what the Nice White Ladies would like them to do.

I chose to stay for the moment, so I could sign the petition and also vote in any potential future elections to replace the Board. I am of mixed feelings about this. I’m not sure the RWA can be saved. I’m even less sure that it should be saved. What’s going on in RWA feels a lot like what’s been happening with Brexit and the MAGA populations among us: a division down the lines of those who want the Old Way (which always worked for them) to stay in place versus those who will no longer accept anything less than a full seat at the main table with access to the entire meal–as it should be.

I signed the petition because I want answers, and I don’t think we’re going to get them any other way.

It’s hard to justify “both sides” of an argument when one side wants to do active harm to the other. I don’t think immigrants belong in cages. I believe that POC are at higher risk of being incarcerated or killed, face steeper sentencing, and more. And like the Old Guard among the RWA, I think what we got with our current administration here in the US is (in part) a backlash against having an intelligent, articulate, and empathetic black man as President before him. I include this statement because I believe the polarization we are seeing in RWA is but a reflection of what we’re dealing with as a nation–or even the world.

See, the thing is, I fit the Nice White Lady demographic. I’m a white, middle-aged cishet woman who was raised as both a conservative and a Christian. I live in a small rural, conservative town. I live in a cultural and social cocoon that likely would have never been breached had I not discovered fanfic and broadened my narrow horizons. I’ve worked for people who don’t believe in evolution, and think the world is only six thousand years old. I have one black friend. And let me tell you, this doesn’t make me an expert on racism or prevent me from being racist. I’ll never forget the time we were planning to meet to see a movie on a snow day and she casually mentioned her street hadn’t been plowed yet because she lived in a black neighborhood.

I didn’t believe her. I thought she was being paranoid. I thought that battle had been fought and won a long time ago because she had the right to vote, sit anywhere she wanted on the bus, to attend public schools alongside me, and to marry any man she wished (I specifically didn’t say anyone here because at the time, same sex marriage wasn’t an option). I didn’t believe her because I’d never experienced the kind of racism she dealt with on a daily basis. And I never will.

So when a POC tells you, as someone outside their experience, that you’ve gotten something wrong about their experience, the last thing you should do is double down on your wrongness. You don’t point to your degree as a historian, or the amount of research you did on the story. You shouldn’t drum your heels and cry about being called out for using racist scenarios or racist language. You shouldn’t claim that because it was never your intent to be racist, it’s impossible for this to be the case.

Let me put it another way. It doesn’t matter if I intentionally bumped into someone with my car or misunderstood the rules of the road, wasn’t paying attention, or otherwise accidentally hit someone with my car. I still HIT SOMEONE WITH MY CAR. The very fact that some accident victims would still politely point out the injury I caused them is a testament to their character, but they would be completely justified in telling me off and reaming me out for my careless action, even going so far as to press charges and demand reparation for medical expenses, etc.

And if my intent wasn’t malicious, if the action was truly accidental, the victim would still not be obligated to accept my apology.

But I would be obligated to learn the effing rules of the road and abide by them.

So while I’m not yet ready to cancel my license by withdrawing membership from RWA, I’m determined to become a better driver. To educate myself on things that are so ingrained, so innate in my upbringing, that I don’t even realize they are there. Language that may be unintentionally hurtful because it excludes or maligns. Attitudes I never thought about before that impact others on a daily basis. To speak up when I see someone slighted. To welcome when my own instinct is to not make eye contact or speak to anyone I don’t know–that’s my insecurity that can’t be allowed to make someone else think it’s about them. To educate myself on my own shortcomings. To think before reacting.

I’m going to get it wrong at times. I know this because I am of the Nice White Lady demographic. I took a hard look at myself after reading this thread on Twitter by Foz Meadows explaining why NWL get so defensive when called out: it’s because their identity is tied up in being nice and to be told they aren’t nice is like waving a red flag in front of a bull. It challenges a NWL on a fundamental level. It’s most likely the basis behind the book White Fragility by Robin DiAngelo, PhD. I don’t know for sure because I haven’t read it yet.

But I will.

 

Snowfall is Featured on DirtyLittlePodcast

Love podcasts? You’ll want to check out dirtylittlepodcast.com: this week my Redclaw universe short story Snowfall is being featured. Narrator Joshua Macrae brings the characters to life with his sultry reading of this story. His dreamy voice is perfect for the main character, celebrity Nicholas Lang, who winds up stranded with workaholic Peyton Grant when his car goes into a ditch on a snowy night. Peyton’s looking for no-strings attached sex, and Nicholas is happy to comply. But when it turns out the two of them have more in common then they think, will it really end with just a one-night stand?

 

I confess, I had a specific actor in mind when I created Nicholas. I’d love it if you listen and take a guess as to who that might be!

Snowfall on dirtylittlepodcast.com

The Difficulty–and Importance–of Resurrecting Good Habits

A few years ago, I used to take a 30-40 minute walk on a near-daily basis. It was rare for me to miss a day, even when it was bitterly cold. The thing most likely to deter me was extreme heat and humidity (which we get more often than not now). Even then, I made it out there most days.

It wasn’t easy. I work long hours, and in the short time between getting home and going to bed, I have to feed all the livestock, cook and eat dinner, do the routine chores, and hopefully get a little writing done. A daily walk wasn’t virtuous on my part–it was necessary. I had a big high-drive dog who needed the daily exercise to keep him sane enough to wait until my day off to take him for a longer hike. The only way I’d get it done was to walk in the door and go straight to his leash–if I didn’t do it right away on getting home, the chances were much slimmer I’d take him out for the length of time he needed. Especially, after dinner, when exhaustion would kick in. But I made it work because it was necessary.

Fast forward two years: my beloved but difficult dog Sampson succumbed to cancer, and Remington, my current big dog, though young is made of less intense stuff. Remy is also even more heat intolerant than I am, which is saying something. Then back in January, I injured my foot, which exacerbated an old knee problem, and the next thing I knew, I was no longer walking every day. By the time the foot/knee problem improved, I’d gotten out of the habit. I’d gained weight and my fitness was down as well. Now it was the hottest part of the summer and it was just easier to throw the ball for the dog in the shaded yard where he could jump in and out of the water trough at will than it was to force myself to do that daily walk again.

Likewise minding my food choices. See, I have a mild form of acne rosacea, which has gotten progressively worse with age. In my case, while stress is a player, food is definitely a trigger for me. Which means many of the foods I could get away with eating when I was younger are no longer an option. And yet, sometimes I forget that. No, scratch that. Sometimes I choose to ignore the truth. It’s especially hard for me around the holiday season. For me, the worse triggers are cinnamon (sob), cheese (double sob), and wine (bawling now), but also tomatoes, peppers, and potatoes (anything from the nightshade family), vinegar, and citrus. I recently discovered that people with acne rosacea frequently have hypertension too (which makes sense, as rosacea is a vascular problem), which means I’ve had to take wine off the list permanently. Along with caffeine, it sends my blood pressure into the stratosphere. I also seem to be sensitive to gluten and peanut butter, staples of my diet for most of my life. No cheese, no snickerdoodles or apple pie, no wine, no coffee, no chocolate (yep, there’s caffeine there) no bread, no pasta, no peanut butter? Is there really anything left? Anything left I want to eat that is?

Recently on a trip with friends, I choose to ignore my ‘rules’. After all, I’d broken them over and over again without major penalties, right? Only the combined effect of abusing so many rules at once was two days of feeling like crap while I had a major rosacea and hypertensive flare, which left me unable to enjoy my time with my friends. In response, I made a strict effort to eat according to the rules as I knew them, limiting myself largely to roasted chicken and massive salads (no dressing, limited tomatoes) for the rest of my trip.

What I discovered was not only did I calm my current BP and rosacea flare, but I felt better than I’d felt for a while. It made me realize that all that “cheating”, while it hadn’t erupted into an outright flare, was keeping me from feeling my best. From wanting to take the dogs on evening walks. From wanting to do anything more than flop on the couch when I got home from work. Even from writing. Because let me tell you, when you feel like crap, it’s much much harder to be creative.

You know what else is hard? Picking back up your good habits when you’ve fallen off the “habit” wagon. Just like exercise (or writing), practicing a good habit is a muscle that gets stronger with use and weaker with disuse. And when you’re already tired and not feeling well, finding the fortitude to stick to the changes that will make you feel better again isn’t easy. I come back to this point again and again in life: the realization that my current (minor) health issues now must dictate my eating choices, something I’ve resisted mightily ever since I was diagnosed. I drum my heels and wail in protest like a two year old, and yet the only one I’m hurting in all this is me.

I also know without a doubt that if I don’t start, I’ll lose even more ground than I already have. With fitness, with my health, with my writing… and even though I don’t feel as though I have the time to chip away at making these habits part of my life again (seriously, by the time you walk the dogs, and go shopping to keep fresh food in the house, or food prep in advance, and don’t forget that yoga/meditation/prayer–30 minutes here and there adds up to hours you must carve out of your daily schedule), if I want to see change in my life, I have to be the one to make changes.

I used to believe it took 21 days to create a new habit, good or bad, and honestly, that doesn’t sound so bad, does it? It’s not even a month. Anyone can manage 21 days. But the truth of the matter is this is a misleading conception: It takes a minimum of 21 days to effectively instill a habit. It can take up to 90 days of regular (ie daily) engagement to make a habit stick.

At first glance, that seems discouraging, I know. After all, I’ve been telling myself I need to get my act in gear for years now. I’ll try for a few weeks–sometimes, depending on how hectic my life is only a few days. Invariably, I slide. But really, the only difference is time. We’ve been taught by too many advertising campaigns to Expect Results in 2 Weeks or Less! It’s just not true, whether we’re trying to institute new habits or return to old ones. No matter what we want to do, whether it’s to change our eating habits or get back into some form of regular activity, or learn a new craft, or improve your current skills–the key is regular practice of the thing in question. So really, the long time course to creating a habit is a good thing. It means I can keep trying and not give up.

I took this photo today and it made me so happy. ๐Ÿ™‚

November will soon be upon us, and I know many will dive into NaNoWriMo as a result. Not me, I know that particular pressure isn’t one I need in my life right now. However, I fully intend to take advantage of all the great articles and conversations surrounding NaNo, and hope to make daily writing another one of those habits I pick back up again.

Today, I started with throwing out some of the trigger foods I know are problematic for me. Others, like the unopened jars of peanut butter, I’ll donate to food banks. I also took the dogs for a nice long walk in the woods, and though I’m a little stiff tonight, I managed without the pain I feared the activity would trigger. I ate a relatively healthy dinner too. Now I’m going to sit down with the WIP.

You don’t have to run a half marathon, go on a radical diet, or force 10 K words out of yourself in a single afternoon to call it progress. Slow, steady, and regular wins the habit-making race.

A Good Story vs Good Writing

I learned to love books at a very young age. My mother and grandmother both read to me, and the time spent in their laps, following the words on the page, soon taught me how to interpret those words on my own. Growing up in a house full of books, I was never at a loss for something to read. By the time I was six, I was reading books on the sixth grade level. From loving books, it was only a short step to wanting to tell my own stories.

And I did. I wrote stories similar to those I’d read about things I loved, illustrating them with laboriously colored drawings as well. Well into my teens, going to a library was an exciting event. The Scholastic Book Fair was the best day of the school year. To this day, my idea of a fun way to spend a Sunday afternoon is to go to a bookstore.

But somewhere along the line, I gave up on my dream of becoming a writer. It seemed something impossible for the average storyteller to achieve. By the time I left college, I was focused first on my career, and later juggling a family with being a professional. I wrote short stories for fun every now and then, but they were few and far between.

Then one day, I discovered online fanfiction archives. Suddenly I realized there were thousands of people just like me who loved to tell stories about their favorite characters. I became obsessed with fandom, cranking out story after story. After a lifetime of suppressing my creativity, the stories poured out of me in a flood. I wrote for the sheer joy of it and the fun of interacting with like-minded fans. For years I read nothing but fanfic, completely immersed in the delights of finding stories that were tailor made for me.

I never let the fact I was a neophyte storyteller stop me. I wasn’t swayed by the fact there were far better writers in my fandoms. I was in love with my characters, and that joy carried me through any confidence of crisis.

The confidence I learned in fandom gave me the courage to try my hand at original fiction after a lifetime of doubting it was possible to become a writer. It just so happened that this was about the same time when e-readers suddenly made publishing within the reach of a lot of people, and small presses were eager to take a chance on new authors. When I made the transition to writing original stories, I continued writing fanfiction at first, but gradually I began leaving fandom behind. My shows went off the air, and I had trouble finding other shows I wanted to write in. More importantly, however, I became invested in my original characters. I only had so much time to write and it seemed stupid to “waste” good ideas on fanfic when they lent themselves to the original stories bubbling inside of me.

But as I’ve said before, when you’re learning a skill set, every time you move up a level, the work gets harder. There’s less fun, especially when you know things should be done in a specific way and what you did before no longer passes muster. These days I’m working with critique partners and tough editors who push me to write cleaner prose and with more efficient style. Don’t get me wrong; I love the input from these sources. I’m a better writer now than when I started ten years ago.

But those same critical voices, the ones that tell me to eliminate adverbs and cut out unnecessary verbiage, and strive for active constructions in my writing are the same voices that often leave me staring at a blinking cursor for hours at a time, struggling to create a sentence that won’t embarrass me. I find myself massaging the same text over and over again because my natural style is wordy and breezy and it needs a fair amount of editing to be presentable to the public at large.

It’s a bit like taking a pony out for a gallop across an open field once you know all the pitfalls and dangers of doing so. When you know about the rabbit holes, and you think about how breaking an arm will mess up your life, it makes it a bit harder to simply clap your heels against your pony’s flanks and let her take the bit in her teeth and run.

Back when I was learning to ride in group lessons at a barn, once a year when we trooped into the arena, we were told it was Broom Polo Day. Instead of trotting sedately around the ring, following one another in line as we popped over a little cross rail or practiced our equitation, we were handed brooms and directed to chase down a large rubber ball, smacking it between goal posts that had been arranged at either end of the arena.

It was insane. We became fiends as we clung to our ponies’ necks, throwing ourselves into a vicious melee, bouncing our ponies off each other as we crowded in for a hit. We chased the ball from one end of the arena to the other, howling like demons. The ponies got into it too, running flat out at our direction, spinning on a dime to make a course change, letting us hang off their sides as we swung down for a stinging hit. I suspect never in a million years would we be allowed to play Broom Polo these days, but back then we loved it. And the best part was we never knew when Broom Polo Day would appear. One day we were practicing our positions, remembering to keep our heels down and shoulders back, and the next, for one glorious hour a year, we rode like we were Centaurs–at one with the horse. It was a sneaky way of teaching us riding wasn’t always about looking pretty.

This past weekend, instead of struggling with the barely started WIP that already needed to have a plot hole fixed, I accepted the plea of a friend to pinch hit in a fandom fest. Though rusty as hell and not convinced I could even portray the characters I loved so that a fan would recognize them, I sat down at the laptop to pound out the required word count for the fest, only to end up with twelve times as many words as I needed. I won’t say it was effortless, but it might as well have been compared to the difficulty I’ve had writing lately.

What was the difference?

I was having fun. It was Broom Polo Day, but for writing.

And it taught me something very important. Sometimes it’s okay just to play. To throw off the restrictions of rules and “this is what you should do” and just let ‘er rip. And no, I’m not going to go back to reading and writing fanfic the way I did at the height of my obsession. But I will remember sometimes you need to focus on telling the story first before you worry about how well you’re telling that story. That the first draft is galloping toward the ball and smacking it with glee across the arena. It’s the second, third, and fourth drafts that let us look pretty while sending that ball through the goal posts.

So my advice to myself in these coming weeks? It’s okay to bang the story out sometimes without paying as much attention to the rules. Sometimes it’s the best way to get back in the groove when you’ve lost your mojo. Don’t be afraid to have a little fun and ride like a demon. You can always go back to sitting up and pretty when the time comes.