Recently, due to circumstances beyond anyone’s control, I wound up with a story with an incomplete edit. Anyone in the writing business knows how hard it is to find a good editor at the best of times. When you’re in the middle of fording the river, it’s a terrible time to switch horses. But it couldn’t be helped.
I tried to explain the difficulties to a friend of mine. “It’s like trying to find a new hairdresser right before a major event. You don’t know if you’ll get a genius or a disaster.”
I could see I hadn’t convinced her. And then it came to me. The perfect analogy. “It’s like finding another riding instructor.”
As a horsewoman herself, she instantly got it.
I’ve written in the past about the similarities to writing and riding horses, so it should come as no surprise I find editing and riding instruction comparable activities, too. There is a lot of commonality between the two roles.
A good riding instructor assesses your skill level and does her best to make sure you understand the basics of horsemanship before putting you in a situation where you might get hurt. (What you do on your own time without her knowledge is on you) Good riding instructors are skilled at reading their students. They are firm because making mistakes could kill you. They know when someone needs encouragement and praise. They are quick to dole out correction when someone makes a bone-headed move. They know when to push a student to the next level and when to stop someone before they jeopardize themselves and the horses they ride. The best instructors can do this without demoralizing or belittling their students, all while pointing out bad habits and little errors that will keep you from winning in the show ring. They also realistically assess your level of talent, dedication, and the ability of your mount, and try not to over-face you. The goal is to keep you safe, and make you and your horse the best possible team you can be.
Likewise, a good editor will pick up on those habitual phrases you use and correct your SPAG. They’ll praise your writing’s strengths and point out its weaknesses. They’ll drill the basics into until you can perform them in your sleep—until you automatically correct your own draft before sending it in to them for editing. And if you’re not ready for “competition”, they’ll tell you. They’ll also tell you when it’s time to move up in the ranks and push yourself harder. The goal is to help you make your story the best possible story it can be.
The relationship between a writer and editor, or student and riding instructor, is a special one. The person giving the expert advice is in a position of power. A thoughtless or overly harsh criticism can to do great harm. What works for one paired team might not work for another. Sometimes the only thing that keeps a person plugging away after crushing criticism is a deep abiding love for the thing they desire: be it riding horses or writing stories.
I’ve had riding instructors tell me I had no business being on a horse—and for a while, I believed them. I’ve ridden with an Olympic coach—and had him consider me and my backyard nag beneath his notice. I’ve also successfully competed with my slaughter-house mount and won reserve champion with the highest test score of the event. It took me many years and many instructors to find the right one for me. It wasn’t easy. Just because you find the right person doesn’t mean that relationship is all rainbows and flowers, either. There are times when I get deeply frustrated with my instructor, but you know what? Most of the time she’s right.
There are a lot of reasons why you might need a new editor. Maybe you’ve outgrown the one you started with, or their life circumstances have changed and they can no longer work with you. Maybe you tried someone’s services and recognize they aren’t a good fit for you. There are as many ways to tell a story as there are to train a horse. Trust your instincts and do what is best for you. Find the person whose advice resonates for you. If you disagree, ask yourself why? Are you resisting sound advice because it’s hard taking your writing to the next level or because that advice is wrong for you and your story?
Because in the end, it’s just you and that half-ton beast galloping down to that double oxer. The instructor might have given you the tools to get to the obstacle, but you’re the one jumping it.
Food for thought