Last week I attended the Romance Writers Association Conference for the first time. It was very much out of my comfort zone on many levels, and yet I learned so very much. I’m enriched for the experience and I have so much to process and assimilate now!
Obviously I can’t begin to list all the things I learned. I wish I could–it would go a long way to helping me retain and utilize all the wonderful tips and advice I received. And maybe if I get my act together, I can do some blog posts on some of the workshops I attended–though truth be told, by the end of the second day, my poor little brain was on information-overload. I’m not sure I could do justice to the seminars I attended.
So this is more of a bullet-points post about the things I experienced and what I got out of it:
- You don’t need as many clothes as you think you do. Pack a set of clothes for each day of the conference, something for the parties, and a couple of T-shirts if you decide to be a tourist.
- SAVE SPACE IN YOUR LUGGAGE FOR BOOKS. You will be given a crap-ton of books, and the last thing you want to do is leave them behind for lack of space!
- COMFORTABLE SHOES ARE MANDATORY. Yes, bring something pretty for party-wear, but try to plan your outfits so one pair of heels works for all the dressy events–back to saving space in your luggage!
- The hotel elevators often suck–so build in time to get from one session to the next. However, don’t hate on the slow transportation too much–some of my best meetings occurred on escalators and in elevators!
- Wear your FIRST TIMER ribbon. This opens the door for people to talk to you and ask you about your con experience. I saw this advice posted on Twitter and I’m so glad I did! Everyone was really nice. š
- The Goody Room is awesome! Clever, inventive swag, free stuff–including books! Paper swag, such as bookmarks and cards, are easy to make and easy to pick up–but it’s also the easiest for someone to discard, too. I got some great ideas about things to try out next, though, including nail polish and hand-held fans! With my own swag, hardly anyone took any buttons, but ALL of my books went, as well as all of my pens. I noticed a lot of other people with pens who had no takers–but mine were really decent pens, if I do say so myself. I doubt anyone will be tossing those away!
- Carry business cards with you at all times–it goes without saying, right? But I got a fantastic tip from Aimee Easterling (one of the speakers I met at the keynote breakfast): jot down notes on the back of the card to help you remember the conversation you had with the person or the context in which you met–terrific idea!
- They don’t feed you at the RITA awards ceremony. I made the mistake of assuming they did, and my husband and I ended up chowing down on hard lemon candies and then bolting to the bar when it was over to grab something to eat. We were starving!
- Most events are cash bars only. Which is puzzling to me–they can’t use a Square? But yeah, carry cash to most of your after-hours events if you want drinks. This includes non-alcoholic beverages as well–including *water* at the RITAs.

Some other useful tidbits I discovered:
- Harlequin throws a pretty awesome party. Massages, manicures, appetizers, temporary tattoos, a prize wheel, and an open bar–all at their party to launch their new ReadBliss website.
- The Fantasy, Futuristic and Paranormal Romance Writers (a chapter of RWA) throw a pretty wicked party too. We were encouraged to come in costume, and everyone had a blast. I even danced–something I don’t normally do. If you write in these genres, I highly recommend you join this chapter.
- Being up for an award is terrific–but winning isn’t everything. I had some fantastic, interesting, and enlightening conversations hanging out with the hosts after my awards event, and it was utterly delightful. I highly recommend submitting your next romance story to the Greater Detroit Romance Writers Association Booksellers Best Award.
- I learned this from watching my husband (who didn’t have a horse in this race) chat with people: Be a conversation starter by asking questions of fellow attendees. Let other people talk about their books. Ask about their convention experience and what sessions they’ve found the most useful so far. Don’t just “wait your turn” so you can jump in with your own information.
If you’re like me and from a small town (population 15,000) then 48 hours in NYC can leave you in a meltdown from sensory overload. By the evening of the second day, I was certain I was doing everything about writing and marketing wrong, and I wanted nothing more than to hide out in my room with a pint of ice cream. Most of us writers are introverts–yet at the same time, we seldom have a set of people to talk craft with–so there’s a push-me pull-you about socializing, attending meetings, and needing time to recharge. If you find yourself getting weepy and depressed, chances are you need a break from the activities. Don’t be afraid or ashamed to take it! You’ll get more out of the rest of the conference if you do!

The speeches were amazing. I don’t just mean the acceptance speeches–a high proportion of those were given by writers rendered speechless by their unexpected wins–but some came eloquently prepared. No, I mean the emcee, Sarah MacLean, and the various presenters, the nod to trailblazers in the industry, and keynote speech by Jennifer L. Armentrout, who reminded us that “Iām here to tell you, 100%, you have saved someoneās life. And for all of you…who are publishing soon–you are going to save someoneās life.” and with that profound reminder, this: “Romance books save lives. Maybe itās not changing the world but itās changing the individual who can then change the world. Which is why itās so important for romance to mirror the reader.”
Along those lines, I was privileged to see history in the making. Up until this year, despite the fact the RWA was co-founded by a black woman, no black author has ever won a RITA award. This year’s RITA award winners included two black authors, as well as a South-Asian author. Kennedy Ryan won Best Long Contemporary with Long Shot. M. Malone won the Romance Novella category with Bad Blood, and My So-called Bollywood Life by Nisha Sharma won the YA Romance division. I don’t single out these winners to diminish the other winners of this year’s awards by any means. I mention them because, as Courtney Milan noted on Twitter today, they were brilliant enough to get over a bar set higher for them.
It was also an utter delight to watch J.R. Ward receive a RITA for Best Paranormal Romance with Dearest Ivie, in part because she looked amazing, but also because she herself seemed utterly astonished and delighted to have won. And I cheered when I heard them announce Susannah Nix‘s name for Best Mid-Length Contemporary Romance with Advanced Physical Chemistry–I love her science-based books! As well as Elia Winters for Three-Way Split in the Erotic Romance category–I only began following her a few days before the conference, so how cool is that?
You know what else I love? I love the fact so many of these authors were self-published. It gives me hope that one day I might be sitting in that audience as a finalist, and not just an enthusiastic guest.
So to sum it up: the RWA conference was an amazing experience that I feel lucky to have been able to attend. I have a lot of information to absorb, process, and act upon, and I hope that I’ll be able to go again in the future. Next time, I won’t be so green, and hopefully I’ll pace myself a bit better too!


(TW for fatphobia and internalized hate)
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Last week, I came in from walking the dogs to find my husband making dinner.
Just this past weekend, I typed the words “The End” on the first draft of my paranormal romance novel set in 1955.
The first Betty Crocker cookbook was published in 1950, became a runaway bestseller, and has been a favorite ever since. When I opened my copy, I recognized both in the layout and the nature of the recipes within all those old timey comfort meals I’d grown up with copied from those “Church Lady cookbooks” that every major church I’ve ever been associated with has published at one time or another. The recipes I associate with my grandmother and the holidays. Truth be told, that was the real reason I bought this copy of the original Betty Crocker cookbook, complete with all the salt, sugar, and fat of the old recipes. On her death, I discovered that my mother had given away all the treasured church lady cookbooks, and many of those recipes were lost to me as a result. Now I have them again. And with them, a little piece of my past.
That iconic red spoon and that readily identifiable signature was part of the brand that helped homemakers recognize the advice they trusted. The irony here is that my fictional heroine might be an even worse cook than I am–so she would definitely need this cookbook. Ah well, maybe in the next installment of the series.
I’ve been thinking a lot lately about a new set of characters. My heroine has been through some tough times and has come out the other side not liking herself very much and looking to rewrite her story from this point out. I’ve started a notebook just for these characters and this new series, but it’s still mostly blank. I’m in the homestretch of a WIP with a June-July deadline and I can’t allow myself to get distracted by the new-shiny right now. But her story seems more interesting to me than the one I’m working on and it wasn’t until this morning that I realized why.
But like the first shoots of green breaking through the ground in spring, I find myself after several years of heartache contemplating change. I’m also realizing that colors and styles that worked for a young brunette with long hair no longer work as well for an older woman with a blonde pixie cut.
Most writers are familiar with the saying, “Everything is grist for the mill.”
I have a major weakness for nail polish. Growing up, nail polish was one of my main identifiers of my not so readily apparent feminine state. Blessed with the ability to grow thick, strong hair and nails, I took these things for granted. My nails rarely chipped or broke. Hair clips frequently trembled and sprang open under the weight of my hair. People stopped me on the street and asked if my nails were real and what I did to make them grow so long and strong, and hair stylists joked about how I should stop putting Miracle-Gro on my hair.
When I was in theater, I had the best of both worlds–the ability to be my tomboy self 90% of the time and yet indulge in my desire to go all-out in costume, complete with makeup, hair, and nails. When we had our full dress rehearsals, the act of putting on the outfit, whether it was a period piece or something modern, transformed me into that character. Putting together all the outward trappings of my character was like slipping into a suit of power and I became the person I was portraying. It was a very heady feeling.
So it doesn’t surprise me that I gave this love of nail polish, makeup and vintage clothing to one of my characters. Another loves horses and rode competitively as a teenager. Still another has a secret girly side at war with her no-nonsense professional image for work. Another is a sci-fi fan, while yet another can sing along with every Disney Princess.
But the next time you read one of my stories and I’m describing nail polish, you’ll smile and know where that came from.