My Me Too Story

It wasn’t my intention to go into details about my experiences with sexual harassment and assault. I’d seen the #MeToo hashtags on social media and shared them, in part because I believe there is value in victims realizing they are far from alone. I understood that many people who have experienced such negative situations might not be in a place where they felt like they could share, and I was okay with that too.

I also felt that though I’d been harassed and assaulted too many times to count, my experiences didn’t count on some level because I’d managed to avoid the ultimate assault: rape. So perhaps it was best that I simply shared the hashtag and otherwise remained silent on the subject. What did I know anyway?

But here’s the thing. The Harvey Weinstein revelations opened some real dialog, and had the potential to provide healing across a large scale. In the course of some of the fallout from these discussions, Twitter has promised to invoke stricter rules with the intent of protecting people from online harassment. We’ll see if they follow through, but at least it’s a step.

People from all walks of life shared the hashtag. Sometimes that was all they could share, and they typed those words with shaking hands. Sometimes seeing those words on someone else’s timeline led people to share more deeply, and in doing so, bring a measure of comfort to those who have suffered in silence so many years.

But then Mayim Bialik posted her opinion piece in the NYT. I have to say, as one of those, ‘Gosh, if you just obey the rules, nothing bad will ever happen to you’ opinion pieces, this is one of the worst. Because the whole thing reads like one long ‘n’yah, n’yah, n’yah’ to every woman who intentionally or otherwise made Ms.Bialik feel bad about her appearance while working in an industry where the roles are largely assigned based on appearance. Whereas the post pretends to be a ‘guide’ on how to avoid sexual assault by dressing modestly, not saying anything that could be misconstrued as flirting, and by all means, go get a degree in neuroscience because everyone knows brains aren’t sexy, the piece is really a giant FUCK YOU to beautiful women everywhere and the popular girls in high school.

Let me say for the record, I belong to neither of those groups.

I take exception to Ms. Bialik’s post on many levels. For one thing, sexual assault is not about sex. It is about POWER. It is about someone saying they own you and they have the right to do things to you without your consent, and the assaulter gets his (or her) jollies out of degrading you to the point you feel helpless to report them. It is a power trip. Your personal attractiveness has nothing to do with it. I would hazard a guess that the greater the disparity between power bases, the more pleasure the perpetrator takes in his or her actions.

The other thing that pisses me off about pieces like this is the implication that if you just followed the Good Girl Rules, then nothing bad will happen to you. The flipside of this implication is if something bad HAS happened to you, it must somehow be your fault for not obeying the rules. And crap like this shuts down any possible healing that might be taking place with the Me Too hashtag, as it turns into a finger-pointing game.

Case in point: me.

I’m going to leave out all the times I was catcalled and harassed on the street. Ditto the times I’ve been flashed, or the times old men have said lewd things to me in passing. I’m not even going to recount the time I was followed on the interstate for over 150 miles (I didn’t notice at first, but once I did, I couldn’t shake the guy until I pulled a dangerous stunt to exit the interstate at high speed as he was passing me) or the time I was run off the road at night by someone who’d been tailgating me with the high beams on. Fortunately, I had no hesitation about putting the car in reverse and backing up the interstate at 70 mph…  I’m not even going to include the letter I received from the father of one of my high school friends six months after his wife died, professing his long-standing desire to date me.

The main reason for not telling all these stories is they are simply too numerous to count, and honestly, after a certain point, it starts to feel like the normal cost of being female. I’m not saying that’s right. I’m just stating a fact. I’d be hard pressed to name a woman who doesn’t have stories like these to tell.

But let’s look at the more serious infractions. I should point out that all of my high school year book pictures were so bad, I never bought any, nor did I buy any of the yearbooks themselves. In high school, I had mountains of frizzy hair, glasses with Coke-Bottle-thick lenses, and teeth only a gargoyle could love. I graduated early, and wound up in college at seventeen, wearing braces. Seriously, as unsexy as you could get, and by Ms. Bialik’s reasoning, should have been utterly safe.

Only I wasn’t.

My first experience with sexual assault came when I was flunking organic chemistry. I approached the TA for help; he recommended a tutor and gave me a name. At the very first session, my male tutor said the only place in his dorm with enough room for us both to look at the books at the same time was on his bed. I spent 40 minutes trying to get him to keep his hands to himself and refocus back on the material, but it was no use. I could have insisted on future meetings at the library or a study room, but I was too freaked out by the experience. I could have reported him, but I didn’t know to whom, and beside, who would believe me? They would take one look at me–gargoyle in glasses–and one look at him, your average clean-cut All-American rich boy–and said it was wishful thinking on my part. Or worse, an attempt to extort money or something. At the time, I bought into the myth that rape and assault were about sex. I must have done something wrong. So I did what most teenagers would do. I said nothing and dropped the class.

The next time I got assaulted, it was by a professor. I was in the lab working on my project by myself. It was 2 pm on a sunny afternoon in a building full of people. I was working at a point where the two counter tops came to a right angle, and standing with my back to the door when this professor entered the room, came up behind me, and pressed his erection into my backside. He pinned me in the corner without escape.

I stomped down on his instep while at the same time driving my elbow into his gut and shoving him backward. Then I turned in all innocence, blinking at him wide-eyed as he bent over double, and said, “Golly! You surprised me! You know, you really shouldn’t sneak up on people like that.”

He never came near me again. I found out later he had a reputation for hitting on college girls, but again, I said nothing. I’d taken care of the problem and because he wasn’t my professor, he wasn’t in a position to give me a failing grade. I know now I should have reported him. At the very least, that report would have given ammunition to the next girl who filed a complaint.

The third time was more serious. I was trying to get into grad school and studying hard, no time for a social life. But I met a guy, and he was cute and made me laugh, so when he asked me out, I said yes. On our first date, we somehow never made it to the movie we’d intended to see, and spend most of the evening talking. He wanted to go out again that weekend, and we made tentative plans, but when Saturday afternoon rolled around, I had to finish a project and suggested we meet with my friends for dinner that night instead of going out that afternoon.

When he came over that evening, he took me aside privately and castigated me for ‘canceling our plans’, letting me know he didn’t appreciate that. I honestly couldn’t see what the fuss was about, as we were having dinner that very evening, nor did I appreciate his attitude, but what was I to do? Kick him out? Tell him he was being a jerk and I wasn’t going to put up with that? These days, that’s exactly what I would do. But of course, at the time, I didn’t. I was 21 and raised to be polite.

After dinner my friends wanted to go out, and we went as a group to hear a band play at one of the local bars. I was uneasy about my date, but felt safe because I had company. Then, while the guys got drinks, my roommate informed me that earlier in the day, she’d caught my date going through my car. When she questioned him as to what he was doing, he said he was looking for my schedule. This creeped me out, but again, I thought I was safe because I was surrounded by friends. Only later when I went to the restroom, I came back to find my friends had left without me–and I was alone with my date.

In retrospect, I was very close to being a dating statistic that evening. Probably the only reason I’m not is because I instinctively knew not to let him in the apartment–and because I did some pretty fast talking when he dropped me off. Even so, I shouldn’t have gotten in the car with him, and I never should have told him I didn’t think dating was a good idea on my doorstep. At the time, I was certain he was going to hit me. I realize now I was in far more danger than that. But I made myself the bad guy–it was me, not him, I was trying to get into grad school, I couldn’t allow myself to be distracted, he needed a girl friend who could treat him with the respect he deserved. When he brought up the fact that people got married and went to grad school all the time, all the alarm bells went off, but I kept it cool. It had nothing to do with him being the Conductor on the Wackadoodle Train. It was all my fault.

He eventually left–and immediately sought out my friends, telling them he’d ‘lost’ me and begging to know what to do to get me back. My roommate, clueless as to what had happened (no cell phones in these days) suggested he write me a letter telling me how he felt. So he did. A letter so full of misspellings and poor grammar that I knew everything he’d told me about himself and his career was a lie.

And then the stalking began. I ended up cutting off all my hair and relinquishing my contacts for glasses again. I took an unlisted number. I got a big dog. I moved. Eventually, he no longer knew how to find me, and the harassment ended. Several years later, I ran into him in public and I swear, I saw murder in his eyes. I know that sounds like an exaggeration but you had to be there. He would have killed me if he could. I pretended not to recognize him, all the while my heart pounded hard enough to burst through my chest any second. Only when I saw the doubt cross his face as to who I was did I make my excuses and leave the party.

So when I say I Mayim Bialiked myself big time, it’s true. For years I went about in defensive coloration mode, and I’m telling you, it’s no protection. Years later, I was working at my new job in a new town, and stopped for groceries after work on the way home. I was in hurry, so I dashed across the parking lot into the store, grabbed a few things, and ran back out again. As I exited the store, a truck at the far end of the parking lot turned its headlights on. I thought nothing of it. It was on the other side of the parking lot. Probably someone headed home, just like me.

But by the time I’d opened my car door and tossed the groceries inside, the truck had pulled up in the parking space next to mine. As I closed my door and pressed the automatic locks, a man appeared at my driver’s side window. And the look on his face was that of a predator that had missed its kill. I’ve never been so unnerved in my entire life.

Again, before cell phones. And I wasn’t sticking around to confront the guy. I peeled out of the parking lot as though pursued by the hounds of hell. No, I didn’t report it. What would I have said? Some middle-aged white man with dark hair pulled up beside me in the parking lot. Big whoop. Or if I’d been taken seriously, the police may have watched the lot for a few days, but that’s all.

With ALL of these incidents listed here, my dress was the same, my standard uniform: jeans, T-shirt, and hiking boots. It’s how I dress 97% of the time. Tell me how that is being provocative or flirtatious.

So yeah, when I read Mayim Bialik’s opinion piece, it pissed me off. I said as much on the Twitter feed of someone with a LOT more followers than me, and someone else jumped in to MANSPLAIN my reaction, saying I shouldn’t twist Ms. Bialilk’s words. Um, go read the post yourself. No twisting necessary.

This mansplainer did have some good points in the cascade of Tweets he sent in response to me. He (and I assume male because his Twitter account was in a male name) stated (and I paraphrase here) that seat belts don’t guarantee you will survive a car crash, but to ignore the advice to wear seat belts is foolish and dangerous. That though the drunk driver is still the cause of the accident, don’t negate the importance of seat belts in improving survivability. That because seat belts don’t convey 100% safety, I shouldn’t act as though being ‘safer’ isn’t a valid reason to use them.

Now this is the point at which I stopped responding to the guy. A) He had his own axe to grind and I wasn’t going to let it be at my expense. B) He wasn’t listening to me when I said I that every decision I made was with my personal safety in mind and that I only took exception to people who implied the lack of ‘seat belts’ must have factored into someone’s victimization.

As neat as this little seat belt analogy is, it still points the finger of blame in the wrong direction. We shouldn’t be asking, “Was she wearing a seat belt?”

We should be asking, “Why was he driving drunk?”

The Heart of the Pack by Iris Sweetwater: Brothers of Fang Book Tour

Today we welcome Iris Sweetwater as part of her book tour for her newest release: The Heart of the Pack (Brothers of Fang Book 3). Happy release day, Iris!

Links:
Amazon 
Goodreads 
Facebook Page 
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Twitter 
Website/Newsletter 

Name: Brothers of Fang: The Heart of the Pack
# in Series: 3

Blurb: Isaiah knows that the war between the pack and the coven are over, and that means things will change. It is time to let go of what is in his heart bad go with what is best for the Olympia pack. However, doing so is not as easy as he thought as the beautiful hybrid, Annalise remains in his territory. When he finds out that the coven is at risk without her, he must make a heartbreaking decision to send her home, even if it kills a piece of him and her both.

Now, there is a new war, one that is being waged inside the leaders of the coven and the pack. It is the kind of war that cannot be won with claws and teeth. It is a war of the heart, and no one knows who will win and who will be lost in the process.

Book Trailer: 

Release Date: 10/20/17
Special Deal: Anyone who purchases the Brothers of Fang books by 11/3 and shows confirmation to me on any of my social profiles gets all the exclusive bonus chapters full of untold secrets.

 

Bio: Iris Sweetwater grew up writing poems and thinking up crazy stories while she was bored at school. Everyone was certain she would become an author one day, especially when at 13, she saw her first poem being published in an anthology. Since then, life has given her many twists and turns, seeing her as a sales associate, an SEO content manager, a teacher, a curriculum specialist, a mother, and a ghostwriter. All of these things have led her to finally being in the time of her life where she knows she should be sharing her own stories and not just someone else’s. She hopes to make a career out of writing paranormal romance, young adult fantasy, and contemporary romance while still pursuing ways to help children engage in the learning process.

Are You A Book Addict?

I started to write a post about my addiction to diet and health books, but as I was gathering the evidence for a photo, I realized I had a much bigger problem: I’m addicted to buying books in general.

No seriously.

I have stacks of unread books all over the house. Books are piled precariously on counter tops and nightstands. They threaten to topple over whenever the cat brushes past them, and on more than one occasion, I’ve had to rescue a book from the jaws of the puppy.

The last time I moved, for giggles and grins, I counted my books as I was packing them. I stopped after 5 K because it was slowing me down. And that’s not even counting what I have on my Kindle! Many I’ve re-read dozens of times. Some I’ve only read once. But lately my TBR stack has grown out of control, and I strongly suspect some of the books I’ve snagged will never be read at all.

The Japanese have a delightful word for this: tsundoku. I am tickled to know there is a word for this, because it means I’m not alone.

 

According to Wikipedia, it means “acquiring reading materials but letting them pile up without reading them.” The image I’m posting here could have been taken from house, if I had the acres and acres of lovely bookshelves pictured here.

Truth be told, it wouldn’t matter how many bookshelves I had, I’d still have an overflow of stacks of unread books waiting their turn.

That’s not to say I won’t read these books. Some day I will. I used to read five or six books a week, so buying books on this scale wasn’t unreasonable. I don’t have that kind of time anymore, particularly since I’m writing as well. I love books. I love going to bookstores and libraries. I love going to someone’s home and checking out their book collection. You can learn a lot about a person by the books they have. 

I hear people talk about decreasing clutter and getting rid of their books because they have electronic readers now. I get it, I do. I see the attraction of having your library on a single device, never being at risk of running out of reading material, only battery life. But it saddens me just the same. I envision homes of the future where blank sterile walls greet you as you walk in, and you cannot glean any information as to your host’s tastes in literature because their library is entirely digital.

And I worry about the future of writing as an industry when I see fewer people reading, and more people exhibiting signs of a decreasing attention span–a problem fostered by our addiction to smart devices. The people who used to read on the bus or waiting in line now seem to be scrolling their Twitter feeds or streaming a television show.

Maybe I’m part of a dying breed, but I came from a time when books were the major gateway to another world, a different existence. They connect us to the past, and with great minds that have gone before us. With a book, far more than with any other medium, I can step into the story and be a part of it. Books have saved my life more than once. I lived for sci-fi and mysteries when I was a teenager. I still reach for my favorite horse and dog books when I need comfort. And there are some series, like the Lord Peter Wimsey books or the Amelia Peabody mysteries, that I’ll read over and over again.

I like to think there will always be readers because there will always be storytellers. That’s the part of me that wants to believe in a happily ever after.

 

These days, I need to believe in a happily ever after. Life is kind of stressful and I need the escapism of a good book. At least I never have to worry about not having something to read! So yeah, maybe I’m hoarding books just a bit. Maybe it is an addiction. But as addictions go, there are worse ones to have. 

The Panther’s Lost Princess: Free for a limited time!

As part of a promotional thingy, The Panther’s Lost Princess is free on Amazon for a limited time! Book One of the Redclaw Security series, The Panther’s Lost Princess introduces us to the elite paranormal agency when top investigator, Jack Ferris, is assigned one of the most challenging cases of his career: find the heir to the shifter kingdom of Coreldon, who went missing as a baby.

And find her he did, tracking Princess Ariel de Winter to a hole-in-the-wall diner where she worked, oblivious to her heritage, as a waitress under the name of Ellie West.

Finding her was the easy part.

Convincing her to come with him more difficult.

Keeping her alive when assassins hit their trail: a nightmare.

But discovering his assignment was also his fated mate? Impossible.

She can’t be his mate. She’s the mission.

 

Each book in the Redclaw Security series can be read as a standalone, and though there is character crossover between stories, it is not necessary to read them in order. Be sure to grab your copy of The Panther’s Lost Princess soon–free on Amazon only until 10/11/17!

Author Interview with Jennifer Julie Miller

Hello! I’m delighted to have you here with us, Jennifer, sharing about your writing process. First, please tell us a little about yourself and the kinds of stories you like to write. Would you say there is an underlying theme behind your stories?

Wow, let me see. I have a boy job by day. I’m a Brazer at a local factory and I have done that for 18 years now. I have only been writing since 2015, and I am the proud author of four books. I have two grown kids and now I have both of their better half’s also. I have a very rotten granddaughter who reminds me to play, with very supportive parents, aunts, sister, and friends. I have been blessed with my very own Happy Ever After. I am married to my high school sweetheart, who makes me smile every day, and after all these years I still miss him when he isn’t around. Rick is my very best friend in the world and I’m lucky enough to be married to him.

I began writing in 2015, after my husband had a dream about a girl and her magical Water Skippers…. He got up one morning and said, “Come on, we need to go buy a few things.” He took me to a local office max. I honestly, had that deer in the headlight look. I had no idea why we were there, anyway, he says. “Pick out a nice notebook and a pen I have something I want you to write.”  We came home and he told me all about this dream. This is what my very first book Water Skippers is all about… A dream my husband had.

The underlying theme is Love, Love…. Our lives are so much more than sex and arguing. There is no greater gift than to love or to be loved and my books hit that hard.

That is so fascinating–an entire series born out of your husband’s dream! I love too how supportive he is of your work. I have that too, but so many women writers I know struggle to find support among their families for what they do. 

What part of the world do you call home? Can you tell us a little about where you grew up and where you live now?

A little town in southern Ohio, called Ironton.

I’m a small town girl myself! There’s a lot to be said for growing up and raising a family in a small community.

How long have you been writing? Did you write as a child or is it something you developed a passion for later in life?

I didn’t know what I wanted to do until I was in my forties… so it took me awhile to figure out what I wanted to do when I grew up…

Hah! I know what you mean! I think a lot of writers try out different professions and hobbies until they realize it was all just prep for writing. What is the draw for you in your chosen genre? Why THIS kind of story?

I only like to read things that aren’t real.. life is real enough, so of course I want to escape into my writing the same way.

Have you written in other genres?

No.

City Boy/Girl or Country Mouse—and why?

I am all country girl, but I can play dress up also.

I know what you mean! I wear practical clothes but love pretty lingerie and having my nails done. 🙂

“Writers should write what they know.” What does this statement mean to you as an author?

I think things that are experienced are easier to write.

That’s an interesting way of looking at it! Are you a panster or a plotter?  Do you outline extensively or write your story as you go along?

I have to have the ending in my head, but other than that. I write as I go.

What’s your idea of a perfect vacation?

1000 miles from nowhere, with room service.

Do you have a favorite character that you’ve created? Why does this character resonate with you?

Ragon my pet dragonfly is my favorite.  He represents all the good we have in all of us.

Oh, that’s nice! Of the stories you’ve written, which one would you recommend a new reader begin with?

Water Skippers. It’s the first book in my series and they are the magical creatures in all of my books. They are my little heroes, and they always help the guy get the girl.

What are the three most important things in your life—the things you can’t do without?

My husband, family, and books…. I need more than three hahahah.

If you could have one super power or magical element from popular science fiction movies or literature, what would it be and why?

I want to be a dragon.

Nice! Do you see your writing as a hobby or is it your goal to be a full time writer at some point in the future?

I would love to write full time, just can’t afford to.

I hear you on that one. I’d love to be a full time author myself. What advice would you give to someone starting out as an author? What’s the one piece of advice you wish you’d been given?

Have very thick skin.. This is a crazy rollercoaster ride. Don’t stop; write until your fingers fall off, because when someone tells you they love it… It’s all worth it. 

Remember the little things, like the first time you held a guys hand, or that amazing awkward first kiss. Take the time to look up at the stars, and take the time to play in the rain. It’s the little moments in life you will always cherish. 

You are so right there! How often does your real life experience figure into your story telling? Do you base characters or stories on your actual experiences?

There is a lot of my own life, and especially the way I feel about things in all of my books. All of my books are me. My mom says it’s like being inside of my head…. So many of the stories in my books, have really happened in my own life. 

Research: love it or hate it?

I don’t do it… this is fiction, just go with it.

Editing: love it or hate it?

Ohhh the misery, but I like to learn new things.

How much do you think that a good blurb and good cover art figure into the success of a story?

It means everything.

Have you ever been intimidated by reviews?

Ohh yea, I have cried like a baby.

I think we’ve all had that experience. I recently wrote a blog post about handling bad reviews as a reminder to myself and others how to deal with the stinger you get sometimes.

Do you listen to music while you write? If yes, do you find what you listen to influences the story at all?

Yes,  it helps tune out all the background of the world around me.

Do you miss your characters when you come to the end of their story? Do you find ways to write sequels for them or do you become entranced with a new set?

When I finished my last set I cried. It was like I had lost a member of the family.

What are your writing goals for 2017? Your personal goals?

I honestly don’t know.. my set will be put in a box set for Christmas, but other than that I’m open.

Where can your readers find you and your stories online?

Http://Amazon.com/author/jjm5325903.  I am also on Twitter www. Jenniferrick@twitter.com…. Also I love to talk so email me at Jenniferjuliemiller@gmail.com…. And I have a website https://jenniferjuliemille.wixsite.com/mysite..

Book One: Water Skippers

Book Two: A Dragonfly’s Whisper

Book Three: Earth Shadow

Book Four: Shadow Reborn

How to Handle That Bad Review

A friend of mine recently got a stinging review–the kind of gif-laden nasty review that is a deliberate slam to the author with little purpose except to wound. I went looking for a post I’d read several years ago about the best way to handle ugly reviews to share with her, but I couldn’t find it. Rather than spend several hours searching the internet for similar posts (and reading them all to make sure they were worth sharing), I decided to write my own. Because we’ve all been there. We’ve all gotten reviews that made us wince, cry, or seriously consider chucking the whole writing gig altogether.

Many of us strengthened our writing skills in fandom, writing reams of fanfic because we loved a set of characters so much we wanted to spend more time in their universe. One of the gratifying things about fanfic is within minutes of posting it, you can see the counter change, indicating the number of people who’ve clicked on the link. Within 24 hours, kudos and comments start rolling in. And because you are writing about specific characters and pairings, you have a built-in audience which is predisposed to be kind because they also love those characters and are desperate for more stories about them.

At least, that used to be the case. I’m seeing a greater sense of entitlement creep into feedback on fanfic. Perhaps it’s because nearly every website on the planet encourages you, the consumer, to leave a review, that things are changing. Amazon, and in conjunction with Goodreads, has given an enormous amount of power to the reviewer–the ability to raise or lower a story’s visibility, and therefore, sales. Reviews on original fiction are few and far between compared to fanfic, and are definitely blunter. I see some of this bluntness–and in some circumstances, downright rudeness–seeping into fanfic feedback these days. But I digress.

Not only are there far fewer reviews (on average) for original fiction versus fanfic, but there is a much longer delay between writing and publishing an original story and when those reviews begin to trickle in. Instead of the nearly instantaneous feedback you might receive on posting to one of the big fanfic archives, your original story goes through a lengthy editing and publishing process. In some cases, it may be months before a finished story is released. If you’re like me, after you hit ‘publish’, you keep refreshing your sales page to see if anyone has left a review. I don’t think most of us can help it. We’ve groomed our child, prepped it for school, and placed it on the school bus. We can’t help but wonder how the first day of class went.

But if you only have twenty-five or so reviews, it’s going to make the one or two bad ones stand out even more. Funny how one nasty review has the power to negate fifty or more stellar ones, right? But it can and does.

So let’s break this down.

First, with fanfic, comments are the currency of fandom. People aren’t buying your story, they are ‘paying’ with feedback. It’s one of the reasons I find the ‘kudos’ system on Archive of Our Own a little disappointing. It effectively made every story 99 cents, if you know what I mean. I appreciate getting kudos, but I miss the detailed and loving feedback fellow fans used to give.

When you are publishing original fiction, your audience is paying with actual money. So if your sales are fantastic but few people are leaving reviews, I wouldn’t sweat it. People are leaving reviews–with their money.

The longer I’ve been at this, however, the more I’ve learned to take reviews with a grain of salt–especially the bad ones. Here are some of my ‘rules’.

1) Stop looking for reviews. No, seriously. I do a search on occasion (and my reason will be listed below) but for the most part, I avoid places like Goodreads. This doesn’t mean you shouldn’t solicit reviews from review sites. That’s one of the ways of bringing your story to the attention of the reading public. But don’t set up Google Alerts to notify you of every mention, and stop constantly checking your sales page for stats.

2) Keep a file of your outstanding reviews. Not only will you want pull quotes for future promo, but it’s helpful to have a folder of lovely things people said about your stories to read when a particularly spiteful piece of feedback lands in your lap. Yes, I know this is contradictory advice to the point above, but often the people who write nice things about your stories send you that information directly. Use it.

3) Read the reviews of your all-time favorite authors/stories. You’ll be amazed. Books that you think are outstanding, authors so good you would sell your soul to the devil to be able to write even a fraction as well–they all get horrible reviews. If someone can slam a book that you think is phenomenal, then face it, not everyone out there is going to like great writing. Not everyone out there is going to like your writing, or if they do, not necessarily all of your stories. That’s a good thing, actually. It means there is room out there for all kinds of storytelling. One person’s cup of tea might be another person’s poison, but the tea drinkers out there will appreciate your work.

4) A mean review isn’t the end of the world. It seems to frequently be the case that one person loathes the thing 98% of readers love. Often the thing that the reviewer detests is the thing that makes me dash out and buy the book in question. Which leads me to number five…

5) Don’t rant about a nasty review in public. Don’t post links on Facebook or Twitter with a furious rundown of the reviewer. That is tantamount to asking your fans to go after the reviewer, and that’s a big NO. No. No. No. Don’t encourage your fans to attack someone on your behalf. That review is someone’s opinion, something they are entitled to. If you find out your fans are vehemently defending you, ask them to stop. By not doing so, you wind up looking like the bad guy, even if you never said a word to your fans in the first place. The ONLY exception to this is if you can post about a negative review with a sense of humor, not outrage. NEVER give specifics. Someone on my Twitter feed recently posted about a negative review she received, citing the reviewer’s objection to her ‘liberal political beliefs’ intruding into the story. She said as far as she knew, the only liberal beliefs were that everyone in town recycled. OH THE SHAME. It was both funny and made me one-click purchase the story. 

6) The nasty, gif-laden review. Let’s take a moment to address that. It’s my belief this form of feedback became popular after this particular review of 50 Shades of Gray. I could be wrong, but after this review, I seemed to see a lot more in a similar vein. I’ll be the first to admit, I thought this review hysterical. I also don’t feel too badly for E.L. James, as she is probably laughing all the way to the bank. But I do regret the number of people who’ve chosen to leave feedback in this manner as a result of the popularity of this particular review. This kind of copycat review has only two purposes: either to wound the author and/or to appease an audience.

I call it the ‘Simon Cowell Review.’ Face it, some people tune into America’s Got Talent to watch Simon roast some poor delusional participant. People who deliberately choose to review in this fashion either intend to destroy an author’s self-confidence or like the attention they get from people following their reviews, or both. In all honesty, this is the type of review that’s the EASIEST for me to ignore. There’s another agenda at play here. Either the reviewer hopes to crush me, in which case he/she is a Dream Vampire stomping on my hopes and ambitions because someone stomped on theirs, or they are there to entertain their groupies. I have no time for that.

7) If, however, you’ve ignored my advice about reading your reviews and you’re faced with a lot of negative reviews that say the same thing, you have to face up to an unpleasant fact: either you didn’t get the point of your story across as clearly as you’d hoped or there is a major problem with your story as told. If many people are saying the same thing, the sad truth is they are probably right and you screwed up. Still, this is not an end-of-the-world experience. Listen. If necessary, be ruthless. Pull the story, fix it. Chalk it up to experience and vow you won’t release a book before its time ever again. Take writing courses, find a critique group, pay for quality editing. Don’t bristle up defensively and double down on your position. Admit you made a mistake and fix it if possible. If you can’t fix it this time, make sure it doesn’t happen again.

8) Never, ever respond to negative reviews. Heck, I’m not sure you should respond to positive reviews–the opinion seems divided on that. But everyone agrees you should NEVER respond to a negative review, particularly on Goodreads. Why? Because authors who attempt to address negative reviews, even if it is only to correct a reviewer on something they stated that was wrong, are always the villains here. Always. Goodreads in particular is considered a ‘reader’s’ site. in that, outside of an author-run group, Goodreads is for readers. Readers want to be able to post their honest opinions without feeling as though the author in question is watching over their shoulder. The truth of the matter is most of us are watching. But at the very least, we should have the sense to keep our mouths shut. Especially since dog-piling and blackballing can get very ugly on Goodreads. It is simply not worth it to engage with a disgruntled reader. Not on any level.

9) Don’t let a negative review derail your writing plans. I did that once. I let a lukewarm review shatter my confidence on a planned story arc, and as a result, I sat on subsequent installments of a series until fans had given up all hope of seeing a sequel. The series lost momentum as a result, and never took off as it had the potential to do. All because one review made me doubt what I had in mind. One out of hundreds which indicated the reader couldn’t wait for more. I could kick myself now.

10) Accept the fact that reviews have the power to make your book more or less visible with the algorithms that make up sales. But you have to decide right now whether or not reviews have the power to make you stop writing. If the answer is yes, they do, then know sooner or later, you’ll receive one that’s a mortal blow to your desire to write. If the answer is no, bad reviews will not stop you from writing, then congratulations, you’re an author. Now be the best author you can be. Once you decide that nothing will stop you from writing, the negative review loses a lot of its power. That’s not to say they don’t still have the power to wound or infuriate you. But if they can’t stop you from writing, they are nothing more than annoying gnats.

No one likes getting negative reviews. There can be lessons learned in them, but don’t let them destroy you. I love this particular scene from the movie Labyrinth, when the main character, Sarah, realizes she holds the cards over the Goblin King.

 

Be like Sarah. 

Author Interview with Jay Shaw

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Buy links:

Welcome author Jay Shaw here today for some nosy questions on my part, and to find out more about her paranormal story, Wolfhaven, the first in the Duality series.

Hello, Jay! I’m delighted to have you here with us, sharing about your writing process. First, please tell us a little about yourself and the kinds of stories you like to write. Would you say there is an underlying theme behind your stories?

Hi McKenna, thank you for having me. I’m delighted to be here.

I’m a mum of two teens who stays up early and wakes up late. I love snuggling down on a wet windy day and losing myself in a wonderful book. Other passions of mine include photography, sci-fi and action movies – hopefully with some romance mixed in, reading, steak with mushroom sauce, cheesecake, and hot military men in combat boots and thigh holsters.

I write sci-fi, paranormal, action, and contemporary, romances.  I find a single genre boring to both read and write, so I tend to blend them together. Life’s a melting pot of awesomeness, both in the complexity and variety of people, and the endless possibilities out there. It’s why you’ll find both M/F and M/M pairings, set in wild and wondrous worlds you’ll want to escape to and explore, over and again.

I know exactly what you mean, Jay! I write some paranormal stories, but some urban fantasy and contemporary too. I like to mix it up. 🙂

I’ve never been too fond of labels, pigeonholes, or boxes, so I write stories I enjoy, and hope they find their way to other eager readers who will read and love them as much as I do. As for my characters, they will, through trials and tribulations, adventures and discoveries, ultimately find their one great love – a love that all of time and space will lie down and be still for. 

What part of the world do you call home? Can you tell us a little about where you grew up and where you live now?

I’m a Kiwi, from New Zealand, where I was born and raised; and where, for the foreseeable future, I intend to remain. I grew up in the suburbs of Auckland, breathing fresh air and sunshine, pretending I was Princess Leia with my arms out flying X-wings in the back yard, while four or five Luke’s and Han’s battled invisible Stormtroopers with stick-lightsabers.

There were roller skates, bicycles, rolling down the grassy slope in cardboard fridge boxes with my brother, the neighbours’ kids, and the dog, mudslides, bouncing on the trampoline with as many of our friends as could possibly fit, and not coming home until the streetlights flickered on. Yes, I grew up in the time before the internet, and cellphones came with a battery the size and weight of a brick, lol. Some might beg to disagree, but I think I turned out all right.

Today, I live in a small town fifteen minutes’ drive from the beach, where I juggle life as a mum, and semi-reclusive writer, who – on occasion – does lunch with her close-knit group of most-excellent friends.

Your childhood sounds amazing–I’ve always wanted to visit New Zealand, it looks amazingly beautiful! I’m more a mountain girl than a beach girl, but you make it sound tremendously appealing! 

How long have you been writing? Did you write as a child or is it something you developed a passion for later in life?

I’ve always loved the written word. Stories about handwritten letters lost to time and history, only to be discovered generations later, always fascinated me. My imagination was nurtured on a diet of Star Wars, Star Trek, Battlestar Galactica, MacGyver, and supplemented with Danielle Steel novels, and Wilbur Smith adventures. But aside from a high school English assignment where we had to create a myth/legend to explain the existence of a natural landmark, I didn’t write as a child. My passion came later; when after my marriage ended and I was trying to work out what the next chapter in my life would involve.  It took a few years and many false starts before I realized writing was my thing.  With the encouragement of a new friend, I signed up for Nano, and wrote WOLFHAVEN’s first draft that November. Two months later, I’d published my first book. I had found my passion and my path.

That’s AMAZING. I tried NaNo once, and it nearly crippled me as a writer. I’m so impressed that not only did you complete the challenge, but you turned it into a published novel as well! 

Have you written in other genres?

The short answer is, yes. I doubt I’ll ever be one of those authors who stick to one genre their entire career.  There’s too much potential out there, too many stories in need of telling. The genre I feel the most at-home in is science fiction romance. I love the freedom it offers, the chance to create and explore new galaxies and the beings that inhabit them is too good to pass up, lol. There will be more paranormal, and sci-fi, romances to come in 2018. But for the moment I’m discovering a love for contemporary romance.  My current work-in-progress is book two in a Movie Star Romance series.

 Contemporary romances definitely have their appeal–sometimes a story can only be told in a contemporary fashion–but like you, I crave the excitement and storytelling potential that comes with paranormal and sci-fi settings!

How often does your real life experience figure into your story telling? Do you base characters or stories on your actual experiences?

Not usually. Characters introduce themselves to me fully-formed and it’s not until I’m writing them do I learn who they are beyond what I learned in our initial meeting. If I need a food, drink, music, transport, or likes/dislikes, that don’t immediately come to mind, then I’ll turn to my preferences and see if any of them fit the character or situation. Sometimes by sifting through those, I discover what doesn’t work and that can actually be more useful. 

Editing: love it or hate it?

Love it. The hard work’s done. You have your draft, words on paper or screen that together weave a magical spell to entrance your readers. I love seeing the pattern of a story and being able to conjure it into the best version of itself I can.  Nothing beats that sense of self-satisfaction and achievement when, at last, you see your vision come to life; and you breathe a full breath for the first time since your first pen-stroke or key-clack.

Yes, I love the editing part too–sometimes the hard part for me is to stop tweaking–I can always see room for improvement! 

Have you ever been intimidated by reviews?

Hell yes! Everyone says don’t read them, reviews are for readers. But, what with still being a new author, I can’t help but get giddy over the fact that someone took time out of their day to read my book. Good reviews have a tendency to add pressure to meet readers expectations.  Bad reviews cut me to the quick and give me stage fright. It’s best to offer up a thank you, and remember not everyone reader is going to love your creation. And keep writing stories as they’re meant to be told. A story will always find its reader.

 Yes, it’s funny how one negative review can negate 50 glowing ones in your mind, isn’t it?

Do you miss your characters when you come to the end of their story? Do you find ways to write sequels for them or do you become entranced with a new set?

No, because their stories don’t end.  I don’t type The End. I prefer to think my characters’ journeys continue on without us, and I hope it leaves the readers with the ability to imagine and wonder what the characters are up to next.

Sequels are funny things. When I’m writing what I think is a stand-alone, secondary characters will step up and demand their own books, or something will happen that earmarks itself as a potential plotline I hadn’t anticipated.  It’s a wonderful feeling.

That’s an awesome way of looking at it! 

Tell me about the world-building you chose for Wolfhaven. How does it differ from shifter stories? It looks complex and layered to me–what was your inspiration for the structure of the society you created?

I’m not a plotter. When I start a new story it’s usually begun life as a single character introducing themselves, or a question requiring a fifty-five thousand word answer. WOLFHAVEN started this way.  I was scrolling through Pinterest when the name Asena caught my eye; its meaning was “Mother of Wolves”. I pinned it and as I scrolled some more another name appeared on my feed; Connell – “Strong Wolf”.  I was onto something. 

Within those first few precious moments of inspiration I knew, Asena was leader of a wolf pack and Connell was her grandson. I also knew Connell didn’t want the destiny expected of him.  From then on the world of WOLFHAVEN expanded as I wrote. Each time I needed something – a conflict, a character with certain traits or desires, a location – it unfolded before me, clear as day.  I knew the world in this story would represent two points of view, and everything would be in tandem with each other.  Nothing in life is ever black-and-white, and I was keen to show that through both characters and the world they inhabited. It’s why the series is called Duality.

Everything is about balance; life and death, wolf and human, pack against pack, dictatorship versus leading by example, two brothers with opposing views which actually aren’t so dissimilar when you look closer, summer and winter, love and hate, organized religion versus being in tune with nature, differing sexualities and lifestyles. WOLFHAVEN has it all.  This duality wasn’t something I set out to weave into the story, but rather a side effect of a story about coming of age and discovering how to make your destiny unite with who you’ve always known yourself to be.

I think WOLFHAVEN differs from other shifter stories mainly because wolf and human are an integral part of themselves and their lives. The connection is never questioned or doubted, and there is enough complexity and interesting potential for future stories. I’d like to believe it offers the reader a chance to think beyond the page, to imagine what living in the WOLFHAVEN world would be like; to be a wolf patrolling the borders, inhaling a million and one scents as the cooling wind ruffles their fur.

 

WOLFHAVEN Blurb: For three generations, an uneasy truce has existed between the shapeshifter packs of Wolfhaven and Silver Ridge.  But Equinox is fast approaching; and all is about to change.

Connell, grandson of Wolfhaven’s chief, is hungry for adventure; and eager to explore the world beyond the boundaries of where he grew up.  Is this a plan set for failure?  Only Lupa, Goddess of Wolves, can know; for it is she who bends destiny to her will. 

Thayer, heir apparent and Connell’s older brother, has found love with Lena – Mistress of the Moon – and daughter of Silver Ridge’s alpha.  Yet, the course of true love never runs smooth.  Lena is matched to another.  A wolf of her father’s choosing.  

Fierce and strong, Kellan is Arden’s second and will make the perfect mate.  If only Lena wished it.  Silver Ridge, a world of zealotry and submission, is no place for a freethinking female.  Especially not one, whose lover whispers of a world beyond her father’s reach.

Will Connell’s dreams of freedom and adventure be thwarted, as Thayer and Kellan challenge for the right to claim Lena as their own?  Or will Lena resolve to put the traditions of her pack and the demands of her father over those of her own heart?

 

Excerpt from WOLFHAVEN

Connell woke amid the confusion of his pack sprawled all around him.  Some were in human form, their limbs tangled with those of their mates as they slept; no space between their bodies.  Others had chosen to enjoy Equinox in wolf form.  He had been alone when he left the clearing, unnoticed by any of his writhing packmates as they fucked with abandon under the full moon.  Its ethereal glow highlighted the curve of a spine here, and the shadows where bodies arched in the rictus of pleasure there.

Connell couldn’t help the flash of Thay and Lena in his mind, the mating that had turned his life into something he didn’t recognize.  Many had approached him, made brave by Equinox, to  proposition their chief.  He had gently refused them all and suggested alternative interested parties in his stead.  Connell wanted more than a casual coupling. 

The council lodge was deserted when Connell had curled into a ball of creamy white fur, tail   tickling his nose, and fallen asleep.  Now though, a slumbering tapestry of every shade of brown and red and cream imaginable was spread across the octagonal floor.  They had found him after moonset and chosen to stay close, rather than return to their own cabins.  Perhaps it was a safety thing, but the growing warmth in Connell’s chest said otherwise.

He stretched his senses outward, ears pricked to catch the smallest of sounds.  All was still.  As if on a wave Connell felt the room close in around him.  His position, the expectations of his pack, his fear that he lacked what it took to meet said expectations, his anger at Thay – every emotion swirled thick and potent in Connell’s gut.  He had to leave, flee, and run until he could run no more.  Maybe then the answers and the insight would come, and he’d be the chief his pack needed.  The chief they deserved.  Connell was up on his feet, moving to the doorway lit with morning light on white snow; luring him forward with the clean crisp scent of freedom and solitude.

The snow was cold under his paws and against his belly as Connell bounded toward the track at the edge of Home Boundary.  Patrol would be hard going, but the exertion was what his wolf craved.  Too long confined by his human as Connell had taken his brother’s place at their grandmother’s side.

Connell stretched his wolf, pulled at the snow with his forelegs to gain speed and distance from Wolfhaven and his sleeping pack.  He let his mind loose, gave it free rein, and took in the stark beauty of the wilderness he had always called home.  Familiar scents came to him as he ran, reached out to welcome him on the still air; sharp bite of frozen water, a stag somewhere to the east, a flutter of feathers on a cedar perch as he passed beneath. 

He heard Dex shadowing his tracks, watching his back even as he gave Connell space.  It was a comfort Connell had not been aware he’d needed.  He was grateful it was just the two of them out here in the undisturbed quiet.  Dex had left Arabelle’s warmth to be out here with him.

Connell snorted, annoyed at himself for allowing his mind to go there.  Dex deserved happiness and the comfort a mate would provide.  But for some reason Connell couldn’t help resenting whoever his friend finally chose. 

He snarled in annoyance and drove onward, muscles bunching and releasing.  His breath a cloud of white around his muzzle, as he reached the giant cedar and turned into the climb; only to startle to a halt at the scent of blood flooding his snout.

That was terrific! Thanks so much for stopping by, Jay! I hope you’ll come again and share more of your stories with us!

 

Biography

Jay Shaw is a New Zealand author, a mum of two teens, and a lover of books. She’s an incurable romantic who stays up early and sleeps in late, writes in bed, loves both action and romance movies, survives on a diet of M&Ms, bottled water, and steak with mushroom sauce. 

Jay has a preference for tall, dark-haired, military men in thigh holsters and combat boots, but isn’t opposed to the occasional shirtless cowboy in tight denim. 

Her favorite books to write are fantasy and sci-fi stories about characters who will ultimately find their one great love. A love all of time and space will lie down and be still for.

Discouraged as a Writer: You’re Not Alone

Yesterday, someone posted in one of my Facebook groups a comment I’m seeing more and more lately: a statement of how discouraged they are as a writer.

Truth be told, I understand that all too well. Recently, I decided to leave my previous genre and pen name to start over again. I knew it would be tough, starting over from scratch, but I seriously underestimated how hard to would be to gain traction in today’s market, despite all the lessons I’ve learned about marketing, networking, and how to use social media effectively.

So this post could be a long wail about how tough the industry is, and how hard it is to get noticed when 4500 new books are published on Amazon every day.

But it’s not.

Instead, I’m reminded of the horse-mad girl I used to be, and how I would do anything to ride horses–bike five miles a day to the barn to muck stalls, just to be allowed to ride the school ponies. Volunteer to get on the ‘crazy’ horses, to find out how bad they were before letting students on them. Save my pennies for riding lessons when friends were taking ballet or learning to play the piano.

Once, I’d bargained hard for a riding lesson with a new instructor, only to fall ill on the day of the lesson. I begged to be allowed to reschedule, but the instructor said no. Instead, I attempted to follow her coaching while sick as a dog, barely able to sit upright in the saddle. At the end of the lesson, she told me I had no business being on a horse and I should never bother getting on a horse again.

At the time, I was crushed. Mortified, it was a year before I got up the nerve to approach someone about riding lessons again.

But I did it because I loved horses so much, I couldn’t imagine not riding.

The same holds true for writing.

Several years ago, I was warming up my horse for a dressage clinic when one of the women in the class asked, “Does he always just go on the bit like that?” Her tone was clearly one of admiring envy.

I had to laugh. ‘Going on the bit’ requires the horse to round his back and be compliant to the rider’s hands, the impulsion of movement coming from the hind end. It is a measure of the communication between horse and rider, and in certain disciplines, it is highly prized. It is impossible to do if the horse has his head flung up high and his back hollowed out.

I’d bought my horse as a three-year-old from a slaughterhouse, at meat prices. He was the last horse anyone would expect to become a dressage champion. When I first began appearing at the local shows, people shook their heads and wondered what I was doing there. Over a period of nearly a decade (and many hours of diligent training), we went from being the horse and rider that made people snicker to the team that came home with the ribbons.

The woman at the riding clinic was stunned when I told her of my horse’s background and how much work it had taken to make coming on the bit look natural for him. In the world of competitive riding, most people buy the right horse for the job. The right horse, the right saddle, the right boots, the best equipment money can buy: these can make a huge difference in where you place in the show ring. It doesn’t eliminate the need for disciplined training, but your starting point on the podium is higher simply by virtue of having an athletic horse, and a saddle that prevents you from making a wrong move. That being said, I’ve seen sheer hard work and determination overcome genetics and natural ability. I competed with my meat-market nag because he was the only horse I had, and the hours I put in riding him were a labor of love. Winning ribbons wasn’t the goal. The horse shows just gave me a structure for the time we spent together.

So I have to laugh when people ask me if I’ve always been a writer, in that same sort of wondering, envious tone. As though having a natural gift for something is more valuable than working your butt off to achieve the same results. The truth is, I wrote passionately as a child, only to give it up entirely as a teenager because I didn’t think I was good enough to be a ‘real’ writer. I thought it was time to put away childish dreams and get on with the business of making a career for myself. I wasn’t a natural.

It wasn’t until I discovered online fanfiction archives as an adult that I rediscovered my love for writing. My creative self, having been ruthlessly starved and repressed for several decades, woke with a vengeance. I read everything I could lay my hands on regarding my favorite show, and then tentatively, I began writing my own stories. Not because I thought I was any good. Not because I ever thought I’d be any good. Because I loved the characters so much I wanted to spend more time with them. Because I felt compelled to tell stories about them and share them with like-minded souls. While I was active in fandom, I wrote over a million words of fanfic. The enthusiastic support of friends gave me the courage to try my hand at original fiction, and eventually go on to submit my stories for publication. Making the transition to original fiction was tougher than I’d imagined, but in the end it was no different from moving up a level in dressage: everything that was once seemed effortless becomes hard work as you increase the challenge and have to master a whole new skill set.

Being a natural is over-rated. It tends to teach poor work habits because everything is easy for you at first, and then when it gets harder, as it always does, you get discouraged and frustrated because you’ve never learned how to put in the hours to reach a specific goal. If you want to get better at anything, you have to put your hours in: under saddle, swimming laps, on the dance floor, at the keyboard. You ‘train’ when you don’t feel like it, when it’s raining, when you’ve had a bad day.

One of my favorite quotes is from Calvin Coolidge:

“Nothing in this world can take the place of persistence. Talent will not: nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not: the world is full of educated derelicts. Persistence and determination alone are omnipotent.”

They are words to live by—but especially if you’re a writer. You don’t wait until the muse strikes you. You don’t let reviews sink your confidence. You don’t compare yourself to others. You write, pure and simple. For some, this means every day, without fail. Many of us can’t manage that but you must write regularly. You hone your skills by practicing. Your creativity is a muscle you exercise. The more you write, the stronger you get. The better your sentences become. Sure, you can sigh and wish you had more talent, but in the end, it is the person who puts the words to paper who is the winner. It is the person who persists who achieves their dream. That person can be you.

Had I been older and more confident, I would have told that instructor if she’d been any kind of decent trainer, she could teach even someone like me. That’s what you need to do when someone tells you that you can never achieve “X”. Decide then and there who you intend to listen to, and keep plugging away. Am I an Olympic level horsewoman? Of course not. But there will ALWAYS be someone who is a better writer than you are at this stage of the game–and someone who is worse.

Keep at your craft. Practice. Take classes. Work with critique groups. If multiple people say the exact same thing is a weakness in your story, they’re probably right. Listen to them. In the end, however, it’s your story, your voice, your vision. No one else can tell your story the same way you can.

Are other people going to be more successful than you are? Hell, yes. But if you are comparing yourself to some Big Name Author who’s been writing for the last 15 years, you’ve done the equivalent of putting your nag in an upper level dressage test when you haven’t done the training for it. 

And once the level at which you’re competing becomes too easy, you’ll find yourself raising the bar. Just remember, every time you do, it will feel as though you’re starting over again. You’re not. You are at a specific point in the path. Everyone else is either ahead of you or behind you–but it’s still the same path.

So take heart. It just means you’re a writer, that’s all.

Seven Shifters I’ve Known and Loved

Today I have Liza Street, author of the Corona Pride series, sharing with us her favorite heroes from shifter romances. I’m delighted to hear what she has to say, as some of these delicious shifters are new to me! I don’t know about you guys, but I’ve already added to my TBR pile based on this list.

Don’t you just love this cover? Be sure to check out Liza’s links at the end of the post to find out how you can get a free story!

So tell us, Liza! List your favorite shifter heroes and why you find them so amazing!

 

 

  1. Clayton Danvers from Bitten by Kelley Armstrong

Clay was my first shifter heartthrob, and he will always hold a special place in my heart. Despite the violent acts he does to ensure the safety of his pack and his questionable behavior toward Elena in the early stages of their relationship (which I won’t spoil just in case there are one or two PNR fans who haven’t yet read this book), I fell hard for his southern accent and his absolute devotion to his mate. In my head, he’s even hotter than the guy who plays him in the television series. Is he flawed? Very much so. But since he’s my first, I go easier on him.

  1. Matt Barns from Gray Back Bad Bear by T.S. Joyce

It’s impossible for me to talk about how much I love Matt without saying how much I love his mate, Willa. These two were absolutely perfect together, at turns vulnerable and hilarious. Willa, especially, brought some geeky levity to their relationship, and while I adore Matt on his own, I love him even more with Willa.

  1. Arik from When an Alpha Purrs by Eve Langlais

So this guy is completely vain, especially about his hair (that is, his “mane”), but…I sort of loved him for it. Sure, I also wanted to throttle him, but I liked that even though he thought so highly of himself and his mane, he was still vulnerable with his friends. His vanity was great for laughs.

  1. Alcide Herveaux from Club Dead by Charlaine Harris

Alcide…sigh. I really couldn’t care less about Bill or Eric. I wanted Sookie to end up with Alcide. Of course, a whole lot of random complications kept them apart throughout the series, but for a while there, I was Team Alcide.

  1. Lucas Hunter from Slave to Sensation by Nalini Singh

Okay, I’ll be honest. I read Slave to Sensation a long time ago and I can’t remember any details about Lucas except that he was totally hot and there was tons of sexual tension. Hmm, might be due for a re-read….

  1. Derren Hudson from Spiral of Need by Suzanne Wright

If you love a good alphahole, you will love Derren. He starts off the story with all kinds of prejudice against Seers, and of course the heroine just happens to be a Seer. He’s controlling and derisive and super controlling. Something about Ally has him rethinking his prejudices, and you know what happens to a controlling man whose worldview is challenged? He’s cranky. So yes, Derren’s an alphahole. If you don’t like violent sex, this book might not be for you. (Not violent as in non-consensual or rapey, if I’m remembering correctly. Just…violent. Explosive. Demanding.)

  1. Adam Hauptman from Moon Called by Patricia Briggs

Hello, Hot Neighbor! This dude is just solid. Solidly built, and solid at heart. I don’t want to say too much and spoil later events in the series, so I’ll just say that I absolutely adore his love-hate relationship with Mercedes in Moon Called, and the way she teases him by leaving an eyesore junker car in sight of his house. Sa-woon. I love those two.

About Liza Street:

Liza likes her heroes packing muscles and her heroines packing agency. She got her start in romance by sneak-reading her grandma’s paperbacks. It wasn’t long before she started developing her own series. Now she divides her time between freelance editing, ghostwriting, and mountain lion shifters with fierce and savage hearts.

FREE BOOKS–Join Liza’s mailing list and get Fierce Heartbreaker, FREE, as well as an exclusive Sierra Pride prequel story and other goodies! Visit Liza’s Free Book page to get started. 

Liza’s Amazon page and her website.

Make Your Hero Someone Worth Idolizing

As a writer, I’m frequently asked to pen a few words about the most influential book I’ve ever read. There’s no question which book it would be: Gaudy Night by Dorothy L. Sayers. I’ve been a lifelong fan of murder mysteries, particularly the British cozy, in which the body is discovered in the library and the protagonists sit around and discuss this development with wit and erudition. I still regularly re-read the classics of the Golden Age of Mystery: Dorothy Sayers, Agatha Christie, Ngaio Marsh, Margery Allinghmam, Josephine Tey, Patricia Wentworth, you name it.

Gaudy Night remains my favorite book of all time, the one novel I’d want with me if marooned on a deserted island.

I’ve given a lot of thought as to why.

By the time you get to Gaudy Night in the series, Lord Peter Wimsey, the dapper aristocratic peer with detective tendencies, has been seeing Harriet Vane for several years. Harriet, the somewhat cynical mystery writer, is looking to piece together the remains of her life after having been acquitted of murdering her former lover in a time when murder was a capital offense in Great Britain. Harriet is intelligent and strong-willed, determined to make her way in an unforgiving world without compromising her beliefs—the tenant of which caused the break between her and her deceased lover. Peter Boyle had first refused to marry Harriet on principle; when ‘living in sin’ was almost as much a crime as committing murder. Boyle does a turnaround and decides to ‘make an honest woman’ out of Vane, condescending to make things right with society and her family after first forcing a split with both. Harriet refuses to marry, and instead breaks up with Boyle.

When Lord Peter first meets Harriet in Strong Poison, she is a prisoner in the dock for Boyle’s murder, and Lord Peter has very little time to prove that Harriet is innocent. He also falls in love with her at first sight, and subsequent meetings shows the two of them are mentally and emotionally compatible—for Lord Peter is not a slave to his emotions. Though he would have done everything in his power to prove Harriet’s innocence, he would not have proposed marriage to someone he didn’t think he could make happy.

But Harriet, bruised by life’s circumstances and emerging out of prison bloody, but unbowed, will have none of men offering marriage. The next few books in the series continue in the usual Sayers vein: an interesting and clever murder with Lord Peter being witty and brilliant in the course of deduction and solution. Harriet is not always a presence in every story. I confess, I prefer the novels in which she is there. The interaction between her and Lord Peter take the stories beyond the simple murder mystery formula. At one point in Have His Carcass, Lord Peter and Harriet have a very telling conversation about the fictional characters in Harriet’s latest novel. Lord Peter suggests a fix for the story that would require Harriet to rewrite her story in order to make the characters three-dimensional, more real. Harriet protests that this would be a painful process, whereupon Lord Peter gets to the heart of the matter, asking her what difference would that make if doing so gave her a better story in the end?

This is a critical turning point in many ways. My hero, Lord Peter, sets a precedent for doing whatever is best for the story, no matter the personal cost to the author. I frequently say, “Everything is grist for the mill” and it is true: no matter what the trauma I might be experiencing, at the same time there is this Critical Observer taking notes. I know at some point that experience will be transmuted and used in a story. I like to think that Lord Peter guided me to this choice.

In Gaudy Night, Dorothy Sayers takes this concept further. For most of the series, the Lord Peter we see in the stories is the same face he presents to society: fatuous, superficially shallow, yet clever enough to solve ‘little difficulties’. He solves mysteries while never failing to produce the most appropriate quote. He’s entertaining at parties. He collects rare books, loves music, and is a peer of the realm. It’s easy to see why he is frequently underestimated by his adversaries. However when we meet him in Gaudy Night, it is a Peter who has come back from a series of harrowing adventures—and Dorothy Sayers lets this show. This Peter Wimsey is older than the one we met at the beginning. He loves Harriet, but he’s also tired of the song and dance. He tells Harriet that the next time he asks her to marry him will be the last. Sayers makes good on that earlier suggestion that an author should do whatever is best for the story.

Gaudy Night isn’t just a story about Harriet deciding whether or not she’ll marry Wimsey. She’s deciding what path to take for the rest of her life. She’s having to choose between the life of academia and quiet study, where everything seems clean, ordered, and black and white—and the messy disorder of a life more passionate, with the man who loves her, writing stories to entertain instead of enlighten. Yes, there is a mystery, but it is the catalyst within the crucible rather than the main story. In Gaudy Night, for the first time in their relationship, Harriet views Peter as a man rather than as an appendage, and that scene in which she becomes conscious of him as a sexual being is one of the hottest scenes I’ve ever read. No, seriously. One of the steamiest, most sensual scenes I have ever read. Even though there is no sex involved.

There comes a point in Gaudy Night in which Harriet’s life is threatened—and Peter does her the honor of letting her take the risk. He doesn’t swoop in and forbid her to risk her life. He warns her of the risks of kicking over the ant hill—he acknowledges she can choose to say nothing and walk the cloistered halls of her university for the rest of her life—without him. He is also prepared to be there to pick up the pieces afterward if things go badly. It is one of the most perfect examples of an adult relationship that I’ve ever seen. When at the end of Gaudy Night, Peter proposes and Harriet says ‘yes’, your heart is singing with hers because you know this is the right answer for both of them. Sayers makes Peter an honest, three-dimensional human being in Gaudy Night, putting her money where her mouth is as an author. Not only has this book influenced me in my own personal relationships, but it has definitely influenced me as a writer, too.

I fell in love with Lord Peter when I was thirteen. I named a horse after him. I feel badly for all those young girls who are looking at Edward Cullen and thinking that’s what the perfect man is like. Because Lord Peter is a gentleman who will treat me as a lady—and an equal.

It’s what I strive for as an author, even though I write in a completely different genre. Someday, I want someone pointing to one of my heroes and saying, “This. This is what I want from a relationship. To be treated with honor and dignity. To be treated as an equal and an adult.”

Because let me tell you, baby. There’s nothing hotter than that.