Why Paranormal Romance?

Of all the genres out there, paranormal romance is its own little niche. There are people who won’t touch it–I frequently see open calls for stories (no paranormal) or invitations for group events (no paranormals). I get it. It’s different. It’s not for everyone.

So why do I write it, when obviously the big money is on contemporary romance or even romantic suspense? Heck, historical romances are still going strong, centuries after Jane Austen gave us Pride and Prejudice. And I like these genres too–I won’t say I’d never write a contemporary romance because I probably will some day. But the real draw for me right now is paranormals and urban fantasy.

The why is simple: as someone who has felt like an outside most of her life, I’m drawn to characters who, for one reason or another fall outside the norm. Paranormal romances, and in particular shifter stories, allow me to explore what its like to be ‘other’ in a world that demands normality, while at the same time allowing me free reign to play in my imagination. I’m a huge sci-fi and mystery fan–writing paranormal romances lets me draw on that background while giving me the romance I crave.

Urban fantasy delights my imagination because I love the juxtaposition of the every day with the supernatural. J.K. Rowling gave us the magical world hidden from the world of Muggles. Harry Potter receives a letter on his eleventh birthday and discovers that he’s he’s a wizard in the making–and we go on that journey with him, learning about Hogwarts and Quidditch and Voldemort as he does. It’s brilliant storytelling. Harry is both the outsider (raised in ignorance of his heritage) and the hero–displaying abilities far beyond what would be expected of an eleven-year-old boy. Rowling’s universe is captivating, in part because it could exist side-by-side with ours and we’d never know it. And deep inside each of us is a child who wishes we’d received a letter to Hogwarts. In fact, most of us are convinced it went astray somehow. I know mine did.

Another author who uses this outsider-more-powerful-than-expected theme to great advantage is Margarita Gakis. Her Covencraft series has some of the same elements: in Trial By Fire, Jade, a naive heroine (though much older than Harry), develops the ability to spontaneously start fires with her mind. This brings her to the attention of the local coven–and she is given an ultimatum: join or be forcibly stripped of her powers. Jade is not the sort of person you force to do anything–and she’s more powerful than anyone suspects. Some things come very easily to her–dark spells that most people take a lifetime to master. I adore this series. I read Trial By Fire in a single afternoon, unable to put it down. I love that Jade is an outsider in so many ways, even to herself at times as she battles her inner demons and the very real ones living in her closet. I love too that the author explores some dark themes about control and the right to one’s self and abilities.

In fact, that’s one of the things I love most about the genre. Paranormal stories allow such wonderful scope for exploring important, uncomfortable themes on a metaphorical basis. In my upcoming Redclaw Security series, one of the themes I’ll be developing is the fear ‘normals’ have for shifters, and how even though they are more powerful than humans in many ways, this has lead shifters to hide their true natures. A new President wants to institute shifter registration–possibly even internment camps. The possible storylines this could generate are endless. *rubs hands together with evil glee*

And in my sister series, Bishop and Knight, our ‘normals’ are charged with investigating the sudden onslaught of paranormal activity at the end of WW2. The reader will go on the journey with them as they discover the real reason for the creation of shifters in a world changing faster than anyone ever expected.

Writing in this genre lets me poke fun at tropes, take my fancy on soaring flights of imagination, expand upon political and social themes, all while spinning a tale about two people falling in love.

Who wouldn’t want to write that?

Yes, he’s my Hero, but does he have to be an A*hole?

New Cowboy Boots–freeimage.com

I confess, I’ve been a little worried about the hero in my debut novel (release date hopefully sometime in August). See, the thing is: he isn’t a jerk.

Now, put that way, it sounds kind of odd, like that might be a good thing. And normally, I’d agree. But we’re talking romance novels here, and tropes exist for a reason. Readers have come to depend on their tropes. They love them and don’t want a story that disappoints them in any way.

I get that. I do. But one of the reasons for the longest time I avoided writing stories featuring women is because I grew up reading stories in which the heroines were defined by the tropes of the time. No sex without marriage and every epilogue had a baby on the way. Or if there was sex, it was only because the heroine was a) forced/seduced against her will by pirates/sheikhs/bosses/rival clan chiefs/marriage of convenience husband or other types of men who had complete domination over her or b) she was a widow. In fact, if a historical romance described the heroine as a widow in the blurb, I knew that as code for ‘there will be sex in this book.”

I didn’t recognize myself in any of these heroines.

Codes and tropes are all very well and good because they help readers identify those stories they want to read. Likewise certain genres have certain kinds of book covers, the better to help the reader spot their particular form of catnip and not waste time wading through tons of material they aren’t interested in reading. That may be even more important today, as readers have so many choices. But those older tropes were largely the ones that made me lose interest in most romances growing up, and it is only recently that I’ve come back to the genre.

I’ve been reading a lot of romances lately, in part because I desperately need that HEA, but also because I want to know what the new tropes are and how to use them. Part of that use means knowing when to turn them on their head or not use them at all. But that’s where the concern for my hero comes in.

Because he’s not a jerk. He’s not an “Alpha” male, which has always been sort of synonymous with ‘asshole’ for me. He’s not a Navy Seal, former Special Ops agent, billionaire playboy, cowboy, or arrogant anybody. Okay, so he’s a panther-shifter (that’s cool, right?) and he’s charged with protecting my heroine against unknown assassins, so he’s not a pushover, but just the same, he’s a pretty nice guy.

And I worry that will doom him with my readers.

I love opposites attract as much as the next person. That’s MY catnip: the witty repartee, the snarky banter. Give me snappy dialog and chemistry between the characters and I’ll forgive you plot holes you could drive a Mac Truck through.

One of the reasons the first couple of seasons of Castle worked so well for me was just that: the snark and banter between the lead characters. And even though practically speaking, opposites attract seldom works out as well in reality as it does in fiction, I love it just the same. I recognize it’s a trope, and it’s one I will read and write anyway.

Still, I worry my hero isn’t heroic enough. That readers will think he’s not not manly enough because he’s not a jerk. He doesn’t berate or belittle her. He is cognizant of her feelings and tries to include her in the decision-making when things get dangerously out of hand. He wants what’s best for the heroine–even if that isn’t what is best for him.

I can almost hear the reviews now:

What a wimp! You call that a hero?

I don’t know what she saw in him.

BOR-ING.

They had absolutely no chemistry together at all.

Because somehow, chemistry means slamming doors and broken whiskey bottles. Apparently it means hiding your attraction to someone by being rude and unpleasant. I recently DNF a romance 4% into the novel because both main characters were so unlikable I had absolutely no desire to see them work their differences out.

But here’s the interesting thing… today I saw someone on Twitter say they were incapable of reading any romances with military heroes at the moment because of the behavior of so many real-life military-types on Twitter. And I noted I couldn’t read billionaire romances because while it’s fun to read Cinderella stories where the billionaire saves the broke heroine from her wretched existence (wouldn’t we all like to be rescued like that?), I can’t help but think about how the billionaire became so rich–and what his politics are like. And I hate to break it to you, but I grew up around a lot of cowboys and wanna-be cowboys, and let me tell you, they are the reason I remained single as long as I did.

Does that mean these tropes are wrong or bad or passe? Not at all. It means that I can’t read certain kinds of stories at the moment. That doesn’t mean you should stop reading them (or writing them for that matter). I love marriages of convenience stories, no matter how unrealistic they are, and coming-home-for-the-holiday stories, and stories where two people who are truly different find common ground. I love Regencies, and space opera, and cozy mysteries where everyone is trapped on an island or at a house party in the snow. Sometimes I want my sex on-page, in-your-face, thrust-up-against-the-wall sex, the kind that makes you fan yourself and press a cold beverage to your forehead. Other times I want my sex implied–a saucy closing of the bedroom door or a gentle fade-to-black. My cup of tea might not be yours. That’s okay because these days, with the advent of self-publishing in particular, there are fewer limitations on storytelling. In part because men in publishing houses aren’t making all the decisions about what women can–and should–read.

If anything, it means there may be room for my kind of hero after all.

 

Leopard silhouette.

 

 

June Recommended Links on Writing

Hah. I need to find a better image for these ‘links’ posts! This is the first of what I hope to be monthly posts where I share useful links to posts on writing, marketing, and any aspect of the business I found useful.

Starting right off the bat, the first article I wanted to share dealt with impostor syndrome. It was written from the viewpoint of a photographer, but everything the author said applied to writing as well. Unfortunately, the link I’d saved no longer works, but I found another one: 5 Tips for When You Feel Inadequate.

If you’re not already following Chuck Wendig’s blog, terribleminds.com, you should be. He has one of the best blogs out there on writing. This post is a gem: Wrestling with Writer’s Block by Maurice Broaddus.

Thinking about creating an audiobook? This post by Isobel Starling walks you through the process on ACX: Indie Authors: Using ACX to Find a Narrator.

One of the terrific things about indie publishing is the ability to make your own rules. Kristen Ashley shares her success story here: The Secret to This Romance Author’s Success? Breaking All the Rules.

Jane Friedman is another author who posts excellent advice on writing. This one here about How to Spot Toxic Feedback is something we all should read and understand.

The Write Practice also had some words to say on How to Give and Take Better Writing Feedback.

I have a confession to make here: despite the fact I’m a romance writer, I sometimes struggle to write kissing scenes! Face it, when you write a lot of such scenes, you have to find new ways of keeping it fresh! Ride the Pen has a nice little post here about How to Write a Kissing Scene.

Molly Wetta posts about the difference between urban fantasy and paranormal romance, which is a handy reference guide, as I write both! Urban Fantasy for Paranormal Romance Readers.

Kristen Lamb is another writer with a fantastic blog on writing, marketing, and social media. I’ve said before, I don’t always agree with everything she says, and this post is an example. Her post: Shame, Shame, We Know Your Name. Or Do We? Shame and Fiction had some interesting things to say about shame as a driving force in all great stories. I quibbled a bit with the argument that all great literature had shame as a central impetus for character behavior, but I was hard-pressed to think of stories that did not… 

And last but not least, Lit Hub posted an essay constructed out of quotes from Jamaica Kincaid on How to Love and How to Write. I wasn’t familiar with the author when I read the post, but I found the quotes to be pithy, amusing, and thought-provoking.

I wish I had time to read all the posts I bookmark for future reference! Ah, some day. In the meantime, I’ll share the ones that resonated with me. And I’ll keep searching for a better link image!!

Finding Your Creativity in a World That Seems Hopeless

 

 

 

 

 

 

 

 

 

My creative friends and I are having a hard time being productive these days. I don’t know of a single one who isn’t struggling. Most of my social media timelines have at least one friend noting that trying to write during the current political upheaval in the US is like pretending nothing is going on while the house is burning down. They punctuate this observation with gifs of people seated at a table while bombs explode, shots are fired, and victims run screaming with their coats on fire. You know the ones I mean. You’ve probably posted some yourself.

I feel the same way. I haven’t been nearly as productive as I’d like for longer than I care to admit. First I was devastated by the election results. And yes, they’ve been as bad for our country as I feared. Then I had some personal losses, one after another, so many in such a short period of time that had I put them in a story, readers would have rolled their eyes in disbelief. 

I had a hard time believing that anything I was working on mattered. I was both angry and terrified, while at the same time grieving. I tried to do one of those online meditation things about finding hope in uncertain times but it only pissed me off more. The message was about acceptance–and at the time, it infuriated me. My inner voice kept screaming that there are some things that we should never accept, that should outrage us, that we should resist. I gave up that particular meditation for the time being.

Face it, the insanity of American politics aside, when you read articles like this one, in which Steven Hawking and other scientists believe humans will be extinct in less than 100 years, it’s hard to believe there is any value in writing love stories about paranormal investigators.

But a funny thing happened on the way to the apocalypse. I began reading messages of support and encouragement. They came from my friends at first—reminding me how much pleasure writing gives me, but also how much pleasure my stories give other people. For years now, I’ve said my main goal in telling stories was to make someone’s crappy day a bit better—to provide a few hours entertainment, to let someone lose themselves in another world for a little while—so they could forget the stressful job, or their chronic illness, or the burdens of their daily life. My dear friends reminded me of that, and I deeply thank them for their unwavering support and belief in what we do as creators. What I do as a creator. Now, more than ever, we are going to need relief we get from reading stories that make us happy.

But it’s more than that. A friend of mine, a wonderful writer, penned this statement as a means of encouragement to us all:

“We are the people who create. And I don’t just mean that we’re creative, I mean that in no matter how big or small a way, we bring something good into this world, make it better. We build instead of destroy, make things move forward instead of back. We create friendships and fandom families that stick together. We create positive thoughts and energy that will always spread farther than we think. We create better versions of ourselves, and help others grow that way too. We create stories, crafts, art, discussions, pictures, and so much more, and bring joy to others through what we do. We create love. So many times this place, the fandom, all you people, have saved my day when I have needed it the most. And every time I hear that something I did or created did the same for someone else, I feel a little surprised that I had such power, but also very happy that I could shine some light on a day that might have been anything between mildly grey and near dark.”

Her words came into my darkness like a shining beacon.

Chuck Wendig, an author who posts kick-ass blogs about being a writer, posted a list of constructive things we as creators can do, titled Mourn, Then Get Mad, Then Get Busy. I found this post heartening as well. In particular because it acknowledged my fear and despair, and then gave me practical things I could do about it.

My husband sent me this link, which also inspired me. It’s from the comic, Oatmeal, entitled It’s Going To Be Okay. I confess, I didn’t want to read it at first because I didn’t want someone trying to persuade me things aren’t going to be as bad as I fear, but I was very glad I did. You should read it too.

Last night, long after I should have been asleep, I came across this tweet from George Takei:

The Ministry has fallen. Death Eaters are about. But, my wizards, together we can defeat the dark tides of bigotry and intolerance. #WandsUp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

It made me smile in a painful sort of way, but it also reminded me the power of the written word. The magic of stories that makes us not only see similarities between world events and books we grew up loving, but it makes us want to be better people. We want the Ring to get to Mordor. We want to see Voldemort vanquished, the Empire defeated and Palpatine destroyed. We want to believe that one day, ignorance, hatred, and intolerance will give way to the kind of society that creates Starfleet, and that people of all races, genders, nationalities, and species can serve together—as a team—on the greatest starship of all time. Because otherwise, we’ll all be living in Panem and the Hunger Games will begin soon.

I won’t kid you. I’m terrified for the future of my planet, for society as a whole, for my personal health and safety. And I’ve been wondering what one exhausted, frightened, middle-aged woman can do. The answer is, I can continue to write. My stories might not change the world. I probably won’t create the next Harry Potter series, or write something that catches fire like the Hunger Games. I write romances, and heck, I probably won’t even write the next 50 Shades of Gray. But what I can do, in my own quiet way, is tell stories where diversity and acceptance aren’t dirty words, and where love wins in the end.

If I make someone fall in love with a character who is not like them—if I humanize that person for them and make that reader want what is best for them—then I’ve taken steps that might make them stop viewing ‘different’ as ‘other’. And if the only thing I achieve is that I make one other exhausted, frightened person feel a little bit better, a little bit calmer, even for a few hours, then I’ve done a good thing. If I can make one person say, “Whoa, that isn’t right, and we need to change that,” then I have done a great thing.

Let’s all go out there and do great things.

 

 

Rookie Author Mistakes and How to Avoid Them

The other day I stumbled across a great Facebook thread in which a new author asked for advice: she wanted to know what kinds of newbie mistakes to avoid as a first-time author.

True to form, the writing community, including myself, chimed in with a number of excellent points. Afterward, it dawned on me this would make an awesome blog post, and here we are.

So here’s my ‘I wish someone had told me’ advice.

In no particular order:

1.Google your pen name before you start using it. I had this awesome pen name in mind, but when I Googled it, I found out it belonged to a Hungarian stripper. What are the odds, right? I was tempted to use it anyway, only I just knew every time someone did a search for my books, the stripper’s website would come up. Seriously. Google your pen name. You really don’t want the same pen name as a serial killer. Also, be careful of having a ‘unique’ spelling. If people can’t remember how to spell your name, they aren’t likely to find you on a web search. It’s easy. It takes less than thirty seconds, for Pete’s sake. Just do it. You won’t regret it.

Whether or not you need a pen name is another discussion altogether. I personally think if you write in wildly divergent genres, such as ‘sweet’ romances and dinosaur porn, you’d better have two pen names. But that’s just me.

Do yourself a favor: if you have a pen name, use a different browser for your author activities and keep everything separate from your real name. It will make life MUCH simpler when doing business as your author persona and save time and energy by eliminating the need to log in and out of different accounts.

2.Platform and promotion. Yes, you have to have it. No, no one likes promoting themselves, but it is a necessary evil.

In order for promotion to work, you already have to have a platform and internet presence in place. A website (more on that later), Facebook page, and Twitter account are probably considered the bare minimums, but most writers have pages on Pinterest, Tumblr, Goodreads, Amazon, Instagram, G+… well, you name it. Many writers have pages on sites geared toward their genre, too. It’s a lot to keep up with. My rules for platform and social media: pick the two or three sites where you are the most comfortable and spend time there. If a site makes you unhappy, you won’t be your best there. Learn how to cross post from your main sites to other sites. I rarely spend time on Goodreads or Tumblr–they just aren’t my kind of places, but other people hang out there, so when I post a blog entry like this, I make sure it automatically cross posts to those other media platforms.

Worry less about your ‘brand’ when starting out. Be friendly. Share other people’s announcements. Interact with people in a manner that does not always center around your books or writing. For heaven’s sake DO NOT auto-post tweets or private message people with BUY MY BOOK spiels within seconds of them friending or following you.

There are some great books on social media out there. I happen to like Kristen Lamb’s We Are Not Alone:The Writer’s Guide to Social Media. I might not agree with everything Ms. Lamb says (she is very much against pen names, for example) but she has some good points to make. One of which is that your name should be easy to find–it should be part of your website, your Twitter name, etc. Having a cute Twitter handle might be fun, but what if no one remembers that @AwesomeWombat is really McKenna Dean? Don’t make it hard for your readers to find you.

3.Websites: Your website is your home base. It is going to be the main way readers find you. Make it easy for them! You have roughly two seconds to make a good first impression when people land on your page. If your site is too hard to navigate, too difficult to read, has too many moving gifs or images that roll by too rapidly to read, you’ve lost a perspective reader right there. They will move on to the next site, to look for some other author whose home page doesn’t make their eyes bleed. Whether you have a static home page or not is up to you. But the most important thing is that your site is crisp, clear, and easy to navigate. Your social media links should all be in one place. Your backlist and buy links should be easy to find. You should update your blog on a regular basis. If you have a newsletter or a way for readers to follow your blog, it should be easy to find and sign up. Two seconds. Otherwise, your viewer will click away.

4.Reviews: if I had put these in any kind of order, reviews probably should have gone at the top. EVERYONE had a lot to say about reviews. For the most part, I tend not to read my reviews unless I’ve been sent the link from a trusted review site or a friend has discovered a glowing review and they want to share it with me.

Everyone gets bad reviews.

Don’t believe me? Look up your all-time favorite book. I guarantee that you will find someone who utterly loathed it and flamed it royally in their review. Any time I stumble upon a review I wish I hadn’t seen, I perform this very task and it is amazing how therapeutic it is. Because if someone can hate the book you adore, then it puts things in perspective for you. Over and over again, authors gave DON’T ENGAGE A NEGATIVE REVIEW as their number one advice. Just. Don’t. The author *always* comes out looking like the bad guy here, and nothing will alienate fans faster.

There are some people who’d suggest not responding to any review on Goodreads, as it is a site primarily for readers, not authors. I know many authors who interact with their fans quite happily on Goodreads, but I confess, it feels like an abandoned mine field to me. One false step and BOOM. But that’s just me.

The point is, don’t let one bad review negate the twenty good ones you’ve received. Don’t let a ‘meh’ review derail you from your planned story arc, or shut down your writing mojo.

When I first began sharing my stories, feedback was the crack that kept me writing. It was addictive, getting the kind of praise that made you giddy with delight. When I made the jump from fanfiction to original fiction, feedback was much harder to come by and not nearly as inclined to be kind. A negative review had the power to negate fifty glowing ones. I’ve let past reviews shake my confidence and alter my proposed projects. There is only one time that I think you should pay attention to negative reviews, and that’s when the same thing keeps being said over and over by different people. That usually means you either failed to make your point clearly or you failed to understand what your audience wants.

The longer I’ve been at this, the less impact reviews have on me. Don’t get me wrong—I adore an awesome review! And excellent reviews—especially in large numbers—will definitely drive sales. But I no longer let bad reviews upset me.

Look at it this way: those really nasty reviews? The ones that go beyond ‘this is why this book didn’t work for me’ and seem to intend deliberate wounding?

Yeah, there are only two reasons someone writes a review like that. The first is because they have a following, and people read their reviews for the flaming zingers. You can’t take something like that personally. It’s not about your book as much as it is about entertaining a cadre of like-minded readers who enjoy the burn.

The second is because this unknown reader really does want to burn you. They want you to hurt so badly over their comments that you seriously consider never typing another word. You know what? SCREW THAT. They don’t get to decide that.

Don’t write for reviews. It will only make you bitterly unhappy. Ditto if you’re hoping that your next story will somehow launch you into J.K. Rowling fame. Write because you can’t imagine not writing any more than you can imagine not breathing.

5.Beta readers versus Editors (and what they bring to the table): first of all, these people are invaluable to you as a writer. As authors, particularly new authors, we have to be willing to accept the input of others, especially if we keep getting similar feedback from multiple sources: that’s your biggest indication something is wrong with your story or your writing style and it needs fixing. At the same time, it can be difficult not to let a strong-minded person take on more credit for the shaping of your story than they really deserve–or should have. Beta readers are not editors, either. Yes, they will catch typos, but their primary function is to tell you if the story is working or not.

Different people catch different things, so I think it is very important to have more than one beta reader. But my main reason for having multiple readers is two-fold: not only do you not want to overwhelm a single person if you are a prolific writer, but it is much harder for someone to claim a larger share of the credit when there is more than one person involved. A beta reader who claims to ‘make or break’ you is like someone who helped you set the table expecting credit for cooking the banquet. A good beta reader is worth their weight in gold. They will help you produce the cleanest copy possible for submission to a publisher or an editor, if you self-publish. They are cheerleaders and problem-spotters. But once the story moves on to editing, their role is usually done. Beta-readers are often friends, which can make it very painful to sever the relationship if it is no longer working for you. But if your beta-reader is acting like a gatekeeper between you and publishing, it is definitely time to end the relationship.

Editors will clean up and tighten your prose, point out that you have used the same phrase thirty-seven times, correct your somewhat loose interpretation of the Chicago Manual of Style, and identify where things need to be explained in greater detail or a weak plot point that needs fixing. But they should not be altering your style to match their own. It is your story. They are polishing the finish on the sports car, not re-building the engine.

Editors can (and should) point out major plot holes and weaknesses of presentation. If you are writing in a specific genre and your story isn’t meeting genre expectations, a good editor will let you know. If the car breaks down halfway around the track, it doesn’t matter how shiny it is. But they aren’t there to re-write the story for you.

You know what they say about people who act as their own lawyers during a trial? “You have a fool for a client.” Well, that applies to attempting to edit your own work as well. I’m not saying it can’t be done, but the chances are very good you’re going to overlook something important by sheer proximity to the work.

6. Don’t game the system. There’s a big difference between recognizing and taking advantage of market trends (something I’m not very good at, but I know people who are) and writing simply to make a buck. Face it, if you want to make money, there are far easier ways of doing so. By gaming the system, I mean deciding you’re going to write serials, or short cliffhangers, or dinosaur porn, filling Kindle Unlimited with them because you can churn those babies out to match the current best deal Amazon offers, and the instant the algorithm changes, so does your storytelling. Look, I have nothing against dino porn, but if you want to write it, do so because you enjoy it, okay? And no sockpuppets singing your praises or slinging mud at the competition. No buying reviews. I really shouldn’t have to say this, right? Pricing your story so that it sells well, or making the first book in a series free? That’s not gaming the system. Buying your way onto the bestseller lists is.

The best way to make writing pay for you? Write. Write a lot. Be working on your next story while you are launching your previous one. Be thinking about the next one, too. Readers are like stray cats. If you feed them, they will come.

Most of us go through a post-story blues, where it is hard to move on to the next project. Get over yourself. I once figured out that it took me nearly a year from the time I conceived of a story idea, to writing it, to submitting it, to having it published before I saw royalties trickle in. Which means that for writing to pay the bills, I have to have a new story coming out at minimum every quarter. It’s one of the reasons self-publishing has become more popular as writers realize they can shorten this time. Which brings me to the next point…

7. Don’t quit your day job. Seriously. Writing a runaway bestseller like 50 Shades of Grey is like winning the lottery. It rarely happens, and certainly not to you and me. The rest of us have to slog out a minimum of something on the order of 60-80K words every 2-3 months in order to even hope of quitting the day job. I don’t know about you, but putting that kind of pressure on myself really puts a damper on my writing mojo. Writing is something I do that makes me happy in order to make other people happy.  But I don’t ever want to look back on my life twenty years from now and wish I’d spent more time walking the dogs or doing things with the family. And I don’t want to take something I love and turn it into something I hate because I can’t turn out a completed product I can take pride in.

But hey, maybe you can be incredibly prolific while still working a full-time job. Or maybe you’re currently jobless, and now is the sink or swim moment. It is possible to make a living as a writer. Just expect to work hard, write a lot, make a lot of personal sacrifices regarding how you spend your time, and don’t expect Hollywood to come knocking at your door with a movie deal in hand. It means writing when you don’t feel like it. It means there is no such thing as ‘your muse’, only the need to put words to paper because that’s your job.

You’re going to hear a lot about how to be a successful author. But by trying to please everyone, you’ll wind up pleasing no one. You don’t really need a ton of fans, anyway. You need a thousand die-hard fans that will buy everything you write and tell all their friends about you too.

8. Piracy: it happens. There is no use giving yourself ulcers about it. Don’t try counting up the money in lost revenue it represents, either. It will only make you cry. Some people don’t fight it. Personally, I do. Piracy means the difference between my paying the mortgage some months, or whether I have to wait another year to replace the glasses with the $400 lenses. Piracy is the difference between having to choose between dental work or going to a writer’s convention. Don’t just bitch about it, though. Every couple of weeks, do a search of your name and book titles (I find that Google Alerts tends not to pick up many illegal downloads–it’s better for notifying you of reviews). If you have a publisher, report it to them–they are losing money as well. Draft DMCA and takedown notices to send to pirate sites. Make sure that people know that many of these sites are just phishing to steal credit card information. In my case, my stories frequently show up on torrents (someone seems to keep uploading a bundle of four of my stories–it’s infuriating to see the same bundle appear again and again…). Appealing to the torrent is usually futile, but you can report the link to Google, which will block it in a title search on their browser. Given that almost everyone uses Google, having them block the illegal site in a search is a good thing. Searching the internet and preparing takedown notices is time-consuming and frustrating, but I do it. Sure, I realize that the vast majority of people downloading illegal copies would never buy from me in the first place. That doesn’t mean I have to make it easy for them to pick my pocket.

There are also some new services cropping up like Blasty, which streamlines the reporting process to Google, making it nearly painless.

9. Don’t ever diss another author. That’s just plain stupid. Unless you are among unimpeachable friends that you trust with your whole heart, giving a frank opinion of someone’s work or personality is fraught with the potential to have your words come back and bite you. Keep it to yourself, even if you feel completely justified, or if someone approaches you, encouraging you to vent. Be a professional and keep your mouth shut and your fingers off the keyboard. That applies in general to most internet kerfuffles and dramas. Remember the great proverb: Not my circus, not my monkeys. This is a corollary to not responding to negative reviews. People talk. And if you malign someone’s writing or themselves as a person, the chances are it will get back to them.

On the other hand, sometimes it is impossible not to have someone get angry with you through no fault of your own. Apologize for inadvertently upsetting them, try to correct or prevent the circumstances that led to the misunderstanding, but if they won’t grow up and get over it, let it go. Don’t talk about it, however. Be the bigger person here. Apologize, move on, and never refer to it again. If they keep bringing it up in the face of your silence, they wind up looking petty and small for holding grudges.

10. And last but not least: write what makes you happy. Don’t write to market pressures. If you have no interest in the latest fad, your lack of enthusiasm will show. If you want to write about chefs, or the horse-racing industry, or US Marines, or WW2 flying aces, or dragons, you can. Just make sure you’ve done your homework, or in the case of fantasy, you’ve created a world with believable rules that make sense. Don’t worry about finding an audience. Chances are if you love what you’re writing, others will too. And they are the readers that count the most.